Are you ready for some shocking art? Somewhere between science and art, Marc Simon Frei tests their boundaries by combining these two worlds into a stunning series of photographs titled Tesla Sparks. The innovative artist creates electrical currents with a Tesla coil and captures their iridescent glow with his camera. A Tesla coil, invented by engineer Nikola Tesla around 1891, is an electrical resonant transformer circuit that produces both high and low voltage. Frei manipulates this electrical current in fascinating ways by arching a variety of different objects to the coil. This produces mesmerizing bends in the current, resembling tiny lighting bolts. In fact, Frei plays off this likeness by staging miniature lighting storms of his own. He creates clouds out of wool and constructs a scene so that these electrical currents seem to shoot out of his “clouds.”
To add an even more striking visual, he adds an element of color by illuminating his clouds with different colored LED lights. As if the bright, purple and blue glows erupting from the Tesla coil weren’t awe-inspiring enough, his eerily beautiful clouds fill you with a surreal wonder. The intense hue that the electricity emits captivates us, reeling us in to every frame. There is a powerful tension between the undeniable beauty of the many bolts of voltage lighting up each photograph and the known dangers behind high-voltage. We are drawn to its attractiveness, but are aware of its dangers. The photographer has created a unique, dynamic series that demonstrates spectacular colors and patterns made from electrical currents. (via This is Colossal)
Capturing monumental beauty in the little things in life, artist Pyanek photographs captivating images of everyday objects up close and personal. In his series Amazing Worlds Within Our Worlds, he photographs ordinary objects like cornflakes, book pages, and soap foam. However, these seemingly mundane objects do not look so ordinary when they are taken in Pyanek’s close-up photography style. What was once a familiar object has now become unrecognizable through the artist’s lens. The images are zoomed up close, and dramatically cropped to the point of abstraction, with Pyanek referring to this technique as macro photography.
The incredible detail shown in this series goes beyond what the naked human eye can see. We are shown tiny worlds where a grain of white sugar appears to be a diamond and a kitchen sponge looks like a strand of DNA. These stunning photos reveal every texture and color in the commonplace objects that we overlook everyday. We are able to examine every fiber of the stalk of an apple or the page of a book. Pyanek reminds us to stop and notice the small things in this remarkably beautiful series. If you are hungry for an even more dramatic, striking photographs of ordinary objects magnified, than you are sure to love the video compilation of the series Amazing Worlds Within Our Worlds, which was edited and scored by the artist himself.
What would a television see if it could look back at us? Artist Donna Stevens reveals images of children hypnotically looking into a television screen in her series titled Idiot Box. Each photographs captures the entranced look on a child’s face as they gaze on with a zombie-like stare, complete with the glow of the screen lighting up their face. Although this series is somewhat comical, as the children have their mouths hanging open or a silly grimace slapped on, there is a heavy darkness to it. Stevens’s aims to question the role of technology in our society and explore the effects it may have as children are exposed to it at such a young age at such a high volume. Although we can benefit from technology, what is lacking in our lives because of it? Although Idiot Box includes fairly simple images, the affect the vacant eyes have on the viewer is enough to make you stop and think.
Stevens’ incredibly memorable photography explores themes of identity and hardship, as she is interested in people’s journey to find their place in the world. Humanity’s struggles can be found as a theme in her work, both in Idiot Box and in her series Thirteen. In the latter series, she poignantly captures the anxiety and uncertainty that comes along with becoming a woman. Stevens’ ability to encompass such strong emotions and themes in a single portrait is apparent in each photograph. Originally hailing from Australia, the photographer is currently based in Brooklyn, where she continues to create her sharp, thought provoking work.
Two brilliant artists, Amanda Charchian and Jose Romussi, have collaborated and created and incredibly dreamy, breathtaking series. LA based artist Charchian has a very unique style of photography that emphasizes the human body in creative, innovative ways. This combined with Chilean artist Romussi’s technique of embroidery on photograph, brings an entirely new focus on the figure. In their collaboration series, the scene is set in a dramatic black and white, bringing an unearthly white glow to the subjects. A mysterious aura can be seen in each surreal image, with both figures embodying a ghostly feel. One aspect of this series that is so intriguing is the choice in wardrobe and makeup. The subjects both sport little to no clothing, but what little they do have on is somewhat theatrical and reminiscent to a different era. The makeup is equally dramatic, with each figure having stark white or jet-black eyebrows, with black, heart shaped lips. Each scene mystifies the viewer while intriguing them into the next situation.
Both artists’ indistinguishable style shows through in this captivating, collaborative series. Charchian’s interesting use of aesthetically pleasing positions of the body still ring true, while Romussi’s embroidery adds a whole new element that skews your way of seeing. This hazy, ethereal series often displays a duality of bodies that is reminiscent to the internal and external self. Prints of this stunning series are available for purchase on her website. Make sure to follow her Instagram for more amazing photography.
You’ve heard of “Where are they now?” stories about child stars, but what about the Garbage Pail Kids? Art director Jake Houvenagle and photographer Brandon Voges have combined their creative talents to construct a fictional photo series portraying specific Garbage Pail Kids characters as real human beings, thirty years later. This lovably crass band of misfits from your childhood has come to life, thanks to these two artists. Not only are we able to see what each kid has grown up and become, Houvenagle and Voges has also provided us with a complete back-story, making the situation even more comical.
This hilarious series features such bizarre characters as Armpit Brit, who still has her dreads of armpit hair, and Barfin’ Barbara, who’s name speaks for herself. The artists cleverly match each Garbage Pail Kid with a suitable occupation that matches their unfortunate, gross personality trait. For example, the unholy Bony Tony, who has the ability zip off his skin, is now, thirty years later, a stripper! The finished photo features Bony Tony on stage as a full adult, stripping his skin off in his underwear while dollar bills are thrown at him. This series is both nostalgic and well done, with an amazing sense of humor. Houvenagle and Voges have created a throwback masterpiece with this wonderfully entertaining series.
Have you ever loved a color so much that you wish you could paint everything in it? Well, artist Benedetto Demaio has immersed his entire photography in a color that he so deeply enjoys. The brilliant artwork of Italian artist Benedetto Demaio completely engulfs you in a world of specific color. Photographing simple subjects like deflated balloons and crayon shards, he transforms the ordinary into a perfectly constructed photo, complete with a curated palette. Although his images include a wide variety of subjects, they all hold a certain, cool blue that ties them all together in a way that is unmistakably intentional by Demaio. This hue is the artist’s signature. It is amazing how many different ways a color can be expressed, in so many different textures. Demaio’s blue is shown in soft, puffy material, in torn paper, and in places that are true to nature, like an ocean wave.
Each photograph, carefully constructed and thought out, contains beautiful compositions of an inviting, cohesive color palette. The artist’s sense of playfulness is apparent in his experimental use of color, as he often applies his favorite color in places that it may not normally be found, like in color swatches on the beach. Still, you cannot help to be charmed by the repetitiveness of the blue hue. There is a fun, triumphant spirit of creativity in Demaio’s work that is such an irresistible breath of fresh air. (via Honestly WTF)
Like looking into the private thoughts of a diary, photographer Adeline Mai creates narratives of intimacy, portraying poetic scenes of human interaction. In her body of work, she creates ethereal images of profound closeness between her subjects. With titles like J’ai Embrassé L’Aube D’Été, French for I Embraced the Summer Dawn, Weightlessness, and Dirty Weekend, the names of each series are just as lyrical as the photographs itself. The Parisian artist captures stunning images of contorting bodies, displaying breathtaking views of the human body. In her series I Embraced the Summer Dawn, each photograph contains a stark emptiness except for the two, nude figures beautifully entwined as if they are attempting to become one body. This same sense of intimacy is embodied in her series Dirty Weekend. Only instead of gracefully posed, flawless bodies, we are now given a view of a more natural nudity, out in the woods and in more candid positions. Mai not only captures a playful kind of nakedness, but a shared closeness between clothed subjects as well. She is a master at capturing tender moments between her subjects and laying them out for all to see.
Mai having the ability to brilliantly capture light on her subjects, her series Weightlessness includes floating figures with soft, warm light consuming their surroundings. These figures appear to be floating, but they are actually underwater! The photographer has turned this normally cool-colored environment into a glow of yellows, reds, and oranges. Adeline Mai’s entrancing photography pulls you in to its intimate scenes of magnificent nudes being swallowed up by a sea of color or by human embrace.
Through the lens of Mona Kuhn, images turn into memories that slip through your fingers. Her photography captures fragmented pieces of time, filled with shameless beauty with an ethereal aura. An enigmatic narrative flows through her series Private, as Kuhn offers us delicate and intimate moments filled with breathtaking nudes and spider webs. Kuhn explains that this particular series is a personal journey of hers, exploring beauty and mysticism. The color palette in Private is serene, airy, and embracing all at the same time. Seeing each photograph of Kuhn’s is like uncovering a clue to a past life, like looking inwards through your memories that have slipped through the cracks of time.
In Kuhn’s equally stunning series Acido Dorado, translating to “acid gold”, the nude also appears often. Kuhn’s nudes represent a timeless sense of self, of all humans, and our direction on this earth. The artist often pushes the nude figure to abstraction, creating new context and meaning. There is a mysterious atmosphere that follows Kuhn’s work that is both seductive and mesmerizing. Both series’ are filled with surreal scenes and abstracted imagery that is like a mirage. Large format nude photography being a reoccurring theme in Kuhn’s work, she explains the draw to this raw form of a person or subject.
“I realized I ought to photograph the human in us, without shame, without regret, free and timeless.”