Lauren Semivan’s Black And White Photography Digs At Our Primitive Nature

Lauren Semivan - Photography Lauren Semivan - black and white photography Lauren Semivan - Photography black and white photography

Lauren Semivan’s black and white photography raises the dead, feels rich with ritual, and sullen from the earth. To say it is simply an abstract psychological expression would be too easy. There’s something else happening here that is magically archaic, and it’s not just the finely tailored compositions that carefully, yet seemingly casually, dig at our remains by arranging drawn fragments, bodies, vegetation, bones, and string, against a sparse backdrop. This “something else” is movement or play not just in the environment, but as or with the environment, a dreamy surreal fade that lingers.

Technically, each image is a true representation of not just what collects, but how the collection becomes. Shot with a purist sense of photography’s past, Semivan uses an early 20th century 8 x 10″ view camera and, without digital manipulation or any touch-ups at all, develops prints from a scanned large format negative. The ephemeral result, interestingly, pushes on our own anthropological or archeological impulses as a species– asking us to engage and connect with our ancestors, creatively, scientifically, and divinely.

Of her work, Semivan states, “In scientific disciplines, a line is classified as an event. Something as primitive as a scrawl on a surface reveals an aggregate of events, intersecting and changing course. Drawings made on the seamless backdrop describe an emotional space. Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. Observatory elegantly draws upon a tension that exists between irrational and physical worlds. Within each image, ghosts of previous drawings.”

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Portraits Of Women As Everyday Objects Question Gender Roles

Shadi Ghadirian photography1Shadi Ghadirian photography2 gender roles Shadi Ghadirian photography13 gender roles

The series Like Everyday of Iranian photographer Shadi Ghadirian is  powerful in its simplicity.  She created the images shortly after marrying her husband, and indeed the series explores her concerns associated with being a wife as well as gender roles.  In the series figures appear to be veiled in patterned cloth similar to the traditional Iranian Chador. The figure’s face, however, is obscured or replaced with a household item, often one associated with daily chores.  Ghadirian says of her subjects, “My series is exactly like a mirror of my life and other women like me — my sisters, my friends, the women who live in this country.”  Though the series specifically addresses Iranian women, the photographs capture more universal anxieties concerning gender roles – the anxiety that accompanies building an identity as a woman and a wife, navigating issues of power within a marriage.

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Architectural Photography That Looks Like Futuristic Viruses

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Cory Stevens photography8

Munich, Germany based Cory Stevens shoots architectural photography in a peculiar way.  He abstracts the architecture by photographing a segment of a building and reflecting it in various ways.  In some photos the reflection is duplicated, and in others its repeated many times as if in a kaleidoscope.  All of the reflections merge seamlessly, though, as if it were one floating structure.  The strange symmetry gives the buildings an almost organic quality as if it were about to divide and multiply on its own.  In a way, they resemble viruses made of steel, cement, and glass.

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Nude Photographs Of Obese Women Feel Conflicting (NSFW)

Yossi Loloi - Photography

Yossi Loloi - PhotographyYossi Loloi - Photography

When I first looked at Yossi Loloi’s “Full Beauty” project, I felt conflicted, and, admittedly, a little irritated. Loloi’s whole mission statement is something we, as women, are constantly being reminded of– how the media is a horrible liar, how all women’s bodies are beautiful, how the art world is sexist too, and how we need to subvert to change and love our bodies, love ourselves. Right? Right! So, how might we do this? According to Loloi, one way, is to examine unconventional imagery such as his own collection of beautiful obese women, commercially lit in relaxed settings.

Of his intention, Loloi’s website states, “I focus on their fullness and femininity, as a form of protest against discrimination set by media and by today’s society. What larger women embody to me is simply a different form of beauty. I believe we own ‘freedom of taste’ and one shouldn’t be reluctant of expressing his inclination towards it. Limiting this freedom is living in a dictatorship of esthetics.”

What Loloi says is not horrible, not terrible. It’s quick, easy, and makes perfect sense. Scroll through the photos and you will see that these women certainly are strong and brave to share bodies that, on the surface, are not generally appreciated. I love the female subjects for embracing this. In fact, the women’s bravery is the most redeeming aspect of this project.

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Unbelievable Photographs Of The Human Eye

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The subject of Suren Manvelyan is so basic to photography it seems to hardly ever be captured individually.  While typically considered as “windows to the soul” in art, Manvelyan’s series considers the beauty of the human eye simply as a biological structure.  Eye colors are especially vivid in his images.  However, it is the texture of the eye that is especially arresting.  The iris seems like an alien terrain or some or some sort of cosmic object contrasting with the black void of the pupil.

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Photographs Of Istanbul Protests Unlike Those In Any Newspaper

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During the summer of this year a small group of people struggled to preserve a public park.  Quickly the scope widened, crowds grew, and the underlying anger became about something much larger than a park.  The demonstrations were considered to be widely peaceful.  At times, however, emotions and force erupted with violence.  Photographer Barbaros Kayan was on the ground to capture the unfolding protests.  There is a subtle difference about his series Occupy Taksim that distinguishes it from much of photojournalism covering the events, a certain frank grittiness.  Its almost clear from the images, the photographer is familiar with the city, intimate with the battleground.

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Julie Blackmon Photographs Dreamy Domestic Scenes

Julie Blackmon - Photography Julie Blackmon - Photography Julie Blackmon - Photography

Photographer Julie Blackmon is the eldest of nine and current mother of three. Drawing inspiration from her own life experiences and also the paintings of Jan Steen, a 17th centure Dutch genre painter, she creates rich tableaux of family life.

Bypassing the idea of parenthood as a prison sentence, trapping the adult away from his or her “real” life, Blackmon, instead, reminds us of how valuable domestic life is to our own sense of dreaming– examining the home as a magical place where fantasy and reality merge together to empower community, creativity, and inner exploration. It is a place that we can remember fondly, lovingly, and longingly. Even if our childhood was less than perfect, there are still flashes of brilliance in the everyday quiet interludes that Blackmon seems to address with ease and specificity.

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Photographs Of Birds Taken Through A Spotting Scope Expose Feathery Emotions

Carol Richards - Photography
Carol Richards - Photography Carol Richards - Photography

Holding her Nikon Digital SLR camera up to a spotting scope, Carol E. Richards examines a surprising array of feathery emotions akin to her own.

The use of two surfaces or buffers, sometimes three, if shot through a window, create a fascinating ring around each figure, a soft focused vignette of sorts, comparable to that of a toy camera. The result is an ambient deepening, apparent not only in the composition, but also in the subject matter and the artist’s  intrigue with trailing or meditating on each flighty movement.

Salvador Dali once said, “Intelligence without ambition is a bird without wings.” On this note, Richards explores the act of bird watching as a certain mirroring, clearly exposing humanity’s inclination to anthropomorphize animals and as she asserts, “project qualities onto them that can be heartbreaking, sweet, or simply intriguing.”

Thus, in the vein of Dali’s quote, Richards shares with us her most recent collection: Birds Have Wings from Nazraeli Press.

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