You might use emoticons/emojis in your everyday texting or in your tweets, but have you ever really looked at them? Designer Liza Nelson studies their pixelated idiosyncrasies and recreates them in her series EMOJI IRL.LOL. Using vegetables, props, paper mache, and more, she crafts the emojis we all love/hate. Nelson then photographs them and publishes on Tumblr, with the emoji accompanying it. Her opinion of emojis are simultaneously low and high. Appreciative, yet disparaging at the same time. She writes,
Emojis mean everything and they nothing at the same time. They’re completely personal and completely universal. They’re really quite stupid. And they’re the best thing that ever happened to our generation. They deserve to be observed and worshiped individually. By finding, posing and sculpting emojis in real life I’ve created a set of shrines to the individual characters because somebody had to do it.
In a Wired article by Liz Stinson, she describes how Nelson begins the IRL emojis. Stinson writes, “Nelson begins each of her images by analyzing an emoji to the point of deconstruction. ‘I’d take screen shots and zoom in and in until they were super pixelated,’ she explains. ‘I’d study them, really trying to figure out the facial expressions or the color or the details you don’t notice when they’re so tiny.’” Since starting the project, she’s gotten quite a few requests for the emoji poop icon. Nelson says she will be constructing it out of clay. (Via Wired)
British photographer Vikram Kushwah recreates pieces of the past with staged photography. Working with fashion designer, writer, and researcher Trisha Sakhlecham, the two produced a series of images titled Memoirs of Lost Time. The subject matter, its tone, and coloring of the photographs are a dreamy and hazy. They straddle the fine line between what is a dream and what is a memory. Each image features a person gazing beyond the landscape, as though they are longing for something lost.
On his website, Kushwah writes about Memoirs of Lost Time. He says that the series is inspired by the romantic notions of childhood memories, and goes on to say:
…A biographical documentation of sorts, of seven creative personalities’ childhood recollections, this book captures not only what was, but also suggests a very imaginative take on what could have been.
Stories evocative of the intimate moments and bygone days of these personalities are embellished with wondrously staged pictures featuring the subjects themselves. Each chapter takes you into the personal and never seen before world of one of these personalities with a short story, an insightful interview and photographs, weaving in and out of reality, where you start beginning to drift into a realm of imaginative possibilities and yet remain attached to the facts that were.
With dreams, like distant memories, we sometimes question whether or not something actually happened. While this could be distressing, Kushwah chooses to embrace uncertainty and magic of it all. There are some fantastical elements, like a woman that is carried away by small umbrellas. But mostly, these images lack action. Instead, they depict quiet moments in the company of many books or the vast outdoors. Reading and nature provide the perfect fodder for imaginations to run wild. (Via My Modern Met)
North Korea is a country famous for its censorship. Even so, Associated Press photographer David Guttenfelder has been able to capture images of the country and share them via Instagram. Recently, the DPRK relaxed their laws surrounding the internet. Foreigners are allowed to carry their phones with an activated 3G network. Guttenfelder talks about his motivations and experiences to Wired magazine, stating:
“In a country known for its censorship, I’m now uploading photos to Instagram from the streets of North Korea like I would anywhere else in the world. Through social media, I’m trying to piece together a picture of this country for the outside world … No one puts their hand in front of my camera, and no one tells me not to shoot things. There’s no review process. They don’t look at my pictures at all before I send them on the Associated Press wire or my Instagram account. Facebook even asks me to tag my “friends” Kim Jong Il and Kim Il Sung when I upload my photos.”
Displaying his photos on Instagram allows for followers to interact with Guttenfelder directly. He welcomes this, and comments on one of his photos, writing, “I appreciate the comments and the direct connections. It has given my work a cool and unexpected extra purpose.”
Guttenfelder posts photos of everyday life, displaying different aspects of the country and the influence the regime has on the cultural landscape. Of course, because they have been “Instagram’d” they look old, but are completely contemporary. In some of these photos, based on subject matter, it’s hard to imagine that they are of our time. (Via Huh Magazine)
“Your staff are the nicest pooch lovers in the world. Penny, my precious little wiener…is looking forward to her next stay.”
“Quality of toilet paper could be better…3-ply minimum…otherwise it was a great room and enjoyable stay.”
“I had just given an unflattering review to a volatile pop star’s latest album and heard through the grapevine he was staying at the hotel. I was certain he was going to exact some kind of revenge…after many anxious phone calls…one of your staff kindly offered to stay up with me until I calmed down.”
For the holidays, the Standard Hotels produced a 2014 calendar that details a look back at 2013. In a collaboration with advertising agency and publisher KesselsKramer, the hotel chain reviewed and recreated moments from 2013’s favorite guest letters, comments, and special requests. From all of the bizarre things they had received throughout the year, they narrowed it down to 12 that were reenacted by the hotels’ staff.
If you’ve ever worked in the retail or service industry, you know how weird or picky some people can be. The comments and requests that the Standard Hotels receive is no different. One customer claimed their TV was possessed. Another believed that the hot tub had melted their prescription lenses. One guest was a music journalist (directly above) so anxious about recent scathing review he published that hotel staff stayed to keep him company until he calmed down. He was very appreciative.
In the midst of the holiday season, with record cold temperatures in parts of the world and Winter Solstice, the shortest day/longest night of the year, upon us, I’ve been spending time studying work made with a simple organic material: Ice. Truth be told, despite spending my childhood in Minnesota, I now live in the desert, and the only ice I see is in my drinking glass. After studying art works made with ice as a central material, I am struck by a number of repeated inclinations by a number of artists. Much of the works I present here demonstrate that the transitory and temporal qualities of ice lend it to meaningful works about the body, time, climate, a sense of place and elements of endurance. Though this list is in no way exhaustive, artists included are: Marina Abramovic, Jay Atherton and Cy Keener, Nele Azavedo, Kirsten Justesen, Greatest Hits (a collective), Julie Rrap and Tavares Strachan.
West Virginia: Bobby has five minutes left on his shift in the coal mine. Just enough time to dig a little deeper.
Washington: We can only close our eyes using clothespins.
Texas: Rounding up little doggies who have lost their way.
Maryland: Today the crabs decided to have a picnic of their own.
Canadian Photographer Jeff Friesen uses the iconic Legos to build dioramas that he later photographs. In the series 50 States of Legos, Friesen satirizes each state in the United States using the toy’s characters, blocks, and accessories. Scenes are set against colorful backdrops like mountains, beaches, and grassy lands. Some include aliens, cowboys,and even historic figures like George Washington.
Each state has their own legacy or a reputation for something. Friesen plays on these associations and includes witty captions that accompany them. I live in Maryland, for instance, where eating crabs is a cherished pastime. Friesen pokes fun at this, turning crabs against a couple trying to boil a crab. Other places receive the same, if not more over-the-top treatment. Alaska features a Yet fishing with an Eskimo. A cowboy in New Mexico is prodded by an alien. There is a dragon in the mines of West Virginia. Friesen’s series is a light-hearted look at the states, which are made even more amusing the more time you spend with them and their details. (Via Honestly WTF)
Photographer Shanna Allyn is the master of a universe where women are covered in kittens, faces are obscured with food, and they have eyes like a cartoon character. Her series, Strange Beautiful, is, not surprisingly, strange. This coupled with Allyn’s style of photography (which seems less focused on technical aspect and more on documentation) takes the viewer through a bizarre world where there are more questions than answers.
In a statement about her work written by T. Martin Crouse, co-founder of the publisher Sic Semper Serpent, he describes it as, “The use of quirky objects combined with the locations and postures of her models creates a sense of surrealism. Out of place props in a variety of lateral interpretations have a strong effect.” Later, he goes on to say, “In Shanna’s universe of tampon cigarettes and hotdog mouthpieces, who really has control?” That statement itself is absurd and captures the essence of what Allyn is trying to do. These photographs record what goes on in her world, which is comprised mostly of a group of women with cartoonish eyes. They wear them as a mask, allowing them to look unaffected and apathetic. Nothing phases them, and we don’t immediately understand their motivations.
I see Allyn as a documentarian, capturing images that aren’t full of tension or sadness, but just show a day in the life of Strange Beautiful. The emotions that these models don’t show is compensated by our associations to objects in the images and content she presents.
Brian Moss, opened a gym in 1982. Better Bodies Gym, located in the heart of NYC, attracted bodybuilders from all over,and ever since 1997, Moss has casually photographed the leading competitors in the bodybuilding and fitness world.
The photographs are part of an on going series, a personal project, that gives insights to the bodybuilder’s life. Moss’ black and white portraits and action shots go beyond the bodybuilders’ physical appearance, and instead accentuates the human side of this ‘superficial’ business.
My images are unguarded, honest and voyeuristic. Whether they capture backstage scenes at the Mr. Olympia or private moments in a hotel room hours before the competitor steps out on stage, these images are imbued with an intimacy that had never been seen before.
Moss’ photographs have become very iconic, and they have influenced the way bodybuilders are currently portrayed in advertisements and mass media in general.