Los Angeles photographer Daniel Seung Lee teamed up with New York art director Dawn Kim for a stellar little series entitled Crayola Theory. As you might have guessed, the series interprets the objects and environments in Crayola’s crayon names to make still life photographs that are a tons of fun. Not only does the project work in the direction of bringing objects to the names of colors, it inspires the converse as you wander around the city, applying names to the objects around you — voting envelope fuchsia, stereo silver, toilet paper white, suburb beige, tanning booth orange. Thank you Daniel & Dawn for reminding us that we live in a world made of colors.
We posted about Jamie a few years back, but four years have passed since then and she’s only gotten better. Her images about gross, awkward, uncomfortable, and funny moments that would be really easy to make poorly, and a lot of people do. What sets her apart from the herd, though, is her smart, tight framing; focusing us in on exactly what makes this country great–mystery meat, batman, butts, and birthday cake. She even photographs middle America (Jamie’s based out of Kansas City) with the American style that ranges from family to paparazzi photos–bright, garish flash. More Americana after the jump! ( via )
For his series “Normal Town/Normal View” Michael ten Pas composed photographs with the seemingly mundane objects in what we tend to think of as equally mundane towns, but through his juxtapositions and re-framings, he shows us how much there is to look at in what we overlook. It’s easy to forget that we all effectively live in a museum if we choose to see it that way. Michael breaks it down in his series statement:
“Nothing is boring. I find myself perplexed, curious, and amazed when I look at my everyday surroundings – the things that are allegedly normal or status quo. This is what ought to happen because the everyday is not predictable, though it is made out to be. The world reveals irony and absurdity; it contains mystery and humor and is full of ambiguity and illusion.”
Chris Sisarich’s photo series Somewhere In The Middle of Nowhere hits home here in Los Angeles, a city built in a desert. The series looks like it could have been anywhere around the world–saudi arabia, egypt, arizona, china, california– and speaks to our constant search for new places for sprawl development and the global warming it’s causing, to our persistance and the futileness of it all. Sisarich’s images, like the desert, are some of the driest, palest images i’ve seen in a while, and with humanity only peripherally represented, the might seem like predictions for our uncertain future. But they don’t feel pessimistic, just as if humanity was this interesting thing that out grew its planet and left behind some neat objects when it left. Whether or not you think the images are prophetic, optimistic, pessimistic, or anything else, they are at the lest very handsome images.
Stephanie Gonot‘s takes the classical still life and replaces fruit, flowers, and skulls with fanta, lunch meat, and ice cream. The results are clean and funny and a totally great time. Right now she is working on a bi-weekly column called “Food Mood” for the Italian magazine Red Milk where she takes fashion photographs as inspiration for her photographs of food. It also is a joy.
Philippe Jarrigeon‘s amazing photography is as inspired by fashion as it is interested in its deconstruction.The mannequins, absurd poses, identity collages, clothes filled with sticks– his photography is smart and hilarious and stuffed with visual pleasure. What more could you want?
“For the 10-year anniversary of the Elans de Mode, the ICONORAMA exhibition proposed by the French Womens Ready to Wear Federation relates the story of this last decade French fashion design, through a selection of photographic works by Philippe Jarrigeon.” - Cavalier Bleu (w/r/t the photographs in color. The bottom two are from another fashion-inspired series)