Alex Cornell Captures The Strange, Rare Sight Of A Flipped Iceberg

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Icebergs, while massive in size, are usually seen in one way – as white objects that stick out of the frigid water. But, in rare situations, they take on a different, more brilliant form. When an iceberg is flipped over, it appears as a gem that cloaks itself in the color of the surrounding water.  Interface designer Alex Cornell happened upon this phenomenon last month as he sailed through the Drake Passage to Antarctica.  He was able to shoot pictures of the iceberg using his Canon 5D Mark II camera.

“We were lucky to see a massive iceberg flip; when this happens, the color is a surreal, alien blue,” he tells PetaPixel. “They don’t flip often, so it was a pretty rare sight to see. It’s hard to tell scale, but this was an epic iceberg.”

It’s often said that 90% of the iceberg itself is below the surface, and this is the cause of it being topsy-turvy. “It was amazing to see the interior. There were air bubbles and flowing water throughout. It looked like an alien artifact.” (Via 123 Inspiration and PetaPixel)

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Klaus Pinchler’s Macro Photos Of Dust Transform Your Mess Into Beautiful Images

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Pet Shop

Pet Shop

Police Station

Police Station

Tailor

Tailor

When photographer Klaus Pichler was moving out of his old apartment in Vienna, he noticed something peculiar about the dust on the floor. In the living room, dust bunnies were red while the mitesin his bedroom were light blue. This led to something of an epiphany for Pichler, and he realized that dust isn’t always gray like we so often see – there are varieties. Inspired by that experience, the photographer started a years-long series that chronicles the accumulation of different dust particles. Aptly titled Dust, it recently culminated into a book of the same name.

Pinchler’s dust gathering was similar to collecting specimens to study. He retrieved them with tweezers, placed each in their own Petri dish, numbered,  and inventoried them. Photographing the dust proved trickier, and it required Pinchler renting an expensive 120mm macro lense and capturing them all within 24 hours. They were left unaltered and their tiny, exquisite beauty shines in these up-close images.

From police stations to subway stations and pet stores, each gathering of dust has its own idiosyncrasies. The pet shop, for instance, has tiny, brightly-colored feathers and wood chips for the animals. There’s less hair in it than the police station, which has threads, metal, and leaves swirling around in a matted ball.

Dust was published by Anzenberger Edition. It’s available for purchase on Pinchler’s website or through Anzenberger Gallery Bookshop. (Via Slate)

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Brett Gundlock Documents The Underground World Of Canadian Neo-Nazi Skinheads

Brett Gundlock - Digital Photograph

Brett Gundlock - Digital Photograph

Brett Gundlock - Digital Photograph

Photojournalist Brett Gundlock delves deep into the everyday lives of Canadian Neo-Nazis in his emotionally conflicting series The Movement. The imagery presented is shockingly conflicting as we are shown moments of intimacy between the group’s members, and are also haunted by the many symbols embodying Nazi racism and violence. Isolating themselves from conventional society, the Neo-Nazi’s underground world is shown through photographs full of bloody walls, Canadian Red Ensign flags, and Swastikas.

Gundlock provides private, personal situations of a dark and troubling minority in a somewhat unlikely place; Canada. Interested in marginalized groups of society, Gundlock explains that his relationship with this series is complicated due to the obviously upsetting Neo-Nazi ideology focusing on White Supremacy. Gundlock describes his experience with this underground culture:

“The symbol of white skin is penetrated and marked with the black inks of Nazi symbols. Crime becomes the bullet point to their alternative résumés. Their existence requires a distinction between themselves and mainstream Canadians, people they understand and reinscribe as “the enemy.” A self-fashioned minority who believes they should be the majority, the Neo-Nazi enclave animates the tensions of a culturally diverse Canada.”

Gundlock’s sociological approach to his documentary style photography creates an informative and engaging dialogue in The Movement. Gundlock asks a very important question in his statement on this series, why do some Canadians become Neo-Nazi Skinheads? Perhaps it is the human need for community and belonging that drives some people to join such a hate-filled group. Often, people join these groups for a sense of entitlement, importance, or a sense of belonging. Gundlock’s photographs point a keen eye on a controversial part of society that many do not wish to face.

You can view Brett Gundlock’s newest series by checking out his Instagram.

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From Pop To The Pit: Photo Exhibition Chronicles The LA Music Scene In The 1980′s

Van Halen at the Forum. Photo credit: Paul Chinn.

Van Halen at the Forum, 1984. Photo credit: Paul Chinn.

Mötley Crüe rehearsal, 1983. Photo credit: Gary Leonard.

Mötley Crüe rehearsal, 1983. Photo credit: Gary Leonard.

Anthony Kiedis and Flea. Photo credit: James Ruebsamen

Anthony Kiedis and Flea, 1989. Photo credit: James Ruebsamen

Dickies show. Photo credit: Todd Everett

Dickies show, 1989. Photo credit: Todd Everett

Southern California, thanks to its diverse landscape, has always enjoyed a wide variety of musical genres. Los Angeles in the 1980’s saw a kaleidoscope of tunes, and different beach communities, the Valley, South Central, the Inland Empire and East LA each had its own form of local music. Plus, since the late 60’s, a growing number of major record labels had/were setting up their headquarters there. Coupled with an abundance of clubs, Los Angeles become the epicenter of the music industry.

So, not surprisingly, major rock groups did very well in Los Angeles – devoted fans packed their venues. While the alternative scene got less coverage, the free press such as L.A. Weekly, the L.A. Reader, BAM, Rock City News, and Music Connection provided the recaps and nightly gigs around the town.

The Los Angeles Public Library (LAPL) culled from their Herald Examiner photo archive and worked with the Gary Leonard Collection, LAPL and Photo Friends to present From Pop to the Pit: LAPL Photo Collection Celebrates the Los Angeles Music Scene, 1978-1989. The images show the diversity of the decade as well as the different groups who had hit singles, infamous moments, and thrilled countless fans.

If you’re local to Los Angeles, stop by and see the exhibition at the LAPL History & Genealogy Department from January 8  to June 28, 2015. In addition, there’s a companion catalog available for purchase on Amazon.

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Bart Erkamp’s Photos Prove That Pole Dancing Is A Sport

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In recent years, the rising popularity of pole dance fitness has probably conjured up images of darkened strip clubs rather than a serious workout. Netherlands-based Bart Erkamp thought the former, but during the summer of last year, his attitude changed. He dated a woman involved in the sport and learned about its inner workings. It’s a physically demanding activity that’s much more than just an erotic dance. His series titled Pole Fitness highlights the strength and talent needed to complete the moves, which are often suspended in air.

After learning about the sport, Erkamp attended a championship pole fitness competition in Amsterdam. The power and agility of the athletes impressed him, and this struck him as comparable to “artistic gymnastics,” that highlights physical prowess and self expression.

In addition to their athletics, Erkamp was enthralled by the dedication of the participants. They’ve installed poles in their bedrooms, living rooms, and even next to their kitchen. Location doesn’t matter. He highlights this in his subjects’ clear, neatly-kept homes. Contorted legs, torsos, and arms are wrapped around bright silver poles.

It’s not all women, either. Erkamp explains that in 2014, several men completed at the World Championships in Rio de Janeiro. And, there’s even a possibility that it’ll be an official Olympic sport in 2016. (Via Feature Shoot)

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Kacper Kowalski’s Mesmerizing Photos Of The Polish Forest From Bird’s Eye View

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Photographer Kacper Kowalski captures life from above in these beautiful images of the Polish woodlands. The bird’s eye view features incredible, vibrant shots that are simultaneously recognizable and abstract. Brilliant greens, blues, pinks, and purples dot the landscape and play with our sense of scale. Trees look minuscule in many of the compositions, like they’re pipe cleaners or tiny army.

There’s a divide in many of Kowalski’s photos whether it by a river, a road, or line of trees. This separated area creates a pause or compositional breath. We’re often overwhelmed by texture or patterns. The photographer’s decision to include these areas allows time for reflection and comparison. How are the two spaces different? How are they same? What does it mean for them to coexist? (via a_a)

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Rob MacInnis Captures Farm Animals In Family-Like Photos

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Brooklyn-based photographer Rob MacInnis captures candid portraits of farm animals in his aptly titled Farm Series. The desaturated, vintage-looking photos provide a nostalgic and straightforward view of cows, horses, goats, and more. Staring completely calm at the camera, they pose for family photos in barns and in the wilderness. Sometimes, MacInnis will also highlight a single animal in up-close and personal portraiture. It showcases their wild, textured hair and kind eyes.

There’s something that’s delightfully ordinary about these photos. They aren’t flashy or bursting with color. Instead, they depict a simpler life that’s unfettered by technology and dense cityscapes. It’s as if by looking at these images, we’re reminded of old family portraits – ones where we’re younger and things didn’t seem so complicated. (Via I need a guide)

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Stefanie Herr’s Photographic Sculptures Resemble Topographic Maps

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Artist Stefanie Herr’s topographic artworks are inspired by maps. When traveling, she writes, they facilitate navigation and orientation, and drawings by cartographers are the starting point of her work. To create her sculptures, images are printed on photographic paper, mounted on matboard, hand cut into tiny pieces and assembled. They resemble maps that show changes in elevation once completed. But, instead of rivers, plains, and mountains, Herr features faces of people.

She calls these pieces experiments on landscapes models that merge photography and sculpture. They often take weeks to complete. In an artist statement, Herr writes:

Photography abandons the two-dimensional plane and sets out to conquer the space. In search of suitable maps, however, I do not only focus on the shape of the terrain, but also on place names. As toponyms can inspire strong images or even stories, they often interfere in the development of my projects. When shooting photos, I mainly choose top, side and front view representations – I particularly like making use of “aerial” views on a scale of 1:1.

In addition to this inspiration, Herr is also concerned about environmental degradation and rapid loss of biodiversity. She further explains:

Unique natural heritage is gradually being depleted or replaced for the mere purpose of economic growth, and it seems that we have completely forgotten about the aesthetic values of landscape. As a world citizen, I am concerned about contemporary landscape change and the prevailing landscape perception. Topographic Fine Art mainly deals with these issues and, even though on a reduced scale, attempts to capture some of the natural beauty that surrounds us. (Via Lustik)

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