In the fall of 2009 artist Michael Anthony Simon left Chicago behind, and moved to the countryside of Korea. He wanted to experience a new place and culture that would hopefully inform a fresh body of work that could exist beyond the constraints of the western art world. In the spring of 2011, contemporary artist, Ai Weiwei was arrested on falsified charges of tax evasion by a notoriously conservative Chinese government. The claims were suspect to say the least, and many silent protests were organized throughout the world by major museums and institutions calling for his release. These silent protests became a louder gesture than anything anyone could have audibly said. This act of defiant solidarity became a source of motivation for Simon in the year to come. Realizing that by attempting to silence something you make it’s presence that much more apparent he commenced on a series entitled “The Silence Paintings”. Analyzing the design and significance of the word ‘silence’ in different languages lead him to the creation of an intuitive process that would allow for compositions to develop naturally, but with purpose and intention.
Jörg Brüggemann’s work captures the raw aesthetic behind the fans of heavy metal in order to illustrate the genre’s ability to unite the fans of it’s sound in order to create a unique culture, despite social, economic, or political differences. The photographs have been taken all around the world including Argentina, Austria, Brazil, Egypt, Germany, Indonesia, Malaysia, Switzerland and the USA.
Dutch photographer Teun Hock’s photographs are clever, eye-catching, and surreal. Consistently using himself to convey a peculiar character, he depicts a middle-aged man who is perpetually trapped in self-depreciating and humorous situations. He is stuck in the middle of an ice floe while his bag, hat, and umbrella are carried away on separate pieces; he hangs from a swinging chandelier; he is blindfolded and wearing a birthday hat while walking on the moon, and using a ladder to measure the night sky.
His process is very labor intensive and his work extends far beyond the traditional boundaries of photography. As explained by the artist:
“…There’s a big backdrop that I paint or build, or whatever’s needed, and I stand in the middle of that. Then I take a picture of myself in black and white and enlarge it. I do it myself in the darkroom with a little bit of help. Then I tone the picture sepia. And later I add oil paint. I color everything, but it’s transparent, so that you can see the picture underneath.”
In addition to his work in photography, he was commissioned to design and paint stained glass windows for the Grote Kerk of Dorecht, a medieval church located in the Netherlands.
“From the Backseat of my Car” is a photographic series by Alícia Rius. You probably guessed it, but the photos are shot from the backseat of a car. From abandoned cars, specifically – these shots truly depict a beautiful decay.
You can’t help but feel like you’re the last person on the face of the Earth when you look at the blurry, skewed and foreboding work by American photographer Todd Hido. Well known for his photographs of houses at night, Hido’s landscapes are categorically different from his best hits; instead of a voyeur, you’re the lost soul. Take the leap to see more. Hido captures that inner mood of the sometimes depressing and surreal landscape contained in the northern states. I can always feel nostalgic about cold weather and the pleasant variety of loneliness the winter brings. If you see that moment, forget the tripod mounted cam- shoot through the windshield and give photographic impressionism a try.
But no, really, Matthew Yake’s series “237 Pieces of Trash Around the Bleachers” is anything but a trash collection. His photos are poignant, clear, and powerful. He’s got other equally awesome series including one of artists in their studios that holds it’s own against other interior powerhouse sites like “The Selby“.
New York-based photographer Alison Brady makes some pretty bizarre photos. Pretty and bizarre. The interesting and different perspective is what catches your eye; instead of a traditional beauty-in-the-person snap, these portraits give the car-accident-look- away urge while simultaneously pushing a strange narrative inside a beautiful anonmity. Take a look after the leap.