The new work from Australian photographer Jana Maré in a way presents different relationships. Maré’s nude body is found throughout a deteriorating house, interacting with various rooms and structures. The physical relationship expressed in the photos at once recalls the structure’s past incarnation as a home and emphasizes its current dilapidation. At the same time, though, Maré, in using her own body and refusing to use digital manipulation seems to have a nearly uneasy relationship with the camera and viewer – her posing a kind of performance that has been frozen.
The photographic images of artist Ahn Jun unfold at dizzying heights. Ahn captures her self-portraits perched atop ledges and windowsills. The frightening heights don’t act as a gimmick it does in the current Russian fad that may come to mind. Rather, Ahn uses the elevation more as a narrative tool. While clearly referencing suicide, she pushes the story beyond that also. She nearly seems not only to be involved in an inner drama but interacting with the cityscape as a whole – she looks as if to be addressing the city personally.
The photographic work of Tajette O’Halloran is narrative rich. Each image seems stolen from a story in progress. The photographs borrow filmic qualities not only in its storytelling but style lighting and composition. Indeed, O’Halloran had spent time as a location scout for Australia’s film industry. She’s kept her eye for location and sense of drama. The self-portrait series featured here is set in an abandoned house in Barre, Massachusetts.
O’Halloran relates of the experience, “While staying here in this environment I felt compelled to create a photographic story of captivity, abandonment and surrender. I wanted to explore the fragility, torment and eventual freedom of the mind when left alone with yourself and your thoughts.”
Photographer Justin Bettman‘s Bagel Project is much more than a series of well produced photographs. Bettman meets with homeless people throughout California and exchanges a bagel for a story. He then documents each story with a photograph.
Bettman admits, “The homeless in our cities are often forgotten, as after a while they become a part of the city themselves; blending in like streetlights and bus stops, or any of the other things we walk by hundreds of times a day.”
His images, though, reveal incredible depths of narrative in simple subtle facial expressions. He goes on to say, “I’ve been continually surprised by the fact that these people are content with their lives; if anything, they are happier to have a friend to talk to rather than the food provided.”
Bettman’s blog accompanies each photo with a story – an extremely interesting read that is difficult leaving.
Portland based, Corey Arnold, has taken some truly amazing documentary style photos of the honest accounts of what it means to be a fisherman at sea. Corey’s photos are endearing telling stories of grueling and gritty conditions of the life of a fisherman tackling themes of isolation, courage, absurdity, and fortitude. Corey is a fisherman himself, and has been taking astonishing real account photos as long as he has been fishing. It is important to note that what makes Arnold’s photos so true and honest is the fact that he is actually a fisherman, just one of the guys out at sea, and has to earn his mate’s trust and pitch in like the rest bearing the harsh conditions of the day but still finding the nerve to grab his camera in opportune times. In the summer Corey captains a wild salmon fishing boat in Bristol Bay, Alaska. Arnold has exhibited his show “Fish-Work”: The Bering Sea earlier in 2012 and has published a book titled ‘The Bering Sea.’ (via)
Artist Akihiko Miyoshi creates amazing abstract work using simple photographic technique. He uses little more than a camera, colored tape, and a mirror to explore ideas of composition and color. While photography is arguably thought of as the epitome of representational art, Akihiko’s images are decidedly abstract. While minimally manipulating his images, they stand distinct from painting counterparts. In a way Akihiko abstracts not only form, but light.
Hungarian photographer Bence Bakonyi‘s series Dignity is a clearly personal one. The white arctic-like landscape is contrasted against deep black fields. The inky pools seem to be light swallowing and even begin to envelop a figure in some images. Bakonyi’s photographs are intensely lonely. Referring to the series, he speaks about a distinction between the body and mind as expressed in the photos.
Speaking about struggles between the two he relates, “It’s so alluring, sometimes as if the will of the body would want to swallow me, leaving my thoughts behind, but then comes the soul to pull me back.”
Photographer Wes Naman‘s Scotch Tape series is playful if not a bit creepy. Naman wraps clear tape around his subjects’ heads severely distorting their face. The tape tugs and squeezes lips, eyebrows, and noses making light of the idea of portraits. Slightly disturbing, the portraits resemble smiling car accident survivors or botched plastic surgery victims. Such simple but inventive ideas have made Naman a rather successful photographer winning him clients as diverse as High Times Magazine and T-Mobile. [via]