Alluring Bridal Photography Gorgeously Crushes Marital Norms

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The Bride With Crown Of Thorns & Cross, 2008

2014-07-30-KimikoYoshidaTheBlueYorubaBrideNigeria2005courtesyM.I.AGallery

The Blue Yoruba Bride, Nigeria, 2005

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The Mao Bride (Red Guard Blue holding the Little Red Book), 2010

2014-07-30-KimikoYoshidaTheToreroBridewithablackSuitofLightsrememberingPicasso.2006courtesyM.I.AGallery

The Torero Bride With A Black Suit Of Lights, remembering Picasso, 2006

While we can probably all imagine what typical bridal photography looks like (maybe you’ve even been apart of it), artist Kimiko Yoshida turns this martial norm on its head. Her series Something Blue is named for the antiquated 19th century axiom that a bride should have “Something Old, Something New, Something Borrowed, and Something Blue” on her wedding day. The portraits feature Yoshida in various costumes that are tinged with the hue, but not how you’d expect. They look like high-fashion photographs that feature elaborate headdresses, mirrors, and even a black-light suit.

These subversive images are a form of role playing for the artist as she disconnects herself through them. The M.I.A. Gallery in Seattle, who’s currently displaying Yoshida’s work, describes it as:

…she [Yoshida] borrows an identity, tells a new story and plunges the viewer into a ceremony, where the bride keeps appearing and disappearing unexpectedly. The artist recaptures time, transfigures herself into queens, muses, warriors, and uses the shadow to illuminate the mystery and hybrid nature her ceremonial attires.

Using monochromatic, as the gallery observed, has the effect of disappearance. Yoshida is here but she’s not, showing us that when we’re painted in only one color, we become a symbol rather than person.

You can view Something Blue at the M.I.A. Gallery until August 30th of this year. (Via Huffington Post)

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Antonio Mora Transforms Human Portraits Into Mind-Bending Illusions

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Double exposure portraits by Spanish-based artist Antonio Mora (a.k.a. Mylovt) blend human and nature worlds into surreal hybrid artworks. Mora works with images he’d found browsing through online databases, magazines and blogs, and then fuses them together using skillful photo manipulation techniques. His seamless way of mixing various concepts together leaves the viewer with mind-tricking illusions.

“I want people to feel inspired when observing my artworks, and that is what I long for. I often look at images hundreds of times without finding anything, and then the spark just arrives. It’s a bit like fishing, a matter of patience and intuition.”

Mora describes his artworks as cocktails, mixtures of ordinary elements merged into forceful and expressive daydreams. According to the artist, his inspiration is provided by the limitless Internet itself and he feels as a medium between the two parallel worlds: real-life and the Web.

Antonio Mora originally graduated from graphic design. Right after his studies, he started a personal design studio which turned him into an art director for 15 years. Gradually, artist decided to concentrate on his art solely. Mora is one of the artists whose instant fame relies on social media: “Social networks, especially Pinterest, have been an important vehicle to spread by artworks”.

His mind-bending photo manipulations are very accessible to the public, as Mora offers anyone the chance to have their own portrait turned into an astounding work of art. (via Writeca)

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Self Portraits Portray Amusing Ways To Break The 10 Commandments

"Honor Your Father and Mother"

“Honor Your Father and Mother”

"You Shall Not Take the Lord's Name in Vain"

“You Shall Not Take the Lord’s Name in Vain”

"You Shall Have No Other Gods Before Me"

“You Shall Have No Other Gods Before Me”

“Keep The Sabbath Day Holy”

“Keep The Sabbath Day Holy”

How many Commandments have you broken? New York City-based photographer Anna Friemoth has gone against all 10 of them with her witty series of self portraits entitled 10 Commandments. With each image, Friemonth turns gluttony, adultery, stealing, and more into a conceptual interpretation of the offense. She styles herself against a dark gray background, adding props that bring each idea to life.

With Commandments like “Keep The Sabbath Day Holy” and “Honor Your Father And Mother,” it’s pretty common to not follow these. We see that for “You Shall Not Kill,” Friemonth is about to devour a bird,  and for “You Shall Not Take The Lord’s Name in Vain,” she’s had a specially-made balloon that says “GOD DAMN.” The fine details in each portrait make this series amusing; they also point out that depending on how much of a stickler you are, you could easily break any one of these rules. (Via Flavorwire)

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Loretta Lux’s Surreal Portraits Of Mysterious Children

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German photographer Loretta Lux captures surreal portraits of children, portraying them in a way that makes them appear as if they’re porcelain dolls. Young boys and girls stare towards the camera and with expressions that you can’t get out of your head. As they look beyond or at you, their large eyes look as if they know deep, dark secrets. Pastel and faded colors contrast with the mysterious feel that these works evoke.

Lux studied painting at Akademie der Bildenden Künste in Munich and uses this influence in her images. Some pieces take up to a year to complete, and her process involves a combination of photography and digital manipulation. She’ll strip the background and then place her subjects into muted, minimal environments. The flatted backdrop and realistic foreground confuse your eye and help craft these strange images.

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Physical Trauma Survivors Reenact Scenes From Missoni Fashion Catalog

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Photographer Denise Prince challenges our perception of beauty and aesthetics by interchanging professional models with physical trauma survivors in her latest photography and video project Tractatus 7. Using a catalog by a high-end Italian fashion house Missoni, Prince replicates the superimposed glamour with a pinch of cruel, muted reality.

The provocative project, originally titled Replication and Breakdown of the Missoni Estate Line Catalog, is a juxtaposition between our approach towards reality and the events that take place beyond that fantasy. Prince raises a question of what happens to our designed reality when a traumatic event occurs? To her belief, people who have undergone severe traumas have an improved capacity to face the human condition.

“My sense is that when we see people with evidence of physical trauma we initially see them as people who were “not safe” and are reminded, ultimately, of our own mortality. I deeply believe that engaging with what we think we fear and yet gives all meaning to life (death – to the extent that this work is a reminder) brings with it a sense of greater peace.”

Prince uses her uncomfortable and grotesque way of storytelling to share the subject’s experiences (accidents, birth defects or assault) in an attempt to surpass standards of representation with the public, which is often deaf and blind to such events. Photographer is committed not to position her models as victims: “I work with people who have sufficiently recovered, established a new relationship to fantasy <…> At this stage <…> they are open to play, <…> to serve as an object of desire, to social risk taking.”

Tractatus 7 opens to public September 7 and will be running until September 27 at University Park in Austin, Texas. (via feature shoot)

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Li Wei’s Flies Through the Air In His Photographs Without The Help Of Photoshop

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Chinese artist Li Wei’s photographs defy gravity with himself often at the helm. They are the documentation of reality that involves sometimes-dangerous stunts that the artist says aren’t doctored by computers. Instead, he uses mirrors, wires, acrobatics, and more to give the illusion that people are flying and have transcended above cityscapes.

In a 2012 interview with The Creators Project, Wei says “we are all controlled by someone else. Our thoughts and actions are all controlled by an unseen force.” These images demonstrate an effort to break free of constraints and limitations, and teeter the line between fantasy and reality. Specifically, Wei is talking about the rapid change in China’s economy, but they hold a wider-reaching message. His photographs could be seen as a meditation on our consciousness, hopes, and desires of wanting complete freedom but having to live within the confines of society.

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Damon Casarez’s Poignant-Yet-Hopeful Photos Of Moving Back Home After College Because Of Debt

Mikey Billings, 29, Statesville, N.C. Degree: B.A., Film studies, Full Sail University Career Goal: Film or music industry Current Job: Working part time at a malt shop Student Loans: $80,000

Mikey Billings, 29, Statesville, N.C.
Degree: B.A., Film studies, Full Sail University
Career Goal: Film or music industry
Current Job: Working part time at a malt shop
Student Loans: $80,000

Annie Kasinecz, 27, Downers Grove, Ill. Degree: B.A., Advertising and public relations, Loyola University, Chicago Student Loans: $75,000

Annie Kasinecz, 27, Downers Grove, Ill.
Degree: B.A., Advertising and public relations, Loyola University, Chicago
Student Loans: $75,000

Monica Navarro, 24, Escondido, Calif. Degree: B.A., Literature and writing, University of California, San Diego.  Career Goal: Librarian  Current Job: Library volunteer, Home Depot Worker Student Loans: $44,000

Monica Navarro, 24, Escondido, Calif.
Degree: B.A., Literature and writing, University of California, San Diego.
Career Goal: Librarian
Current Job: Library volunteer, Home Depot Worker
Student Loans: $44,000

Gabriel Gonzalez, 22, Suffern, N.Y. Degree: B.F.A., Graphic design, School of Visual Arts Career goal: Graphic designer Current job: Graphic designer and production assistant Student Loans: $130,000

Gabriel Gonzalez, 22, Suffern, N.Y.
Degree: B.F.A., Graphic design, School of Visual Arts
Career goal: Graphic designer
Current job: Graphic designer and production assistant
Student Loans: $130,000

In today’s economy, it’s not uncommon for recent college graduates to move back home with their parents. According to The New York Times Magazine, 1 in 5 people in their 20’s and early 30’s find themselves in this particular situation. The phenomena is fodder for photographer Damon Casarez’s recent series Boomerang Kids, which was shot in eight states and over 14 cities. His poignant images paint portraits not of people who are lazy, but those who have massive student debt, or see their current situation as a means to achieving their own American Dream. They exist in a strange limbo where they’ve grown up but still aren’t entirely self-sufficient adults.

Even for those not living at home, this series might resonate with you on some level. Student loans and a general high cost of living can make anyone feel like it’s hard to make the ends meet. After all the possibilities offered in college, the real world is generally not as kind. But, these images don’t feel hopeless; they feel hopeful and demonstrate the changing landscape of growing up. (Via Feature Shoot)

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Kevin Corrado’s Human Limbs DippedIn Paint Cleverly Play With Landscapes

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In the photographic works by Kevin Corrado, human limbs and objects intersect with the landscape. They are painted over, dipped, and blend in the with the horizon line. The series entitled Transfer best showcases this idea as different hands are encased in varying colors of paint. Corrado talks about how this is not only a connection made design-wise, but our notions about the things we see. He writes:

The project began as a playful idea of the ocean being a giant sea of blue paint rather than water. The idea of a blue sea is so engraved into our minds, even though in most cases, water is not actually blue. In all three pieces, a hand becomes covered in paint by touching a landscape of that color. In its entirety, the project speaks about our intense connection between common landscapes and their assigned colors. Possibly something that was instilled in us during our elementary days. The project also addresses my role as an artist, and what color I will choose for my landscapes, even though my tool of choice is a camera (a tad bit ironic). A painter is given the task to paint a tree, but that painter must choose to use green paint.

The quietly compelling images play with our sense of scale; hands are huge, looking like giants and whose veins appear large enough to line up with the choppy waves. (Via Slow Art Day)

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