These surreal landscapes are a series titled Con/struct by South African designer and photographer Justin Plunkett. He compiles imagery into scenes of desolate or forgotten places, where often these structures are the tallest thing on the horizon amongst swirling clouds and dusty streets. They are patched together exteriors of slated roofs, windows, shipping containers with advertisements on them. An artist statement about this series gives insight to these unusual buildings:
Con/Struct is an exploration into the themes of empowerment and imagination. Plunkett, using his own photography, has created new juxtaposed environments that encourage questioning and exploration: inviting the debate around how marketing- induced aspiration and perceived value can empower but can also corrupt, how it can be both perverse and create beauty. At the same time, at the core of his work, he honours and applauds ingenuity and the creative spirit. (Via Colossal)
Photographer Tim Dodd has long loved space, so when he happened to find a vintage Russian high altitude space suit on an auction website, he had to have it. The purchase has definitely been worth it. After owning it six months, he’s worn the suit at least 17 times to photograph himself in the series Everyday Astronaut. It depicts Dodd as an astronaut character that’s doing the everyday activities we all do, like walking the dog, cooking dinner, and grocery shopping, but all with a hilarious (and sometime tragic) twist.
In all of these images, the spacesuit is present. It’s the narrative thread that connects all of the Dodd’s stylishly-shot photographs. The character is an everyman, just going through the day like anyone else, except that he has this special suit. Does it give him super powers? No, but we get the sense that he might think it does, which adds a humorous touch to this series.
It’s impressive at the amount of details that Dodd included in each image. Every photo is an attribution NASA in some way, and some are more obvious than not. Like shopping for tang, watching Apollo 13 on TV, and even down to the bedding, take a look and see if you can spot all of the photographer’s carefully-placed references. (Via Fast Co.Exist)
There’s a new fashion craze that’s happening along Eastern China’s seaside city, Qingdao. Publicly-dubbed “Facekinis,” are protective head masks that are being worn by many beachgoers (mostly women). Photographer Peng Yangjun has documented them in a series of portraits that are set against the backdrop of the beach.
The colorful style is no doubt a strange one, and it’s reminiscent of luchadore and ski masks. This bizarre fashion trend has a more practical purpose, however, and that’s to protect swimmers from the sun, in addition to repelling insects and jellyfish. It’s often paired with long-sleeve bodysuits that help people maintain their natural complexion because bronze skin is often associated with those who perform physical labor in many Asian countries.
We’re often used to seeing swimmers wearing next to nothing or going completely nude. This style takes modesty to the next level, completely covering people up rather than stripping them down. It’s a surreal sight to see someone posed with bare arms and legs but a completely covered face; the photographs showcase an individual style but are devoid of the feeling and emotion we read from the face. (Via Flavorwire)
Photographer Anna Ladd’s poignant series, Things I Told the Internet, But Didn’t Tell My Mom, examines the way that blogging has impacted her life. The Philadelphia-based artist has been sharing her thoughts and feelings via this medium for the past six years, and it’s changed her conception of privacy. Intimate and revealing admissions are made to seemingly countless anonymous people on the web, but has never been talked about in person.
Ladd’s photos depict landscape scenes of backyards with concrete walls, scalloped awnings, and parked bikes. The everyday places are adorned with cut-out letters attached to strings that spell out a phrase that was directly taken from something that she posted online. Sentences, while obviously out of context, communicate sadness and the pains that come from things like loss of love, growing up, or some greater trauma.
There’s a peculiarity to these images, a cognitive dissonance of sorts. We first see the letters like you would at a party, like they are decoration. But a phrase like, “I want to puke and sleep for six days” is not something you’d celebrate. It could be a metaphor for the facade we put on towards the outside world, where we seem happier than we actually are. The anonymity of the web knows our true thoughts and feelings.
Though he is perhaps most famous for his internet sensation photoseries, Everyday, where he has taken a photo of himself daily since 2000 (and which was then turned into a stop-motion video which went viral), Noah Kalina‘s work actually possesses a very distinctly subtle, and personal feel. In the series Internet/Sex, taken between 2007 and 2009, Kalina pairs empty hotel rooms, illuminated only by computer screens, and composite photography which suggests naked couples having sex. The dynamic of the empty and occupied rooms, when paired together, connect a portrayal of the inherent loneliness and longing of the human condition.
Kalina, who is based in Brooklyn and Lumberland, New York, has not explicitly said what these photos are documenting, it can easily be implied that these intimate moments with open computer screens simulate the connections and separations that both sex and connection through the internet offer. Taking place in various hotel and motel rooms, the series seems to suggest a lonely traveller, using their computer to make a primal, human connection. Surprisingly, the open screens and the desire they represent offers a loneliness more lewd than photographing sex.
Combining photography and painting, Polish-based artist Michał Mozolewski creates intriguing portraits of mysterious-looking subjects. Pictures of pictures of people are scanned into the computer and later remixed and using a variety of methods. They are set against dark backgrounds and the black and white base images have gestural strokes painted over top of them. The hues of white, cyan, and red don’t evenly cover the photographs and Mozolewski uses varying pressure that adds a sculptural element to the work by emphasizing certain features of the face or body.
The effect that the artist’s technique has on the mood of the work is dramatic. Diffused and distorted photographs combined with Mozolewski’s erratic marks make for a haunting and grotesque portraits that are dreamlike at the same time. There’s a lot left to the imagination with these works, and they communicate sadness but at the same time are provocative and overall very visceral.
Beyoncé Knowles – “Master cleanse diet,” lemon juice, maple syrup, cayenne pepper, salt, and laxative herbal tea
Bill Clinton – “Cabbage diet,” cabbage soup, mixed with other vegetables.
Luigi Cornaro – “Sober Life,” fifteenth-century Venetian nobleman, 400ml of solid food or eggs and 500ml wine.
Lord Byron – “Romantic poet’s diet,” potatoes in vinegar and soda water.
Whether you find it oddly comforting or just downright strange, fad diets have existed long before our time. Photographer Dan Bannino documents the temporary eating habits of celebrities as far back as Henry VIII and as recent as Beyonce. He goes beyond simple tablet settings, however, and crafts moody, rich-looking scenes that are luscious in their color and texture. Bannino describes the inspiration for his series entitled Still Diet, writing:
With this series my aim was to capture the beauty that lies in this terrible constriction of diets and deprivation, giving them the importance of an old master’s painting. I wanted to make them significant, like classic works of arts that are becoming more and more weighty as they grow older. My aim was to show how this weirdness hasn’t changed even since the 15th century. (Via Artnet)
Often in our daily lives, something needs to be taken out of it’s normal context to be seen with renewed appreciation. In Arnaud Lajeunie‘s recent photoseries Water meets colour, colour meets water, the Paris-based photographer explores new waves of seeing the constant ebb and flow of ocean waves by making them more visible, through the use of biodegradable, sugar-based dyes. Arnaud’s interventions tint the surging water with a plethora of colors, which are captured using an extremely fast shutter speed, which produces photos of violent, colorful takes of traditional landscape photography. Taken out of a normal context, one can see more clearly the natural beauty and fury.Says Arnaud, “Here, colour is seen as a raw material, as are the waves and the rocks. Colour adds density and thickness to transparent water, thus enhancing the flux fixation process.”
As writer Eugenia Lapteva notes in an essay on the series, Colours of Absence, “As the colours bleed into the sea, the texture of the water thickens and the motion of the waves is (re)defined, revealing its hidden course and complex networks. The crashing waves, which are carefully contained within the camera frame, pull the viewer into a vortex of frozen shapes and novel configurations that are otherwise indiscernible to the human eye.”
In his own words, the photographer explains, “I rely on the camera as a device with technical features that can give tangible shapes to ever-moving fluxes, in this case the waves. The high shutter speed transcends the human reflex of persistence of vision: it reveals existing shapes that the ‘mortal eye’ cannot perceive on its own.” (via mymodernmet)