The work of artist Pard Morrison seems to reference both the analog and the digital at once. His hard edged fields of color are reminiscent of image pixels or two dimensional mock ups of some sort. Morrison often contrasts these blocks of color with a natural landscape barely touched by technology. His work addresses how experience is increasingly mediated by technology – how a three-dimensional landscape is increasingly lived in two dimensions. While these pixels and blocks build many images we experience everyday, they also can hide and obfuscate them. [via]
Cool photographs from Akihiko Myoshi. The photographer is captured in a mirror as bars of color, meant to evoke pixels, are positioned in the frame. A nice commentary on personal identity in the Digital Age. But the coolest thing about this series is Myoshi’s process:
The photographs included here are of mirrors, paper and tape often adhered to the surface of the mirror taken with a large format camera as they attempt to unpack the structural mechanics of photographic representation.
Originally a computer engineering PhD candidate, Myoshi now makes art and teaches at Reed College. (via)
You’ve probably seen the work of Berlin/Vancouver based collective eBoy (or that of someone biting their aesthetic) at some point. Svend Smital, Steffen Sauerteig, and Kai Vermehr make up the core of the group, and they’ve created their very own world full of pixelated characters and environments through years of illustration, design, and animation work. The eBoy vision is pretty much fully realized, now everyone gets to enjoy taking part in it. The pattern design above is particularly amazing.
Want to see more by eBoy? Check out our exclusive feature on them as well as the cover art they created specially for us in Beautiful/Decay Issue:G