Jane Perkins reproduces classic paintings using found plastic objects like buttons, beads, jewelry, shells, toy figures, LEGOs, and other plastic items. With her careful and meticulous arrangements, she faithfully recalls well-known works, enhancing the texture of them and creating interesting depth. She implements each item’s original color and shape skillfully into the compositions, illustrating shades and lines with the outlines of the objects. From afar, her pieces could pass for prints of these famous works, but up close, the viewer is granted another layer of appreciation for them. Perkins applies her background in textile design to her plastic found object arrangements, artfully utilizing the textures of each object. (via my modern met)
The slick site specific installations of Megan Geckler beam and bounce of walls like lasers. Her installations’ ultra clean geometric forms and bright colors nearly hide the personal quality to the work. The plastic rays are actually made of flagging tape – the kind you find just off the sidewalk typically used by surveyors. Her installations intentionally bounce between art and design, industrial and hand made, cold and personal. Also, just as her work shifts conceptually, it also shifts in shape from angle to angle. Strands at one angle interact with strands at other angles as a viewer moves through the space. [via]
The Spanish collective Penique Productions creates massive installations that at the same feel nearly weightless. Using fans and colored plastic the collective entirely covers a selected space in a bright hue. Though the concept is relatively simple, the space feels totally transformed. The space and its furnishings are stripped of all their details and reduced to a set of shapes. Penique’s Productions create an interesting way to investigate familiar places. Interestingly the collective says regarding the installations:
“It works the relationship between fullness and emptiness, creating a dialogue with the space it temporarily inhabits.”
Artist Marion Lane creates almost otherworldly abstract paintings. Her peculiar style and use of acrylic on panel seems to belong to an action other than painting. Lane’s shapes appear to grow organically, emerging more from cell division than brush stroke. However, the inorganic nature of Lane’s medium isn’t lost on her. Rather, she seems to exploit the plasticity of acrylic paint, making it plain in the shape and sheen of her fantastic subjects. Lane’s pieces at once explore abstraction and figuration as well as the natural and synthetic.
“On Midway Atoll, a remote cluster of islands more than 2000 miles from the nearest continent, the detritus of our mass consumption surfaces in an astonishing place: inside the stomachs of thousands of dead baby albatrosses. The nesting chicks are fed lethal quantities of plastic by their parents, who mistake the floating trash for food as they forage over the vast polluted Pacific Ocean.
For me, kneeling over their carcasses is like looking into a macabre mirror. These birds reflect back an appallingly emblematic result of the collective trance of our consumerism and runaway industrial growth. Like the albatross, we first-world humans find ourselves lacking the ability to discern anymore what is nourishing from what is toxic to our lives and our spirits. Choked to death on our waste, the mythical albatross calls upon us to recognize that our greatest challenge lies not out there, but in here.
For updates on Chris Jordan”s upcoming film MIDWAY, visit www.midwayjourney.com.
More pictures after the jump!
Kevin Champeny creates mosaics using individually cast urethane figures and random objects like hot wheels cars (above). Using small, colored fish, candy, flowers, etc., He’s done everything from self-portraits, to skulls, to roses. Looks painstaking as hell but the results are definitely worth it. It’d be cool to see some of these before they were assembled- just a pile of plastic. Click through to see more. (via)
Tom Price melts a lot of plastic in his work. He bends the distinctly man-made material to his specifications, creating highly conceptual chairs, tables, trees, and other objects. It’s easy to see which aspects of Price’s sculptures are the result of his molten process, and some element of intense heat and power lingers long after required cooling periods. You can almost feel the plastics melting in your hands, and smell the awful scent of burning tar. Such lingering power is what makes these works so intriguing. They’re also beautiful, but who’s counting? (via)
The people of the United States alone toss out millions of plastic bottles every hour, and in a year, enough plastic film to shrink wrap Texas (which would be both a hilarious and horrifying feat.) Everyone knows it’s important to recycle, but it’s often hard to realize the consequences of forgetting about one little bottle; maybe we should consider not buying this stuff in the first place. (I drink out of the tap all the time, heck, I’d drink out of the hose.) Without getting on a soapbox, the following artists have made powerful statements about the ways in which we waste…. by re-using materials that would otherwise be thrown away, and removing paper and plastics completely from the recycling loop…. as even the act of recycling uses massive amounts of energy.