Photographer Jeremy Kost isn’t ashamed of being under the influence of Warhol, a fellow Polaroider. Like Andy Warhol, Kost’s subjects often embody contrasts. His photographs are at once staged and candid, glamorous and gritty, confident and apprehensive. Kost’s photo-collages capture larger scenes by piecing together fragments of it – in a way a metaphor for Kost’s subjects, Warhol’s style, even post-modern identity.
Mezzetty’s images draw on everything that was good about the seventies, like Patti Smith and Polaroids, and injects it into each and every one of their dreamy photographs. Those stoic babes and fuzzy lenses are like squinting into the sun on the last day of summer, often bittersweet, but always beautiful.
Ahh, the polaroid- the quick flash, shake, peel and voila of the beloved instantaneous image-maker is the timeless trope of countless cheesy grins. In our simulacra-riddled copy of a meta-copy digital age, there is something sincere in an entirely unique and irreplacable analog copy of a photo. Sure, I have thousands of digital files amassed on my computer. But the photos that I cherish are mostly those small, square little guys called polaroids, or to use their proper name, Instant Land Photography. With polaroid’s impending death nearing, thankfully someone has taken a stand. ISM Community will be opening an entirely polaroid exhibition entitled “Instant Gratification” at Copro Gallery this Saturday, from 7 to 11pm. With hundreds of ceiling to floor polaroids, the exhibition creates awareness about this waning art form. Flyer and more polaroids after the jump!