Joe Black is an artist who uses Pop Art against itself. Collecting iconic imagery (often choosing those which have already been famously exploited by other artists), Black creates large-scale hued portraits using copious amounts of consumer items. One of many artists using collected masses of materials into larger mosiac-style works, Black claims that he is open to using any material as long as it is small and plentiful (past pieces have used Lego pieces, toy soldiers, pins, ball bearings, badges) and relates to the source image. These images, which are best seen from a distance of fifty feet, offer a contextual surprise for viewers upon closer inspection.
Though trained as an artist and painter, Black claims to be uncomfortable labeling himself a professional artist, preferring to consider his work more based on image-making and craftsmanship. One such aspect is the time-consuming application of several thousand smaller pieces which make up his whole images, which Black hand-alters by using aerosol to add tones that give gentle gradients which become the lines and shading of the portrait. (via u1u11)
I’ve been following Peekasso‘s (real name: Peter Stemmler) work on his Tumblr page for awhile now, and he is easily one of my favorite internet artists. I’m never bored with any of his creations, but his gif work is especially impressive. Using a combination of clips from film, video games, pornography, commercials, pop culture, and other internet ephemera, Stemmler assembles a curious juxtaposition of images. Some of his gifs have a brainwashing quality to them – a quick succession of disparate images and the loop of the gif medium force the brain to make connections between starkly contrasted imagery. The result is dizzying, and for me, satisfying in its absurdity. Underneath this absurdity and within the juxtapositions there is a critique of some of the imagery that seems to emerge, a perspective that seems to mock much of media in general.
As an internet artist, Stemmler also has an impressive output of static digital images and illustrations that you can check out on his website, blog, or Flickr. He lives in New York.
Spanish artist Mario Soria creates stunning collage-esque paintings of iconic American images and figures such as Andy Warhol, Woody Allen, Marlene Dietrich, Audrey Hepburn, Sophia Loren, John F. Kennedy, and Abraham Lincoln. His portraits are hyper-realistic, but the seemingly random array of objects and contexts he places these figures within lends the work some eccentricity, a sense that is heightened by his use of embellished canvases and the simulated 3D effect of some of these protrusions.
Scott Lickstein’s surrealist pop culture infused paintings are ethereal and witty. He combines seemingly disparate imagery into one canvas evoking both a sardonic and dreamy aesthetic. The layers of reference are reminiscent of collage work, something he also dabbles in, in addition to photography and video. Lickstein: “Robert Motherwell declared collage as the most important discovery of the twentieth century. He wasn’t referring to the idea of cut and paste. He was pondering the exploration of infinite potential. Contemporary life is ocular bombardment. Content is overlapped beyond the veil of the conscious mind. Control and manipulation of this data is the game for now and for the foreseeable future for this artist.”
Illustrator and comics artist Jesse Lonergan is drawing a “Dancer a Day”. Every day, he draws an icon from movies, music, cartoons, pop culture, etc. in a “dancing pose”. He posts the quick sketches to his “Dancer a Day” blog. Just a really fun, loose project. Who doesn’t dig the image of a groovy Hannibal Lecter or a b-boy Gonzo? What about a super fab “The Dude”, or Godzilla and the Stay Puft Marshmallow Man cutting a rug on top of a metropolis? Some more selections after the jump and head over to the page itself, where Lonergan’s already amassed a pretty large collection of dancers. (via)
Thank You Very Much, an artist collective out of Buenos Aires, looks like a really cool, ambitious group. Limiting access to different creative vehicles is never a good thing, and TYVM is definitely not trying to do so. Working with over 40 artists from around the world, they’ve got their hands in everything: production, exhibition, design/marketing, etc. Recently, co-director Luciano Podcaminsky staged in exhibition of five installation pieces at the Centro Cultural Recoleta in B.A. The show, which “mixes conceptual art with POP culture”, gives you a good idea of what the collective is interested in doing. Find more images and some words from Podcaminsky on the exhibit after the jump.
Lucy Gaylord-Lindolm’s remixed take on traditional oil painting and art history injects elements of surrealism and pop culture into a familiar setting. Characters from The Wizard of Oz and Pinocchio find their way into the artist’s cleverly referenced paintings, establishing bold compositions where perfectly good paintings once already existed. The result causes us to look a little deeper into that which we previously took for granted. I’ll go wherever she’s leading with these. (via)
It’s been a while since we last looked at the work of Belgian Illustrator Brecht Vandenbroucke. Imbued with awesome pop culture and comics flavors, his work never disappoints. There’s so much going on in these paintings that I can’t always tell the difference between references to Adventure Time, and social commentary. But who says the two don’t mix?