The artist Stephen Irwin’s work reinterprets the erotic; by scratching away and obscuring unnecessary content from found vintage porn imagery, he constructs a more emotionally climactic vision of love making. Like faded, far away memories of sexual encounters, his images only recall the most poetic and visceral sensations: the insertion of a finger, the flicking of a tongue, private moments of masturbation.
Unlike the work of someone like Von Brandis, Irwin’s images challenge the pornographic inclination to objectify the body, evoking moments of mutual bliss that transcend the material form. Irwin’s hands, limbs, and genitalia stand in for individuals, blurring their identities and ultimately pin-pointing a moment of worshipful self-actualization. The point of orgasm is elevated to spiritual heights when mouths cry out to the heavens. In a particularly sensual piece, the careful insertion of fingers into the vagina harkens back to illustrations of the doubting Thomas fingering the wounds of Christ.
These moments of ecstasy, however, are painfully brief; body parts emerge for an infinite blankness, vanishing just as soon as they appear. A deliberately messy black marker erases the figures, leaving only shadows in its wake; again, a shaded limb fades into whiteness, as if pushed down by a firm hand on the buttocks. The artist’s choice to use vintage images operates as yet another reminder of the temporality of climax.
These images are gloriously unstable and unreliable; for many, it’s impossible to tell if the original pornography was a sketch, painting, or photograph. Here, the lines between fantasy and recollection, between the corporeal and the spiritual, are miraculously indistinguishable. (via Juxtapoz)
After searching through the deepest corners of the internet pornography universe, the South African mixed media artist Von Brandis blanked out the carnal content in an attempt to reinterpret sexual imagery. The project, titled “Obscene Interiors” somehow heightens the voyeuristic thrust of the erotic images; behind a shield of white, sexual activities become more mysterious and forbidden, forcing the viewer to examine the images with more self-consciousness than the original porn might elicit.
The series also works to redefine the erotic. As blanked-out figures magically flatten and morph into a single two-dimensional being, signs of intercourse and movement disappear. In contrast to the white-out bodies, which often appear to be pasted onto the photographs, the space of the pornography sets do indeed become the “obscene” photographic content, inviting the eye to penetrate their depths. The pornographic subject becomes the interior itself: the cheesy bedding, the slightly parted curtain, a glistening clock radio, a stained rug.
The images, if slightly dehumanized by their alterations, maintain their intense sexual charge; the off-kilter frame suggests movement within the room, an amateur pornographer’s fast and anxious shots. Shadows billow from the white shapes, hinting at the breath, dimension and passions of the human form.
The series, with its censorship, paradoxically becomes more suggestive and uncomfortable. Forced to consider the erotic impulse and visual fetishization, the viewer cannot help but feel awkward about our engagement with the porn. In this way, this powerful piece touches on contemporary debates about the medium: is porn a healthy, natural human activity, or is it objectifying and morally ambiguous? What do you think? (via Lost at E Minor)
Brookyln based photographer Peter Schafer sent over a few images of a series he’s been working on. Schafer says:
Specifically, it’s a series of screen captures of partially downloaded bit torrent files of webcam porn videos – young women undressing and masturbating, basically. When the files are partially downloaded, impatiently viewed prior to the video file being complete, some strangely beautiful images appear. Capturing the image degradation of video compression and finding beauty in it is a lot like my photography in that you have to catch an image at just the right time, with often the best stuff being unintentional and flawed.
He’s captured some sublime expressions with these. It’s almost as though the girls are posing only for him. The increased pixelation on the images due to their partially downloaded state blurs and distorts the girls to the point where an entirely new context is revealed; one you might create on your own.