We interrupt this broadcast to bring you an important message from your environment courtesy of Jung Lee, master translator, whose photographs place neon signage in unconventional places, working as emotive subtitles.
Each piece reminds us– it’s not necessarily the people we are searching for in relation to love, but the lingering romanticism of time and space: the feeling of earth cradling our fall.
Ballroom Luminoso is a wonderfully different kind of ballroom. A series of six chandeliers by artists Joe O’Connell and Blessing Hancock hang under an overpass in San Antonio, Texas. The chandeliers are constructed from recycled bicycle parts, structural steel, and custom LED fixtures. Shadow patterns of bicycle sprockets paint the surrounding area alongside colorful light. Accompanying the bicycle parts are carefully carved imagery referencing the areas Hispanic, agricultural, and ecological heritage. The artist statement goes on to say:
“The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements.” [via]
At least in the United States, subways are often thought of as utilitarian spaces quickly passed through during rush hour. Sweden’s Stockholm Metro, however, is filled with bright colors, mosaics, bas relief, even, installations and sculpture created over the past 60 years. Often considered one of the continent’s most beautiful metro systems, the city takes the underground art very seriously. For the price of a ticket, the system offers guided tours with a Metro expert. Further, the Stockholm Metro hosts temporary art exhibits in addition to its six decades worth of permanent art. Next time your in Sweden be sure to schedule some time underground.
“Sitting is perhaps the most common condition from which we experience architecture. Whether we work, relax, watch, eat, sleep, or talk to each other, sitting is at the core of our relationship to buildings.”
“SEAT” is an installation in Atlanta’s Freedom Park produced by E/B Office (Ju Lee and Brian Brush). The piece involves 400 chairs assembled in a sine wave formation “drawn into an agitated vortex rising from the ground.”
The “SEAT” pavilion was organized in part by Flux Projects, an Atlanta based public arts organization. (via)
There is a lot of public art on view in Nantes, France right now. Amazing installation pieces have sprouted all over the city, an industrial port off the Loire river near the Atlantic coast, as part of a couple large exhibitions happening all at once. One of these exhibits (and possibly the best of all currently on view), is ESTUAIRE, a trail of installation pieces in and along the Loire near Nantes and Saint Nazaire that celebrates and plays off of river habitats. This is the third year the show has been organized (2007 and 2009, previously). A few of the sculptures include beached boats, partially submersed homes, bears in trees, and monstrous sea snake skeletons, providing for a really strong, visually appealing commentary on the state of our natural environments. Check out more of ESTUAIRE 2012 after the jump.
Jan Fabre is an established artist with a long rap sheet — having shown and made installations everywhere from The Royal Palace in Brussels to The Louvre Museum in Paris. It’s impossible to pigeonhole him down into one medium, since he’s worked with materials as diverse as bic ballpoint pens and beetle wings. Not to mention, he’s also an author and theater director on top of everything else. If you happen to be lucky enough to be in the city of Antwerp from now until September 2012, you can view his sculpture installation entitled PIETAS at Park Spoor Noord. But if you go, don’t forget to send us pictures! (via)
Filthy Lurker’s sculptures walk the fine line between site specific installations, street art, and teenage gags. His website states that “his art is sparkling with humor, recklessness, and shocks you to look at the world in a new way.” What do you think? Is he merely a prankster who works on a large scale or does Mr. Lurker have something profound to say?
Public installation, alterations, and modifications by Alexandros Vasmoulaskis.