Costa Rica based artist Marco Battaglini creates large pastiche paintings that combine a handful of genres, styles, and references. His paintings are often reminiscent of a Renaissance composition and include classicist figures painted alongside more modern imagery like graffitied walls, tattooed bodies, varying artistic allusions like Warhol and Lichtenstein, and other pop culture details. Upon closer inspection of the paintings, it becomes clear that the effect of the compositions reveals spatial and temporal disruptions that limit the interpretation of the paintings’ realities.
According to his Saatchi profile, Battaglini, “invites us to think that in today’s global village, with the ‘democratization’ of culture, the evolution of knowledge, information immediacy, immersed in the heterogeneity, the Patchwork Culture forces us to confront with a need understanding beyond our geographical boundaries of time.” (via hifructose)
Julie Heffernan‘s paintings take all the tropes of Northern Renaissance painting, combines them, and makes them into absurd works that feel like art history collages rendered by one of the masters themselves. She has a show coming up at the Mark Moore Gallery on November 3, so if you like what you see, make sure to check out her opening, it sounds great!
Brighton-based artist Jake Wood-Evans‘ classical influences are readily apparent. A 21st-century Caravaggio? Who knows. But dude’s definitely on the right track. Celebrating his heroes while producing work that’s relevant to his period, Woods-Evans executes drips and fades in disaffected, casual gestures. Laurel wreaths and nuclear explosions are likely to meet in a single composition. If you’re near Brighton next month, check out his work at the Brighton Media Centre the 7th through the 16th. More images of the artist’s work after the jump.
Shaun Berke is one of the most skilled artists I’ve ever met. And when I saw a Rembrandt master-copy he created for a group show, I instinctively knew that he must have had some really insane pieces hiding out in his studio. So, I took the trip out to his place, where he pulled out one amazing print after another. He had woodcuts that were as masterful as anything by Albert Dürer as well as an entire book he made for his thesis project at Art Center that was full of pop culture references you wouldn’t realize he was initially inspired by. The fact that he can execute everything from a classical painting to graphic design work is kind of unheard of. There are those who can do one or the other, but very rarely anyone who can do it all, and do it all remarkably well. In particular though, I really wish Shaun continues to make some more woodcuts, since I haven’t seen an artist do anything close to what he’s doing with the medium due to his level of detail and depth of narrative. I mean, some of his pieces have entire books that go along with them featuring mythologies he’s created based upon heavy research.