Otoniel Borda Garzón is known for his use of repurposed wood to create intricately twisted installations that dominate their gallery settings. The Bogota-born Garzón creates shapes which resemble naturally destructive environmental forms, those which upset life and cause death and destruction. The insinuations of hurricanes, tornadoes and twisters is amplified by the use of splintered wood, which recalls the damage after extreme weather conditions. However, his choice of using wood is important to these piece’s message. Just as the tree’s death gives humans and animals a material to work with, Garzón continues this cycle by using wood that has also ‘died’ or lost its purpose, creating a metaphor for the constant cycle of life and death and reinvention.
This series of installations, which the artist calls Reserva, involves site-specific construction and a reaction to each individual exhibition space. For the Bogota International Art Fair, Garzón built a 40 foot high tornado (pictured above and below). The installation, which took almost three weeks to build, with an additional week to disassemble, both reminds the viewer of the instabilities of destruction, but also the possibilities of life. (via colossal and behance)
Location is important to Canadian artist Aaron S. Moran. The wood sculptures he creates are both inspired by, and dependent on pieces of wood that he finds in a particular area. From them, he assembles the discarded material into works of art. Using a variety of colors, textures, and patterns, he creates pieces that create a dialogue between place, media, and the viewer.
At times, his sculptures feel like they are going to combust. In his series If You Resist This! and Wash Up (Boundary Bay), wood is unevenly matched in color and size. Pieces are wedged, layered, and placed where they will fit. The non-matching feels almost haphazard, like the piece’s shelf life wasn’t supposed to be very long. This visual tension feels volatile, as if there is something is ticking inside them and about to burst.
At other times, Moran’s sculptures are more docile. They hold an entirely different air and attitude. Here, he uses wood that’s been painted colors of a pretty sunset. Moran has considered placement of colors and arranged the wood in patterns. He titled the series Kite Contest/1991, conjuring up the feelings you’d get from a warm, pleasant day. He writes this about the series, poetically stating, “Sun filtered nostalgia, memories of vibrant kites flying high in the sky along the shore of a beach. Lively patterns from days gone by, blurred by time. Sun bleached photographs of smiling faces. Picnic blankets and pinwheels moving in the warm breeze.”
Moran is currently pursuing his MFA with the University of Windsor in Windsor, Ontario, Canada. He lives along the Detroit River on the border of Canada and the United States. You can follow his works in progress and inspiration on his Tumblr, Year On A River.
Recycling is a way of life in Cateura, Paraguay. Many people there earn money by scouring the huge landfill for items that can be recycled. A certain garbage picker, though, began recycling for much more than money: for the young people in his community. Nicolás Gómez began creating instruments – violins, cellos, drums, guitars – from the trash he sifted through and gave them to local children. The idea picked up steam and children’s orchestra known as “The Recycled Orchestra” came to life. Landfill Harmonic, a documentary on Gómez and the orchestra, is slated to capture the inspirational story. [via]