The shapes of Rorschach tests are intentionally flawed and ambiguous — allowing us to draw conclusions about a person’s psyche based on what organic matter they claim to see growing in the inkblots. In her series, Mirrors, photographer Traci Griffin flips that concept. By applying symmetry to natural subjects, they are rendered unnatural and too perfect for this world.
Carlos de los Rios, a Columbian artist represented by Stephanie Bender Gallery in Munich, produces an amazing variety of pieces by working in series, this one titled 32 Memoiren. The media and subject matter may alter, but de los Rios’ work maintains a fragmented attachment to the figure, like a futuristic Rorschach Test in need of translation–I see a bird.