The exact color of that Ginger Ale can is important to artist Sara Cwynar. Her work revolves around the careful curation of both fantastic and banal objects. She arranges and later photographs these assemblages, which range from color studies to chaotic interpretations of old works of art.
You might be familiar with 16th and 17th century Dutch Flower paintings. If not, then they are exactly as they sound; Still life paintings of flower arrangements. They are colorful and realistically rendered pictures. Their realism is almost boring, until you find out that these paintings were meant to brighten up the interior of homes during the winter months when real flowers were dead. In her Flat Death series, Cwynar took old reproduced pictures of these flowers and overtop placed it with the likes of cheap plastic toys, fake leaves, rolls of tape, and dish gloves. A sophisticated painting is recreated out of junk, creating a cognitive dissonance.
Color Studies is another still life series. Instead of parodying of an already existing work, Cwynar gathers objects of a similar color. They include old marching band uniforms, encyclopedias, lemons, old slide film, cigarettes, and so much more. Photographs feel really dated, like a teenager’s room in the 1970’s. This is Cwynar’s intention. In an interview with Lavalette, she states:
I thought a lot about the aesthetic patterns you see in these pictures – a particular lighting, a slickness, a high level of detail. I’m also trying to recycle and subvert conventions of product and commercial photography by using elements that aren’t normally associated with these genres – objects that are now discarded or forgotten, intentional scuffing, not glossy at all.
It’s easy to be intrigued by Cwynar’s work. She utilizes conventional objects and through assemblage, allows us to experience them in a new way.