Petros Chrisostomou’s Photographs Trick Your Sense Of Scale

Chrisostomou, Photography

Chrisostomou, Photography

Chrisostomou, Photography

Petros Chrisostomou, a New York based photographer, plays with scale, mass-produced and ephemeral objects, and hand-crafted mini architectural models in order to challenge the viewer’s visual certainties, and visual signifiers of contemporary mass culture.

The multi-faceted works resemble lively assemblages of what seem to be large-scaled mundane objects in exaggerated interiors – some resembling wreckage, and others referencing the extravagance of a Rococo palace.

Christosomou’s photographs become the field for mixing the high- and the low-brow, mass culture and genre painting, the luxurious and the expendable, as indications of social class distinctions. At the same time, the relations between the real and the imaginary in his oeuvre are a commentary on the mediated images of contemporary mass media that distort the natural and immediate dimension of our relation to reality, determining, among other things, the conditions for viewing and receiving art. 

The relevance of this body of work does not completely rely on its technical complexities, and cultural commentary, but also in its visual power. We know that the artist is not fabricating monumental sculptures resembling stiletto shoes, instead he is fabricating small-scaled architectural spaces- that play out with the objects, making them look bigger than they seem. It is important to notice, as curator Tina Pandi points out that “the alteration of scale and reversal of the relation between object and environment, between imaginary and real space.”

(Photos via Ignat Quotes via Artist’s Website)

Eric White

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Eric White is a painter living and working in Brooklyn. He creates work that challenges the body with differing proportions, repetition, and color. The work is exquisite in every sense, and owns the world it lives in completely.

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Brendan Austin

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In a series entitled “Paper Mountains,” NY-based photographer Brendan Austin shoots crumbled paper in an abstracted, decontextualized way as to create the appearance of mountains. It reminds me of when I was a child and I would look at the natural folds, hills, and canyons created by my bedspread and imagine they were gigantic landscapes.