Scott Hazard’s Torn Paper Garden Installation Is A New Spin On Nature

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Scott Hazard ( featured here previously) is a North Carolina-based artist whose torn-paper landscapes engulf an entire gallery space. Titled Silent Geography, it’s currently site-specific installation at Mixed Greens gallery (in collaboration with Projective City) in New York that covers the floor with paper structures and punctuated with masses of text. These areas of words are meant to turn the space into a garden, meaning that it’s a cultivated and enclosed area that’s set apart (but close to) the wilderness.

From a distance, it’s not clear what Hazard’s soft, inviting installation is made from. It’s only upon closer inspection that you see incredible, carefully-torn sheets of paper and small details like block-printed letters. Silent Geography is meant to evoke the feel of nature but speak to those that live in cities. Mixed Greens writes:

Yet here the wilderness is not exactly that of nature but rather the din of flowing information, language, and symbol that surrounds most urban-dwellers on a daily basis. Into this flow Hazard creates a momentary pause, an immersive space of rest in which language is once again ordered and reduced to its simplest designative function.

Silent Georgraphy is on view until January 10, 2015.

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Scott Hazard’s Torn photograph constructs

Scott Hazard’s photo constructs blur the lines between photography, collage, and sculpture creating three dimensional portals into the urban landscape. (via laughing squid & colossal)

The objects I make serve as devices for poetic awareness. Looking into them creates an atmosphere of in-betweenness which helps frame the small extractions and resonances of the world featured in each work. Commonplace elements in the natural and built worlds provide points of origin for helping people gain insights and understandings of the landscape around them. My work incorporates extractions from sites in urban and pastoral landscapes, whether the material extracted is local stone or wood, video, or photographs.

In a world with a seemingly endless amount of stimulus available, most of us are concerned with our own business, unable to let some of the more subtle aspects of the world reveal themselves to us at times. Taking note of these details might help us better appreciate or gain an enhanced understanding of the world we live in. As Walt Whitman wrote in the preface to Leaves of Grass, “The greatest poet dilates any thing that was before thought small…with the grandeur and life of the universe. He is a seer.” My work temporarily removes or alters the viewer’s existing frame of reference to provide an opportunity for a different presence of mind, a distilled frame of reference.

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