Israeli artist Zemer Peled creates sculptures using countless ceramic shards. Each individual element is a small part of a greater whole, and their sharp and pointed edges form a single beautiful form that’s inspired by flowers or sea creatures. Through careful arrangement, these forms bloom and breath like the real thing.
Peled uses blue cobalt found in designs and landscapes from traditional Japanese pottery as her raw materials. Subtle lines and patterns create the textures for flower petals and other attributes. To make this possible, the artist uses a slab roller to build sheets of clay that are fired and then broken with a hammer. What’s incredible is not only the meticulous nature of assembling and placing each piece, but its the uniformity that they all have. Although Peled’s work is comprised of countless parts, each of them is the same. (Via Colossal)
London-based artist Jessica Dance specializes in creating handcrafted models, props, and sets that have a wide-range of commercial appeal clients include Vogue, Vanity Fair, Google, and more). Her work features a lot of conventional, everyday objects reimagined in a delightful, unconventional way. Dance knits food, toothbrushes, and even calculators on her domestic knitting machine, and it’s a playful twist on the real thing.
The knitted pieces are made from wool, and they look like something you’d want to snuggle up with. It’s an odd feeling to want to hug a giant turkey, but that’s the power of fiber arts (or any art, really). We attach associations to materials and sometimes nostalgia prompts us to touch, pet, or squeeze brussel sprouts and meatballs.
San Francisco-based artist Lizabeth Eva Rossoff has created a mashup of iconic statues and and characters in contemporary popular culture. By physically combining China’s ancient Terracotta Army with the heads of Bart Simpson, Batman, and Mickey Mouse, they fuse Eastern and Western culture. Rossoff class her series Xi’an American Warriors.
The artist explains that her work, “playfully explores the concerns of American media’s global influence and China’s industry of counterfeiting the copyrighted properties held by said media.” In essence, these sculptures represent a cycle.
Each stately clay piece stands 18 inches tall, and their appearance was created by using the same process that built the original third century BCE warriors from Lintong District, Xi’an Shaanxi province. She even worked with a Terracotta Warrior replica studio in Xi’an who make their clay sculptures using the same ground that was used so long ago. And, for a limited time, these artworks are available to buy on her website. (Via Endless Geyser of Awesome)
Korean artist Choi Xooang creates sculptures that you’d see in your nightmares. The grotesque artworks are made out of resin and shocking in the brutal ways that they manipulate the human body. Severed limbs, skin corsets, and people-made backpacks are all featured in these pale, hyperreal mutant characters. Although they feature exquisite craftsmanship (the life-like details are stunning), it’s hard to get away from subject matter.
His existentialist creatures, in the torments of their flesh and their contradictions, become our double dumb and clueless. The artist says that emotions are the only things given to a man or woman apart from their social status in the functioning of a capitalist society. Choi Xooang not only gives us his own feelings but attempts to retrieve a collective soul, a chart of all the sufferings and joys experienced by everyone.
We see these types of feelings represented; while there is pain, there is also sensuality between the characters, and even some eroticism shown throughout the strange hybrid people. With this, Choi communicates that pain and pleasure can walk a thin line. (Via Hi Fructose)
The candy-colored works by New York-based artist Jaz Harold have a subversive nature about them. Although they use pastel colors have soft features, you can’t avoid the sexual undertones and overtones that are prevalent throughout Harold’s sculptures. We see grotesque displays of rotting skin, nippled pom poms, and sensual lips with just a hint of tongue. She writes about her charged works, stating:
Using an aesthetic that consciously appeals to child-like naïveté, Jaz’s work softens the emphasis on the ego, ritual, intimacy, and stigma that society generally attaches to sex.
Cherry blossoms (sakura) are a perfect balance of sexual innuendo, beauty, and innocence. The cherry blossom, symbolizing love in many cultures, adds an additional element in a body of work that covers both areas- an innocent love, and a simple uninhibited lust.
Harold makes the pure not so pure, perhaps in an attempt to scramble the visual culture that we’re used to, or as a way to offer a confusing reflection onto being young and learning about sex/being sexual. (Via Asylum Art)
Artist Harry Roseman takes the ubiquitous material known as plywood and with careful cuts and placement, creates the illusion that this rigid material is pliable. The large pieces include “folds” that make them look as though they are textiles. Roseman uses a single piece of wood and mismatches its grain to break up the visual monotony; it fools us into think that there’s a back and a front to this “fabric.” The rigidity is reminiscent of a plastic camping tarp, but it’s still impressive at how, with relatively few cuts, the pieces are believeable as something other than what they’re made of.
These sort of observations and overall sentiment is part of what Roseman is trying to achieve in his sculptures, writing:
The subjects of my work are the bend of a curve, the conjunction of edges, the turn of a fold, the weight and nature of objects, the conjunction of idea and object, the way an idea sits in an object and next to an object and the way surface can obscure and also reveal. One of my aims is to close the distance between thinking, looking and making, to the point where it is hard to tell the difference.
Hedi Xandt is a multidisciplinary creative who has a formal graphic design education, but doesn’t see himself limited to this field – his work takes the form of fine art paintings and sculptures. Xandt’s three-dimensional pieces are visually powerful and conceptually compelling. They feature busts and skulls composed of gold-plated brass, polymer, distressed black finish, and marble. The gold acts as an accent that adds an element of terror to the work, such as giant spikes or dripping blood.
The skull and bust are symbols of both art and humanity, and the aggressive nature of Xandt’s sculptures makes it appear as if he is rejecting these classical notions. The sleek and stylish “killings” coincide with his philosophy about creative spirit. Instead of mastering one thing and sticking to it forever, Xandt favors a more fluid approach, writing:
I think that the main and most important aspects of my work are creativity and concept. Being permanently on the experimental side of thinking and creating, I seek to add to my skills with every piece I begin. Learning-By-Doing, this awfully overused term, applies to me just as well as Doing-By-Learning. The unison of knowledge and skill provides me with inspiration and a broad foundation to be used as a starting point for any kind of project. (Via Inkult)
Mihai Marius Mihu, Heresy, from “The Nine Circles of Hell”
There’s a lot of impressive things built using LEGOs, and a lot of times the family-friendly toy stays PG in content. In Mike Doyle’s new book titled Beautiful LEGO 2: Dark, however, the dozens of creations are more sinister in nature. The publication includes a number of MOCs (a community acronym that means “My Own Creation”) that feature the likes of a scary bear, an electric chair, giant insects, and more. The artworks are an interesting and entertaining spin on LEGOs as they venture into adult territory. And, since we’d usually think of them as something that’s more lighthearted, it makes even more of a visual and conceptual impact. Beautiful LEGO 2: Dark comes out next month. But if you enjoy these unconventional builds and want to see more of the now, be sure to check out its predecessor, also by Doyle. It’s titled Beautiful LEGO. (Via Wired)