It’s a girl’s world in these scenes of playful mischief created by an eclectic array of delicate materials by Amanda Michelle Smith. Rendering tiny girls full of energy and angst, the artist uses oil paint, golf leaf, and ceramic pieces to construct her highly textured work. Smith’s talents in painting spritely girls are only matches in her ability in ceramics. Her light and airy palette combined with the rich glazes of the ceramic creates incredibly eye-popping aesthetics. The surface texture and detail in each leaf, tree, and flower jump out at you as they are formed from ceramic, creating a relief.
Although Smith’s work is full of little girls in dresses and bows, things are not always giggles and tea parties. Except, when there is actually a tea party, there are strange ghoulish guests dining in front of a black sky. Each scene has a bizarre flare that is both whimsical and somewhat dark. These are places where grumpy girls hide in a house while tons of little people seek to get inside. Proportions are skewed, size doesn’t matter, and little girls have a mind of their own. These feisty young ladies get into peculiar situations that are so beautifully and intricately constructed. Smith’s use of clay is flawlessly blended into her painting style, creating finished pieces that are begging to be touched. This California based artists creates three dimensional ceramic pieces as well, make sure to check them out on her website!
(via The Jealous Curator)
In the endless patterns of mandalas, one can find tranquility through its sacred geometry. You can find this peace in the spiraling colors of the mandalas artist Alison Moyna Greene creates. However, things are not always what they seem in her work. What is mesmerizing and calm at first glance is actually rough and defensive up close. The artist constructs her mandalas with individual cactus spines that jut out of the surface at the viewer. The process of using such a harmful medium by hand does not only take an intense focus, but also can be physically harmful. However, this meditative process of picking this material, painting them individually, and placing them onto their surface is a practice of care and love. Greene takes something painful and turns it into beauty.
The incredibly metaphor for transformation and healing is realized through this intricate series. The artist explains that her work acknowledges the coexistence of light and darkness and explores the balance of both necessary elements. The mandala is a traditional symbol of harmony. In this harmony, we find brilliant colors and winding patterns. However, we also find sharp, unsafe objects that make up this symbol. This contrast makes Greene’s work even more beautiful as she finds comfort in the amazing transformation of suffering into serenity.
This series of artwork uses thorns and cactus spines as a metaphor of changing pain and suffering. The process of hand plucking, hand painting and hand placing speaks about the transformation of pain into beauty and fear into love.
Inspired by the beautiful wildlife around her, artist Marine Coutroutsios cuts and constructs intricate, abstract birds out of colorful paper. Relocating from Paris to Sydney Australia, where she currently lives and works, Coutroutsios’s work is heavily influences by her environment. This series of hers titled Australian Birds contains patterns and colors that are found in the Australia native species she sees in her everyday life. With names like Yellow Tailed Black Cockatoo and Pale Headed Rosella, it is no doubt that the artist has named them after the individual bird species that each piece aims to resemble. It is interesting that although these pieces do not resemble the shape of a bird, nor do they possess a beak or even a head, we can still see that they are unmistakably birds. Resembling a target shape, it is almost as if the bird has been flattened into a nearly symmetrical circle.
Throughout childhood, Coutroutsios was always creating something, whether it is through embroidery or origami, which accounts for her incredible skill in paper cutting. Always feeling a connecting with nature, she also creates her own environments with her paper installations full of brilliant colors and shapes. She does not only pull inspiration from nature in the sky, but also nature in the water. Make sure to check out her Ocean Series where she takes her circular shaped method of sculpture and applies it to swirls of cut paper, creating whirlpools of color. (via BOOOOM)
“Through my travels I’ve realized how much I feel connected with my environment. It keeps me grounded and humble regarding our place in this world. With my work I’d like to inspire and engage you to reconsider the value of your surroundings. I think beauty is everywhere and it’s a powerful source of energy.”
Romanian artist Bogdan Rata’s highly psychological sculptures contort and mold the human body. Using polyester, synthetic resin, paint, and metal, he forms hybrid realism in his mutated versions of our anatomy. Where skin usually holds a warm glow, his work exhibits a pale, lifeless aura. Limbs sit detached from the body, or even more disturbing, emerge from an unnatural place, like the face. Both unsettling and intriguing, Rata’s sculptures twist and contort, making us feel uncomfortable and suddenly very aware of our own bodies.
The sculptor’s deformed misfits reflect on the imperfection felt about our own bodies and appearances. Our own insecurities are met and reflected in Rata’s psychologically surreal artwork. His work is not only hard to look at due to their grotesque qualities, but the positions many of the sculptures are in appear painful and awkward. Each piece seems to be uncomfortable in its own skin, uncertain of its own body and what to do with it. This is a feeling we can often relate to, as becoming confident in our bodies is often a difficult part of life. Rata hints at the confusion and difficulties brought on by self-identity issues in such works as his bust of a man with no face. His distorted figures are lost, looking for acceptance. Although they at first seem misshapen and horrifying, a strange beauty and compassion can be found in Rata’s fascinating work.
If you think your jackhammer and motorcycle make you look tough, just take a look at Theresa Honeywell’s knit accessories! What says “macho” better than tools and guns made out of knit fabric? This Washington D.C. native takes traditionally masculine objects, and gives them a feminine edge by creating them with knit and embroidery. By using methods that have previously been labeled a “feminine craft,” she sparks a dialogue on the masculine and feminine and what it means to align objects with these social constructs. Studying sculpture at university, she combines her talents in three-dimensional art with her interest in combining art and craft. The dichotomy between feminine and masculinity paired with art and craft challenges our pre-conceived notions of these themes.
It is interesting that knitting and embroidery have traditionally been perceived as feminine, when masculinity is often associated with labor-intensive tasks. These two techniques are in fact incredibly time consuming and require a lot of labor and skill. You can see the astonishing details includes in Honeywell’s work while examining every stitch and bead in her work. The artist even included the brand name of the jackhammer, and the pink and purple motorcycle is actually life size! Her intricate, delicate sculptures really show us the softer side of these “masculine” objects.
Artist Jason Freeny scoops out the insides of our favorite toys and characters, and sculpts their inner organs and skeletons. Having a sculpture professor as a father, the artist was exposed to the medium at a young age. Freeny was originally trained as an industrial designer, until he began creating this series of adorable abominations five years ago. He begins with the toy itself, and then takes it apart to study its structure and fill it with its skeleton. Freeny began using polymer clay to create the insides of each toy. Now, they are sculpted from epoxy and carved with a variety of miniature tools like pumpkin carving tools and those used in dentistry.
Freeny has taken lovable toys and turned them into something somewhat dark, but also a bit educational in a way. The anatomical accuracy in his sculptures is impressive, as each creature or character most likely will have its own unique anatomy. Freeny gives an example of this by explaining that Mario has a skull more like a child than of a grown man. The detail in each character’s body is so intricate, that it makes its anatomy incredibly believable. Interestingly enough, the artist does not just dissect popular toys like Lego’s and My Little Pony, but strange oddballs as well. A couple of his dolls with their inner organs exposed look somewhat demented; like they could star in the next Child’s Play. Whether you find Freeny’s work fun or creepy, the time and technique involved in his process speaks volumes to his brilliant skills in sculpture. (via The Creators Project)
Combining fiber art, sculpture, and fashion, artist Hsiao-Chi Tsai creates beautifully designed wearable art using a variety of different textiles. He uses brightly colored fabric to construct intricate pieces that can be worn on your head and around your neck. The materials used are cut into floral-like shapes that flow organically around the person who is wearing it. A designer by nature, the artist bases these creations off his own illustrations. Because Tsai constructs his designs with such soft material, they appear comfortable despite their non-functional shape and placement. Each piece is creatively designed, utilizing asymmetrical forms and a unique color palette. Although this series, titled Wonderland, is not likely to go with anything in your closet, wearing one of Tsai’s pieces would definitely be a statement!
Creating sculptural, wearable art, this textile designer also forms brilliant installations using the same technique and style as his fashionable art pieces. Using the same textile material, Tsai builds large installations that loops, swirls, and hangs; completely transforming the spaces they are in. These pieces are much like his wearable art, using some of the same elements and cut-out fabric. Each installation is an explosion in its space, with endless gushing patterns. The surge of color in Tsai’s installations can turn any sterile space into a wonderland of cascading fabric flora. Both his wearable textile art series and his installations are uniquely sculptural and are created cleverly with an unlikely material.
German artist Martin Roller constructs assemblages of objects in hilarious and astonishing ways in his body of work. Taking found object from the streets of Berlin, he photographs interesting mash-ups of everyday objects and remnants of trash, transforming their original function. Setting the scene similar to commercial photography, each newly created object looks as if it is on display in an ad, waiting to be bought. Who knows, maybe Roller’s banana shoes will be the next big thing, although they are not exactly wearable. This colorful and clever series is both aesthetically appealing, with its perfect color blocking, and intriguing, as each item is not altered digitally.
At first glance, you may think that Roller’s images are digitally spliced photographs that together create the finished product. Although this would take some skill, each object is more impressively built by the artist’s own hand, and therefore, actually exists in real life. Roller explains that we live in an age where technology has given us endless possibilities that are accessible to a vast majority of people. Because these digital alterations, as well hand-cut collages, are so common today, these techniques are of no interest to him. He instead aims to assemble his own “collage” from a more realistic source, the objects themselves. Each image displays an amazing combination of real life objects, with an eye on modern design.