German artist Martin Roller constructs assemblages of objects in hilarious and astonishing ways in his body of work. Taking found object from the streets of Berlin, he photographs interesting mash-ups of everyday objects and remnants of trash, transforming their original function. Setting the scene similar to commercial photography, each newly created object looks as if it is on display in an ad, waiting to be bought. Who knows, maybe Roller’s banana shoes will be the next big thing, although they are not exactly wearable. This colorful and clever series is both aesthetically appealing, with its perfect color blocking, and intriguing, as each item is not altered digitally.
At first glance, you may think that Roller’s images are digitally spliced photographs that together create the finished product. Although this would take some skill, each object is more impressively built by the artist’s own hand, and therefore, actually exists in real life. Roller explains that we live in an age where technology has given us endless possibilities that are accessible to a vast majority of people. Because these digital alterations, as well hand-cut collages, are so common today, these techniques are of no interest to him. He instead aims to assemble his own “collage” from a more realistic source, the objects themselves. Each image displays an amazing combination of real life objects, with an eye on modern design.
Artist Maximo Reira fuses wild creatures with furniture in his series called Animal Chairs. The hulking, sculpted figures have a realistic styling to them, and beings like octopi, rhinos, whales, all have a place for someone to sit. Their backs have large notches cut into them, and they’re so regal looking they transcend ordinary chairs and are thrones.
Reira’s designs have textures that mimic the real epidermises of these creatures. There are tiny, intricate folds that look like dry, rough skin, and he’s covered them in a natural color palette. From a certain angle, they look as though they could be real. The artist has also kept their defining features, like long tentacles and massive horns. It’s an elegant, unique take on industrial design. (Via Hi Fructose)
Troy Coulterman sculpts weird and wonderful figures in bizarre circumstances. His use of unnatural, vibrant colors interrupts his already unusual sculptures, giving them an added edge. Graphic novels and comic book artists are the inspiration behind his exaggerated characters in his work, as if these vivacious and animated characters have jumped right off the comic book page and into reality. Receiving his Master of Fine Arts in Sculpture, Coulterman uses his skill to from his figures out of resin, often placing them in a realm with swirling clouds and dripping hair. Coulterman explains the meaning behind his highly stylized work.
“These abstract, absurd forms that interact with the figurative pieces, they’re in a way visual metaphors to describe the psyche of the figures, the emotional moments in the figures.”
Although some of his figures have geometric faces replacing what would be normal human features, most of his work has an element of abnormal organic matter spewing from eyes or engulfing the figure. These organic forms appear somewhat disturbing but ultimately beautiful with their striking colors and detail. Another aspect of Coulterman’s work that is impossible to ignore is each unique and dramatic facial expression his figures possess. Each expression the artist sculpts creates an unmistakable mood in his artwork. Originally from Ontario, Canada, Coulterman has exhibited all over the world and has been included in many different art publications. He is currently represented by Slate Gallery in Regina, SK, Canada.
Russian artist Salavat Fidai creates miniscule sculptures with a ubiquitous yet unusual material – graphite pencils. Their tips are fashioned into figures of pop culture like Yoda, Bart Simpson, Batman, and many more. The amount of detail that Fidai achieves is impressive considering the scale of these figures. Eyes, feathers, and the draping in Yoda’s robe is all expressed through angular carving. Considering how dark the graphite is and all of the characters’ tiny features, Fidai might’ve used a softer lead for his work. A pencil in the “B” would probably be easier to cut and form.
It’s possible to buy one of Fidai’s creations. He has them for sale in his Etsy shop. In addition to these unconventional sculptures, the artist also sells paintings on pumpkin seeds. (Via Demilked)
When you first witness Francesca Dimattio’s work you forget post-modernism and pummel head long into post-apocalyptic armageddon. Strongly resembling totems ingrained with furniture design, their melting quality give off surreal messages but ultimately speak to something totally present. There’s a mystical side to their nature akin to religious artifacts. A link to the distant past where certain angles become figurative channeling idols you might come across on a hike through an enchanted forest. Their formal aesthetic fuses pieces of ceramic together and creates organic patterns that zig zag through collage-like patches of cracked elegance. The tiny shards of porcelain build a narrative out of tea cups and plates a metaphor to the memories of one life lived.
The unusual technique Dimattio uses eventually manifests into porcelain-laden structures which ultimately resemble chairs and chandeliers. These account for the title “Domestic Sculpture” her latest exhibition at Salon 94 in NYC. Dimattio’s history in painting comes across when viewing these magnificent pieces in person. Up close the work has a thick impastoed paint quality which make them come alive in another sense. Whereas her paintings referenced architecture and collage, her sculptures embrace all of the above including ceramic traditions.
New York-based artist Cal Lane combines traditional metal work with flourishes and delicate motifs. She handcuts lace and other patterns in weathered I-beams, shovels, trash cans, large storage containers, and more. The result is work that references dichotomies: industrial and domestic life; strong and delicate; practical and frivolity; ornament and function. “There is also a secondary relationship being explored here, of lace used in religious ceremonies as in weddings, christenings and funerals,” Lane writes in her artist statement.
She continues, writing about what we can understand by this surprising pairing:
The metaphor of lace further intrigued me by its associations of hiding and exposing at the same time; like a veil to cover, or lingerie to reveal. It also introduces a kind of humor through the form of unexpected relationships. Like a Wrestler in a tutu, the absurdity of having opposing extremist stances is there for reaction and not rational understanding; the rational discussion arises in the search for how one thing defines the other by its proximity. (Via L’Acte Gratuit)
From Goldfinches to Rooks, artist Zack Mclaughlin creates sculptures of birds made from wood and paper, along with other mixed media. He pulls inspiration from the natural world when constructing his incredibly realistic feathered friends. Feeling a connection with each one of his birds, this labor-intensive task takes patience and skill, as the artist uses paper, a very delicate material, to create such amazing detail. Using wood for the base or body of the birds, paper lends itself to the light, airy nature of feathers. Paper is even thin enough to let light through, much like real feathers. Each feathery texture is hand cut to perfection by Mclaughlin, down to the tiniest feather, which you can see balancing on the tip of a finger.
Mclaughlin began his bird making journey when he was in the process of creating a children’s book in which the story starred a boy and a bird. Although he is also an illustrator, he sculpted the bird character in the story to better visualize his concept. He enjoyed this process and working with the materials so much, that he went on to make a huge variety of these detailed, complex feathered beings. Mclaughlin’s malleable medium choices allow him to get creative in his process. He can use different kinds of paper while creating the birds, which is why one of his birds has wings made from book pages, displaying words on each feather. His birds range in color, size, and type, which include a large, white owl all the way down to a tiny hummingbird. Mclaughlin also constructs these bird beauties into lighting and even mobiles. You can find his majestic birds on his Esty page. (via Bored Panda)
It is always exciting and refreshing to see traditional art methods used in a whole new way. Artist Danielle Lawrence‘s fresh eye on contemporary art takes the conventional framed painting and transforms it into highly textural and sculptural work, taking it to another level. In her work, the frame is often still present, but the art inside it is spilling out, exploding from the frame that confines it. It is almost as if the paint has a life of its own, trying to escape from the cage and constraint we have given it. Lawrence explains that the frame is a symbol of patriarchal structures and restriction.
Lawrence’s non-representational painting method allows the colors to melt and drip, creating incredible movement in each piece. These colors appear bent, folded, and manipulated, creating organic forms. Each bright, glossy color erupting from each canvas and frame turns the typical two-dimensional painting into a more palpable, three-dimensional piece that reaches out at the viewer. Her artistic journey began while experimenting using trash as subject. Still pulling inspiration from found objects, the artist’s work often includes items from her studio, including plastic bags and bubble wrap. Lawrence’s take on form and material is both chaotic and structured, creating order out of an eclectic range of colors and media. She flawlessly creates a beautifully balanced mixture of classic painting methods with a new, contemporary approach.
She’s an avowed formalist with an eye to the street. Her works are lustrous and abject, smooth and sharp, blunt and sophisticated. While painting is clearly her passion, she makes promiscuous use of other media: sculpture, drawing, photography and video.