Javier Galindo, an artist of many talents, uses ready-made objects to create an interesting narrative that comments on possessions we value. By nature, humans are collectors. So much so, that we even have an entire T.V. series dedicated to this hoarder phenomenon. In Galindo’s series The Incomplete Tour, he creates objects that mimic, question, and alter keepsakes and mementos often collected by travelers and tourists. Specifically, he references “The Grand Tour,” a trip that many youth would take during the 18th century across Europe. The purpose of this journey was to gain knowledge of the Western world’s cultural history and to be exposed to its many treasures, such as classical antiquity. To preserve their memories, as we often do today, they would collect souvenirs. Galindo’s question is, what is this memento actually worth? It is by no means an original; it is just a fragment or a trace of what was experienced.
Influenced by classic antiquities, Galindo’s series transforms and skews these fractures of remembered treasures. The series is comprised of a wide variety of mediums including cast plaster and oil paint, as it also is included two-dimensional and three -dimensional works. Focusing on portraiture, the once traditional portraits and busts are now sliced and stacked, skewed by paint, or literally cut out of their frame. In a world where we are obsessed with documenting every moment through digital photos, it is interesting to see a reference to a time where the only way to keep the moment with you, was through collecting physical souvenirs. A photograph is like a still memory, a fragment of an event that can often warp the true memory. Just like a photograph, Galindo’s mementos are just fragments of the whole; they are hints of a narrative further skewed by Galindo’s artistic eye.
Toronto-based artist TALWST creates works in a miniaturized scale. The tiny sculptures are constructed in reclaimed ring boxes and feature landscapes that are inspired by current events, dreams, and icons in pop culture. TALWST’s details are incredible, and it’s only after careful inspection that you see every fleck of paint, particle of moss, and patterns drawn on clothing. The artist also paints the top inside of the boxes and creates a small yet all-encompassing world.
While the attention to detail is one reason to intensify your gaze, the other is the subject matter. TALWST is timely, and although some scenes might conjure the past (their backdrops, especially, look like old paintings) the artist portrays contemporary issues such as Michael Brown and Eric Garner’s deaths. These miniatures his prototypes for creating responsive, diversified and inclusive history, unlike we have now. “The work’s small scale allows me the opportunity for a very particular kind of meditation,” TALWST explains. (Via Skumar’s and Junk Culture)
Berlin-based artist Ivan Prieto sculpts colorful figures whose very existence seems to be burdened by their own body. In his 2014 exhibition titled Icarus, a cast of characters pepper the gallery, each with their own affliction. One lean figure has an intrusive rock growing from its skull. Another is armless and has its torso wrapped in large red coils. As a whole, the group is beautiful yet tragic.
The name of the exhibition could give us some clue about these character. It refers to the Greek mythological story about Icarus, the son of Daedalus who dared to fly too near to the sun on wings of feathers and wax. Before takeoff, his father warns of him of having hubris and requested that he not fly too low or high because the sea’s dampness would clog his wings while the sun’s heat would melt them. Since he flew too near, his wings melted and he fell into the sea.
Like their namesake, there’s a sense of these characters suffering physical consequences for their choices, be them foolish or misguided. You feel for Prietro’s sculptures, because they could be any of us.
The work of artist Alessandro Boezio is somewhere between a cross of beautiful, anatomic sculptures and a science experiment gone wrong. Created from clay and fiberglass, Boezio’s sculptures take on a strange life form all of their own. The mutated anatomy included in his work display hands with misplaced digits, spidery entities with fingers used for legs, and limbs with mismatched body parts. The artist has an amazing talent in sculpture as his hands and feet, which he mainly focuses on, are incredibly life-like. At first glance, you may not see the odd mutation of the individual hand. However, the uncanny feeling soon forces you to reckon with its disturbing deformation.
The sight of unattached body parts formed into stand-alone creatures can be quite unnerving. As some of Boezio’s hands are missing many vital fingers, many have a plethora of digits that give them a new life. The fingers become spider-like legs that allow the sculptures to become creepy-crawly creatures that can spin a golden web. They become centipedes made up of our own body parts that inch across the floor. The larger the limb, the more peculiar and abnormal each piece becomes. Boezio’s most life-like sculpture includes a fleshy, peach color to resemble skin, and displays legs and feet in place of fingers. The hand’s tone is incredibly similar to life, which makes the mutation all the more bizarre. Unbelievably, you can even see the veins and hair on the hand. Boezio’s detailed artistic skill is just as incredible and shocking as the misplaced anatomy in his work.
If you ever dissected a rodent or amphibian in science class and found it nauseating, then Emily Stoneking’s knitted anatomy might agree with you. Art and science intersect through her Etsy shop called aKNITomy, and she hand-knits artwork featuring dissected frogs, rats, and pigs. The cute and cuddly are pinned (not glued) using T-pins and framed for display on your wall.
Stoneking knits the body of the animal/figure using a kid mohair and silk blend, and then she needle-felts the innards by hand. These adorable creations are the result of the artist’s larger interest, which is using cozy, crafty materials to create objects that usually make people squeamish.
Spanish illustrator Irma Gruenholz constructs hand sculpted, three-dimensional scenes using clay. Her surreal compositions primarily involve portraits of rosy-cheeked humans coupled with fantastical characteristics. A woman, posed like a frog, captures small human flies with her long tongue. Another illustration features a woman catching small bits of light between two chopsticks. Gruenholz forms the clay into smooth, elegant figures that don’t immediately read as handmade – they look like they could’ve been digitally produced.
A lot of work goes into crafting these illustrations. Gruenholz individually creates each character each character and scene using sculpting tools and paint. They’re held in place by stands and posed correctly. Scenes are photographed and later edited to remove the supports and produce the illusion that they could possibly be real.
British master jeweler Theo Fennell doesn’t just make your average ring. No, his company goes well beyond the typical diamond jewellery by creating accessories that feature doors and secret compartments engineered into them. They open to reveal tiny painted scenes and small treasures that are inspired by popular novels like The Secret Garden and The Wonderful Wizard of Oz.
Fennell and company’s gold rings have astounding and intricate details. Looking closely at their handiwork, you find things like: individual coins in a pot of gold; a rainbow that’s poking above the clouds; and a ring with a side door that unhinges to reveal a yellow-brick road. Of course, these things don’t come without a price – some of them cost around $30,000.
Fennell’s attitude towards his work is that it should be timeless, and so pairing it with classic literary interpretations makes sense. “Jewellry should be something talismanic and precious, beautifully made to last and not at the ephemeral whim of fashion: it should be truly owned,” he says. “Jewellery has that power – it is a very romantic, sexy and emotional thing.” (Via Demilked)
If you think carving a pumpkin is challenging, wait until you see the “prayer nuts” made by Dutch artists in the 16th century. These small, neurotically detailed treasures were carved from a single nut to resemble religious scenes. Each nut holds a spectacularly complex scene that contains a numerous amount of characters to construct religiously important events such as the crucifixion. All of this amazingly crafted imagery is inside a nut that is only a few inches in diameter! Not only are the interiors of the nuts carved into a fine detail, but the outsides are elaborately carved as well. The exterior shell of each nut features a decorative design carved into it, which is revealed once the prayer nut is closed. This way, whether the nut is open or closed, it shows off its stunning design.
Artisans created these delicate masterpieces during the Middle Ages so that individuals could use them privately when they pray. They were small enough to be carried in a person’s pocket and beautiful enough to hang on a rosary. Because the prayer nuts such took incredible skill, not to mention an unbelievably steady hand, only the wealthy and powerful could afford them. Because of this, they also became a social status of wealth. The same thing can be said about many products in contemporary society. Possessing something expensive that creates a convenience to you and can also fit in your pocket – this is not unlike the modern day smart phone. Valuable and beautifully crafted items are still in high demand today. However, these 16th century prayer nuts are much more rare than the latest iphone. They can be found in museum collections all over the world including the British Museum in London and the Kunsthistorisches Museum in Vienna.(via Juxtapoz)