Hidden Faces in Johnson Tsang’s Stainless Steel Spill Sculptures

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The sculptures of artist Johnson Tsang are unbelievably realistic.  That is, until you spot faces in the spilling liquid.  Primarily working in ceramic and stainless steel, Tsang’s sculpture’s seem to be caught like photographs.  Liquids spill from mugs, streams intersect, and crash to the ground.  Hidden by Tsang in the flow, however, are faces.  Two colliding streams of liquid are actually faces mid-kiss.  His work emphasizes a temporality – time as it quickly passes and their memories.  [via]

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The Dreamy Sculptures of MyeongBeom Kim

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The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it.  Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless.  Yet, somehow, it all seems right.  Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety.  A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.

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Jeremy Laffon’s Chewing Gum Installations

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Jeremy Laffon‘s series of installations are entirely constructed from chewing gum.  He painstakingly builds each of his installations with this unusual material.  The precision and care he gives to his work is contrasted by the material itself.  Chewing gum isn’t particularly strong or sturdy – the lattice work structure buckling under its own weight, or tiled gum easily giving way underfoot.  Chewing gum is also associated with casualness, rude to chew in formal settings, spit out when finished with: a pleasant surprise in an often stuffy art world.

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Electrifying light bulb sculptures of Hitoshi Kuriyama

Hitoshi Kuriyama creates elaborate light installations using complex clusters of shattered fluorescent light bulbs. With Kuriyama, fluorescent lights and LEDs become life forces that animate the darkness of the universe with an irregular, unpredictable rhythm.

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The Nightmarish Horses of Berlinde De Bruyckere

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Artist Berlinde De Bruyckere‘s installations are disturbing.  Horses, apparently deformed or  mutilated, are scattered throughout the gallery.  Some are draped lifeless; others are seem to be frozen while flailing in panic.  The forms are clearly horses, their shape undeniable.  However their faces are elusive and missing as if in a nightmare.  De Bruyckere’s installation’s inspire conflicting feelings of compassion, disgust, and fear.  It should be mentioned that none of these horses were killed or harmed for the art work.  Rather, De Bruyckere selected the horses while alive but did not use their bodies until they died of natural causes.

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Bodies Projecting the Milky Way from Mihoko Ogaki

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The sculptures of Mihoko Ogaki are deeply felt.  Her sculptures often deal with the heavy ideas of life and death.  This series titled Milky Ways follows suit.  Plastic sculptures of people inhabit darkened rooms.  Lit from within, the bodies illuminate the surrounding walls and ceiling with a starry-like pattern.  Each body carries a universe within it, projecting it out onto the world around it – it isn’t difficult to draw out a metaphor from there.  It is further interesting to contrast the dark unlit plastic bodies in the well lit gallery against the glowing beings alone in the middle of the dark room.  [via]

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Hirotoshi Ito’s Rocks and Stones Look Like Anything But

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When not attending to his family’s masonry business, Hirotoshi Ito turns a more playful eye to the stones of his work day.  Hirotoshi deftly works stone transforming it into sculptures that appear to be anything but the hard material.  Rocks look as if they’re thin skinned pouches, melting like butter, and laughing faces.  Hirotoshi’s sculptures – their playful forms and use of material – betray the artists sense of humor and a desire to pleasantly surprise the viewer.  Indeed, the artist’s statement says that his work welcomes  a laugh and a smile.

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The Political Sculptures of Afruz Amighi

AFRUZ AMIGHI was born in Tehran, Iran and is now based out of New York. Amighi uses her sculpture work to blend art and politics. In her recent exhibition’s “Cages” and “The Hidden State” she explores the turmoil of the middle-east.
In her work “Cages”, she reflects the tumultuous the political and social history of Iran. “Amighi casts her unique perspective into the confines of Iranian social, political and cultural institutions through incorporating cage-like features into several works made from base metal chain, aluminum sheet metal and wire. The alluring and provoking facades reveal a power to ensnare and entrap, creating a realm in which violence and tranquility collide.”
She hangs these in different fighting formations. “Mocking ornate chandeliers with their allusions to missiles and bullets, their numerical configuration represents the number of test missiles launched by the Islamic Republic of Iran over the past two years.”

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