Illustrator Isobelle Ouzman upcycles would-be discarded books into sculptural works of art. She cuts back the pages and draws nature scenes that together, create an alluring new narrative. The primarily black-and-white images have spots of color added to them, and they hearken the viewer into this special place.Ouzman calls her creations Altered Books.
Using an X-acto knife, Micron pens, watercolor paint, and a lot of love, Ouzman breathes new life into these objects. “Every book that I alter was found by a dumpster in Seattle, a recycling bin, a thrift store, or was given to me by someone who no longer wants it,” she writes. “Rather than have these discarded books sit out in the rain or in some store to gather dust, I’m striving to make good use of them. I love books very much and would never carve into one that was valuable. I just want to give them a new life and a second chance to mean something again.”
For those with a sweet tooth, the work of Peter Anton might make you hungry. The artist’s hyperrealistic sculptures of cakes, candies, and ice cream bring the sugary treats to life. At first glance, they pass as real food rather than as convincingly-painted and crafted artworks. “I like to alter and overstate foods to give them new meanings,” Anton writes in an artist statement.
The colorful, larger-than-life works showcase an acute understanding of texture and lighting. Anton was very aware at how luster plays into the believability of his objects. As a result, some of the “frosted” donuts shine just as you’d imagine. In non-glazed objects though, he applies a matte finish.
Anton has an innate reverence for what we eat, and it’s what leads to these works creation. He says:
Food brings people together and there is no better way to celebrate life. Through the use of humor, scale, irony, and intensity in my forms, the foods we take for granted become aesthetically pleasing and seductive in atypical ways. I like to create art that can lure, charm, tease, disarm and surprise. My sculptures put viewers in a vulnerable state so that I can communicate with their inner selves in a more honest and direct way. I activate the hunger people have for the things that give them pleasure and force them to surrender. The sensual nature of the works stimulates basic human needs and desires that generate cravings and passion.
British artist Philippa Beveridge fosters mystery through her series of glass change purses. In an on-going project titled Lost and Found, she reconstructs the dainty-looking accessories with trace amounts of what was left inside. The thick glass resembles an ice sculpture that also gives her work a fleeting, ethereal feel. She describes the sculptures in her writing:
[These] on-going series of works deal with the concept of collective and individual identity through the everyday form of a purse: a belonging which is often lost, stolen or mislaid, full of sentimental value and charged with personal memories. I began to make this work during a three-month long artist’s residency in Northern France. I invited local residents to visit me at the studio and show me the contents of their purses. Building on the theme of traces, I highlighted the objects and details found in the purses to forge histories and construct identities. The resulting imagery, trapped in the material, expresses notions of time, memories and sentiments which lean towards metaphorical interpretations in relation to one’s own past. (Via The Jealous Curator)
Internationally renowned artist Theo Mercier has created an incredible monster of a sculpture made entirely of spaghetti! This textural, monumental piece is around 10 feet tall, and that’s when it is sitting—which is all the time. The spaghetti monster sits upon a small chair that is way too small for him as he stairs sadly down at the ground. Titled Le Solitaire, or, “The Loner,” this creature looks isolated and alone in a world where he is the only spaghetti-creature. Although the colossal sculpture seems very melancholy, Mercier’s work tend to not be without a bit of humor. A monster made of spaghetti is an absurd and silly creation, so why is it so glum? Maybe it is afraid that us humans will eat his spaghetti!
Mercier’s work is often large and textural, as Le Solitaire’s tactile spaghetti-skin begs to be touched. The noodles form an endless series of lines bending and forming across the body of the creature. They imitate scribbles of continuous lines doodled on a piece of paper. A self-taught artist, Mercier is an expert at inducing strong emotions with such a bizarre and surreal sculpture. We cannot help to feel sorry for this dripping, sorrowful beast. Its wide, striking eyes that stare directly at the viewer are also in other works for Mercier’s. His other installations include funny creatures made by adding these same bright eyes onto cars, piles of hay, and even smoke seeping out from a fireplace. This French artist’s unusual and mysterious sculptures give inanimate objects such emotion and personality that steal our hearts and earn our love.
Javier Galindo, an artist of many talents, uses ready-made objects to create an interesting narrative that comments on possessions we value. By nature, humans are collectors. So much so, that we even have an entire T.V. series dedicated to this hoarder phenomenon. In Galindo’s series The Incomplete Tour, he creates objects that mimic, question, and alter keepsakes and mementos often collected by travelers and tourists. Specifically, he references “The Grand Tour,” a trip that many youth would take during the 18th century across Europe. The purpose of this journey was to gain knowledge of the Western world’s cultural history and to be exposed to its many treasures, such as classical antiquity. To preserve their memories, as we often do today, they would collect souvenirs. Galindo’s question is, what is this memento actually worth? It is by no means an original; it is just a fragment or a trace of what was experienced.
Influenced by classic antiquities, Galindo’s series transforms and skews these fractures of remembered treasures. The series is comprised of a wide variety of mediums including cast plaster and oil paint, as it also is included two-dimensional and three -dimensional works. Focusing on portraiture, the once traditional portraits and busts are now sliced and stacked, skewed by paint, or literally cut out of their frame. In a world where we are obsessed with documenting every moment through digital photos, it is interesting to see a reference to a time where the only way to keep the moment with you, was through collecting physical souvenirs. A photograph is like a still memory, a fragment of an event that can often warp the true memory. Just like a photograph, Galindo’s mementos are just fragments of the whole; they are hints of a narrative further skewed by Galindo’s artistic eye.
Toronto-based artist TALWST creates works in a miniaturized scale. The tiny sculptures are constructed in reclaimed ring boxes and feature landscapes that are inspired by current events, dreams, and icons in pop culture. TALWST’s details are incredible, and it’s only after careful inspection that you see every fleck of paint, particle of moss, and patterns drawn on clothing. The artist also paints the top inside of the boxes and creates a small yet all-encompassing world.
While the attention to detail is one reason to intensify your gaze, the other is the subject matter. TALWST is timely, and although some scenes might conjure the past (their backdrops, especially, look like old paintings) the artist portrays contemporary issues such as Michael Brown and Eric Garner’s deaths. These miniatures his prototypes for creating responsive, diversified and inclusive history, unlike we have now. “The work’s small scale allows me the opportunity for a very particular kind of meditation,” TALWST explains. (Via Skumar’s and Junk Culture)
Berlin-based artist Ivan Prieto sculpts colorful figures whose very existence seems to be burdened by their own body. In his 2014 exhibition titled Icarus, a cast of characters pepper the gallery, each with their own affliction. One lean figure has an intrusive rock growing from its skull. Another is armless and has its torso wrapped in large red coils. As a whole, the group is beautiful yet tragic.
The name of the exhibition could give us some clue about these character. It refers to the Greek mythological story about Icarus, the son of Daedalus who dared to fly too near to the sun on wings of feathers and wax. Before takeoff, his father warns of him of having hubris and requested that he not fly too low or high because the sea’s dampness would clog his wings while the sun’s heat would melt them. Since he flew too near, his wings melted and he fell into the sea.
Like their namesake, there’s a sense of these characters suffering physical consequences for their choices, be them foolish or misguided. You feel for Prietro’s sculptures, because they could be any of us.
The work of artist Alessandro Boezio is somewhere between a cross of beautiful, anatomic sculptures and a science experiment gone wrong. Created from clay and fiberglass, Boezio’s sculptures take on a strange life form all of their own. The mutated anatomy included in his work display hands with misplaced digits, spidery entities with fingers used for legs, and limbs with mismatched body parts. The artist has an amazing talent in sculpture as his hands and feet, which he mainly focuses on, are incredibly life-like. At first glance, you may not see the odd mutation of the individual hand. However, the uncanny feeling soon forces you to reckon with its disturbing deformation.
The sight of unattached body parts formed into stand-alone creatures can be quite unnerving. As some of Boezio’s hands are missing many vital fingers, many have a plethora of digits that give them a new life. The fingers become spider-like legs that allow the sculptures to become creepy-crawly creatures that can spin a golden web. They become centipedes made up of our own body parts that inch across the floor. The larger the limb, the more peculiar and abnormal each piece becomes. Boezio’s most life-like sculpture includes a fleshy, peach color to resemble skin, and displays legs and feet in place of fingers. The hand’s tone is incredibly similar to life, which makes the mutation all the more bizarre. Unbelievably, you can even see the veins and hair on the hand. Boezio’s detailed artistic skill is just as incredible and shocking as the misplaced anatomy in his work.