Aron Demetz‘ newest work shows him to be extremely adept at sculpting in wood. His figures seem stand atop stumps, perfectly carved from tree trunks. However, their sanded smooth skin is in stark contrast to parts of their figure that seem mutilated and mangled. While the figures’ faces are peacefully inexpressive, there is an underlying violence to the sculptures. The bare wood of the pedestals hint at the natural world and the sculptures at human’s often turbulent interaction with it. [via]
Andrew Myers‘ uses unique medium to interesting effect. His pieces are built of many carefully placed screws – up to nearly 10,000 in just one piece – inserted to just the right depth. He then uses oils to pain the image on the heads of the screws. Myers accepts the challenges of depicting soft surfaces, movement, and light with a material as hard and utilitarian as screws. The result is an intriguing mix between painting and relief. The screws add to the depth to that typically found in oil painting.
Legendary artist Christo‘s newest project, Big Air Project, is more than just big. Even ‘huge’ would be an understatement. At nearly 300 feet tall Big Air Package could possibly be the largest indoor work of art ever. Housed in a venue that was once a gas holder, the project is exactly as its title describes it. Big Air Package is a massive inflated cylinder with no hard underlying structure – a giant balloon. The project’s press release explains how it functions:
“Two air fans creating a constant pressure of 27 pascal (0.27 millibar) keep the package upright. Airlocks allow visitors to enter the package. Illuminated through the skylights of the Gasometer and 60 additional projectors, the work of art creates a diffuse light throughout the interior.” [via]
The sculptures of artist Johnson Tsang are unbelievably realistic. That is, until you spot faces in the spilling liquid. Primarily working in ceramic and stainless steel, Tsang’s sculpture’s seem to be caught like photographs. Liquids spill from mugs, streams intersect, and crash to the ground. Hidden by Tsang in the flow, however, are faces. Two colliding streams of liquid are actually faces mid-kiss. His work emphasizes a temporality – time as it quickly passes and their memories. [via]
The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it. Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless. Yet, somehow, it all seems right. Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety. A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.
Jeremy Laffon‘s series of installations are entirely constructed from chewing gum. He painstakingly builds each of his installations with this unusual material. The precision and care he gives to his work is contrasted by the material itself. Chewing gum isn’t particularly strong or sturdy – the lattice work structure buckling under its own weight, or tiled gum easily giving way underfoot. Chewing gum is also associated with casualness, rude to chew in formal settings, spit out when finished with: a pleasant surprise in an often stuffy art world.
Hitoshi Kuriyama creates elaborate light installations using complex clusters of shattered fluorescent light bulbs. With Kuriyama, fluorescent lights and LEDs become life forces that animate the darkness of the universe with an irregular, unpredictable rhythm.
Artist Berlinde De Bruyckere‘s installations are disturbing. Horses, apparently deformed or mutilated, are scattered throughout the gallery. Some are draped lifeless; others are seem to be frozen while flailing in panic. The forms are clearly horses, their shape undeniable. However their faces are elusive and missing as if in a nightmare. De Bruyckere’s installation’s inspire conflicting feelings of compassion, disgust, and fear. It should be mentioned that none of these horses were killed or harmed for the art work. Rather, De Bruyckere selected the horses while alive but did not use their bodies until they died of natural causes.