Lauren DiCioccio uses a simple needle and thread on cotton muslin to mummify and honor an endangered artifact– the printed newspaper. In each piece, as The New York Times’ text fades, its correlating cover portraits puncture the surface with pockets of strung together color, reminding us of a certain tactile human unraveling as we adaptively wave goodbye to the Industrial Age.
Of her craft, DiCioccio states, “The tedious handiwork and obsessive care I employ to create my work aims to remind the viewer of these simple but intimate pieces of everyday life and to provoke a pang of nostalgia for the familiar physicality of these objects.”
Shaun Kardinal transforms found and scavenged postcards into geometric altered spaces that are hypnotic. His site is full of places, people and things that he’s created on found images and redistributed into the world.
Mari LaCure is an artist interested in the minute. She understands the importance of every single element – and explores them with woodblock printing, etching, watercolor, pen, colored pencil, and hand-stitching. Her work uses the macro and microscopic of nature for inspiration to create an aesthetic that looks incredible on screen, and probably even better in person.
Artist Daniaelle Simonsen plays with a unique process; this Los Angeles local combines her love of sewing and drawing with the ephemeral material of the magazine to create unique works, delicate yet fierce, that exist as individual art pieces and as usable art. You can also catch up with Daniaelle’s latest news via her blog.