Nick Farrell is a photographer with the ability to capture the essence of sex. And while he primarily shoots naked or next-to-naked girls for his personal projects, he has a diversity and range that has allowed him to work on everything from editorials with Mickey Avalon, short films for fashion brands like Han Cholo, to even the occasional shower shot of pornstar Jessie Andrews. But his real skillset is in his ability to make everyone feel relaxed and comfortable while they’re on set. That’s why there’s still this genuine quality to his nudes and his models look naturally flirtatious, rather than aggressive and overly posed. WARNING: This post contains images that are NSFW.
Moscow-based Uno Moralez creates mysteriously creepy bitmap narrative works that spin tales of sex, magic, dark humor, and other-worldly creatures. At times the perspective recalls early 90′s computer video games (not this one specifically, but that just needs to be seen), and at others, the thrill of horror manga. Something fantastic is added by the crunch and texture of the bitmap effect, and his use of highly dramatic scenes cause him to stand apart from much of the pixel art the internet has to offer, which tends to play up the flatness of its screen origins. Don’t miss his loops over at his site, and you can get physical with his comic in Chameleon 2.
I just recently discovered Neil Krug‘s website but I’ve been seeing his work all over the place for years. Neil’s photos and videos combine a perfect mix of vintage, psychedelic, and sex. If I ever start a band this guys getting a phone call.
Philadelphia based artist Erin M Riley creates incredible handwoven tapestries with hand dyed wool on nylon warp. Her work touches on issues of death, self exploitation through gender and the internet, addiction, and loneliness.
Born in 1948, New York based artist Marilyn Minter has been creating these sensual, borderline pornographic images since the 80s. Her process involves taking photographs of her subjects and then (usually) painting them on a huge scale using enamel paint on metal. Yet, as Emily Davidow says, “…the paintings feel more real than the gorgeous photographs that inspire them. Illuminating the moments when things fall apart, the paintings get more interesting as your gaze lingers on after that first arresting glance and you discover the imperfections. Hand feathered layers of enamel on metal render sweat, stubble, wrinkles and freckles lush, tactile and luminous.” The paintings are huge. I can only imagine what they look like in person.