Greek artist Teodosio Sectio Aurea builds amazingly detailed sculptures that cast unassuming shadows. Aurea constructs his work out of metal and wire, bending and shaping them until they are able to cast the perfect shadow. The shadow images he casts range from human figures to recognizable art like da Vinci’s “The Vitruvian Man,” Picasso’s “Guernica,” and Michelangelo’s “The Creation of Adam.” Aurea’s talent lies in his ability to play with light and shadow, to and conceive of a multi-dimensional artwork. The metal sculptures stand alone as captivating artwork, and Aurea’s conception demonstrates multi-faceted beauty that resides within a single object. (via my modern met)
Bohyun Yoon has lived in Japan, Korea, and The States. He uses these “diverse social experiences” as a point of reference for his work, which circles around societal restraints and progressive concepts of the body: possible extensions and perils with the advancement of technology/war/culture on a personal and holistic level.
His installation work “Unity” (2009), “Structure of Shadow” (2007), and “Shadow” (2004) casts light on miniature wax body parts which physically dangle aimlessly; however, when illuminated by a light source, these fragmentations create shadows or illusions which illustrate figurative wholeness.
Tethered to our bodies and systems of government, our parts and puppetry, is in essence, our humanness or machinery, or as Yoon explains, what makes us “weak and fragile, spiritless animals under certain rule, certain harsh conditions.” His work also resonates with a sense of devastation felt by veterans returning wounded from battle, physically and spiritually.
Organic life is almost completely absent from Tomasso Sartori’s photographs. Instead, we’re left with sparse, apocalyptic images washed in glaring red and stifling shadow. The people-less landscapes remain defiantly intact, as if to say “we existed before you, and we’ll keep going long after you’re gone”. A nice reminder of the strength and majesty of our natural surroundings. Too often, we lapse into a flawed impression that we are the most important force in the world. Sartori’s pictures correct that mistake pretty quickly. (via)