Shamus Clisset (aka, Fake Shamus) is a digital artist who uses 3D modeling software to construct bizarre and often humorous scenes that multiply reality and critique consumer culture. His work is featured in Beautiful/Decay’s Book 8: Strange Daze, a curated collection of talented artists who explore the realms of the uncanny: parallel universes, psychedelic dream states, supernatural activity, and more. Also included in the book is the work of Neil Krug, a photographer who drenches his shots in hallucinatory colors, bending time and reality to invoke the nostalgia and liberatory zeal of the 1960s. Andrea Wan, a Berlin-based artist, also brings her own flavor of absurdity to the book in the form of surreal illustrations of masked and multiple-headed beings. Strange Daze is ideal for those art lovers and dreamers who wish to challenge everyday banality by exploring alternative visions of the world.
We featured Clisset’s work in 2011, when he was making insane (and often violent) mashed-up universes of trash and cultural signifiers. Since then, Clisset has rebirthed his artistic identity as “Fake Shamus,” a “digital golem” formed out of 3D-rendered objects (Source). The shapes this humanoid beast can take are limitless; in one image he is a mystical being upholstered in grass who summons a collection of empty beer cans; in another he is an industrious builder, his muscular body made out of what appears to be lumps of brightly-colored Plasticine. And while Clisset’s works may appear to have photographic elements, do not be deceived; everything in his images is created in a digital, 3D space. By mimicking reality, Clisset brings up fascinating questions of “authenticity” versus “fakery,” unveiling in the process that the entire world is a strange construction subject to our perception.