Santa is not the only one you telling you to be good for goodness sakes. In today’s word, that is, in today’s virtual, and real life panopticon, you have no other choice but to be good for the sake or yourself, your life, your job, etc. Your success as a human being depends on your good (or bad?) pubic, and well documented, behavior. Everyone is watching, everyone is judging.
“Be Good for Goodness Sake”,a three-person show featuring works by Nathan Vincent, Iviva Olenick, and Kathy Halper at the Muriel Guepin Gallery in New York, explores ideas of surveillance and public performance in the age of the virtual panopticon (intagram, facebook, etc).
Taking its name from Vincent’s large-scale work installed in the gallery, “Be Good for Goodness Sake” pushes audiences to question their stance on surveillance and privacy in the age of social media.
Nathan Vincent’s six-foot crocheted doily acts as Big Brother and it invites the spectators to to sit on a bench flanked by security cameras, while Kathy Halper and Iviva Olenick create embroideries that question the psychosocial impacts of intimate over-sharing via social media. Inspired by her own Facebook feed, Olenick uses embroidery and watercolor to render her own “selfies” and portraits of others. Halper’s work similarly questions the disappearing space between public and private online through embroidered drawings of found images from teens’ Twitter and Facebook accounts.
The exhibition, “Be Good for Goodness Sake” will be on view at the Muriel Guepin Gallery in New York until January 19th, 2014.