Jered Sprecher says something about painting. As Sprecher speaks, just underneath my skin, the blood starts dancing. Pulsing its ruby hips along to a great horn section, a mildly panicked Bossa Nova heartbeat. This is circa 2001, and Jered is a year or two ahead of me at the college we were at, and he was thoughtful about painting. He thought about the surface, and he thought about abstraction. He thought about what painting meant to other people. On the other hand, my education was from the school of immaturity, famous for using the word vomit and bad jokes in poor taste. I learned from him, and began to look seriously at paintings as more than an image. Today, Jered’s paintings are even stronger evidence of his thoughtfulness and clarity of vision.
Sprecher’s new paintings combine abstraction with imagery. Some of the images are based on variations of a single photograph of three pigeons or doves. When painting, Sprecher worked on some of the pieces with a process of moving from top left to bottom right, the same method a dot matrix printer uses, and other paintings used a more intuitive method of layering paint. The human, the machine, the image, and the abstraction live together in this wor/k/ld.
Jered Sprecher has a solo show, Half Moon Maker, at Steven Zevitas Gallery in Boston. The show is up until May 10th, 2014. All photos courtesy of Steven Zevitas Gallery. Below you can find an interview with Jered about his newest paintings.