Mathieu Connery, aka 500M was busy from this past May to the middle of July. During this time, he painted 10 abstract geometric murals on sidewalks for the second edition of the MURAL festival in Montreal. Connery produced one of them per week that are located along Saint-Laurent Boulevard, which was the official location for the event. His minimalist spray-painted pieces are colorful works that sprawl across the cement and are best enjoyed when looking at them from above.
Connery’s pieces for the festival feature a host of geometric shapes that include criss-crossing lines, block forms, and the illusion of them being in 3D. They are influenced by urban architecture, which you can see in the artist’s organization of these pieces. There’s a fluid rigidity, where lines aren’t exactly straight but mimic things like a net, a building tower, or even a maze. People can interact with them as a work of art (and look at them from afar) or follow the lines and move through them. (Via Vandalog)
Maybe you love puns, maybe you hate them. Whatever your stance on them, UK street artist JPS is a fan. They permeate his work as he incorporates the witty phrases into stenciled images of characters in popular culture. We see Batman, Loki, Biggie Smalls, and even Michael Jackson on walls and rocks and are often accompanied by text that’s specific to the character.
JPS’ clever street art is made extra amusing because of how silly some of his puns are. A previously graffitied wall has his addition of “This surface needs a Sheen,” with a portrait of Charlie Sheen next to it. Groan-worthy, yes, but it might’ve made you chortle. And, this is probably part of the point of JPS’ stencils. While funny, they engage the average passerby and infuse some humor into their day and stay subversive at the same time. (Via The Roosevelts)
Often treading between reverence and ridicule, the mystifying allure of art that reiterates sexual transgression remains suspended within a deviating purgatory of the sacred and the obscene. Buoyantly drifting within the underbelly of normative culture, the erotic and transgressive create a synergetic relationship in a strike against societal conventions. Through a crude presentation of social perversions, the atmosphere created through sexually transgressive art permits an insight that challenges not only sexual precepts, but invites a critique of human behavior irrevocably influenced by social structures. In an explosive resurgence of suppressed sexual impulses, the following artists create frantic, tense and exquisitely obscene renderings of deviations and sexualized social distortions.
Creative murals by designer and street artist Mehdi Ghadyanloo are turning Tehran, Iran’s streets into an outstanding open-air gallery. Executed on two-dimensional blocks of concrete, Ghadyanloo’s artworks deceive the viewer’s eye by skillfully using methods from op art and 3D painting.
Mehdi has established a mural-painting company Blue Sky Painters, which helps him to work with the large-scale street art projects. What is not very frequent in the field, is that Ghadyanloo is fully backed up by the city’s municipality. According to the artist himself, it is one of the government’s goals to promote mural art in Tehran.
“The city is an architectural mishmash with buildings often having only one facade and the other three just left blank and grey. This doesn’t make for a beautiful city but it is a great environment for mural work. I think the municipality really felt the need to bring some cohesion or at least colour to the often confused and smog-smeared architectural face of the city.”
Ghadyanloo graduated from MA in Animation, which brought him closer to storytelling and surrealism. The latter has really influenced his style in urban murals. His scenes often depict unrealistic sights and actions such as cars flying in the air, man bicycling down the wall, people defying gravity and so on. Many of Ghadyanloo’s creations also cleverly interact with their surroundings bringing even more life to the streets of Tehran. (via: My Modern Met)
With Britain celebrating the Year Of The Bus (#YOTB), three major companies teamed up to build an amazing life-sized LEGO bus stop on the Regent Street in London. Constructed from over 100,000 LEGO bricks, it features even the most intricate details and has a personal hashtag (#LEGOBusStop).
Opened to public just a few days ago, this bus stop already received huge attention from city’s visitors and locals. On Sunday, it served as a checkpoint for vintage bus parade and showcased models from the 1820′s up to the most modern Routemasters. According to the TfL spokesman, the bus stop was meant to stay in place until July 15th but the term may be prolonged.
“Many thousands of people pass along Regent Street each day and we hope the new shelter will bring a smile to the face of even a hardened commuter”,–Leon Daniels, TfL’s Managing Director of Surface Transport.
The LEGO bus stop project was initiated by Transport for London and developed together with LEGO and Trueform, a company that specializes in public transport hardware. It took around two weeks to build and appears on the outside of a legendary toy store Hamley’s.
Canadian artist Andrew Lamb has been making updates to your average “neighborhood watch” signs, taking them from innocuous to noticeable. He does it with the help of some memorable television, movie, and video game characters.
If you’re unfamiliar with the concept of neighborhood watch signs, let me give you a brief explanation. They are traffic-sign-sized warnings to potential criminals that the residents of a certain area are vigilant and won’t let them get away with any funny business. Of course, they’ve been around forever, and the often-dated looking designs are now just apart of the landscape, meaning that no one probably pays attention to them.
Lamb’s wheat-pasted edits to these signs grab your attention, and are an amusing way to reinvigorate something that’s probably run its course. Bruce Willis, Buffy the Vampier Slayer, Mulder and Scully, and even Sailor Moon are all featured in these updates. So have no fear, because the Power Rangers are keeping an eye out. (Via 22 Words)
Daan Botlek‘s trademark figural painted works always evoke a certain one-off kind of narrative, but his latest series, Escape From Wuhlheide, carries this idea even further. Based in the Dutch city of Rotterdam, Botlek (previously here) was exploring an abandoned and graffiti-filled building in Berlin, when the idea of painting an escape came to mind.
“While wandering through Wuhlheide looking for some spots to paint the idea arose…to make some sort of storyline of an escape.”
The story in Escape From Wuhlheidereads like a cartoon rendered in real life, blending street art, animation, illustration and painting. Each ‘cell’ of the escape is painted individually, depicting two blanked-outline characters making their way through the dilapidated space, peeking around corners, crawling up walls and climbing ladders. Each ‘cell’ is then photographed, documenting their run away. (via colossal)
Dissolving Europe is the latest public art intervention series by Berlin-based street artist Vermibus. Using a hacked inter-rail ticket, he has been traveling Europe with an extensive set of billboard-lock keys, using them to illegally access print billboards and advertisement frames. Once opened, he uses various solvents and paints to alter the images, sometimes removing them entirely, and even cutting and pasting others. this process destroys and beautifies, blurring the already transgressive line of advert-hacking public art interventions. The artist states, “By using the advertising space and how the human figures are represented in that space, Vermibus is removing the masks that we wear and is criticizing advertisement which takes away a person’s identity to replace it by the one of the brand.”
Continued from his website, documenting the process, “Vermibus regularly collects advertising posters from the streets, using them in his studio as the base material for his work. There, a process of transformation begins. Using solvent, he brushes away the faces and flesh of the models appearing in the posters as well as brand logos. Once the transformation is complete, he then reintroduces the adverts back into their original context, hijacking the publicity, and its purpose.” (via lizartblog)