Steven Charles has a show of new work up now at Stux Gallery in Chelsea. Although he was friendly meeting Steven for the first time was a little unsettling. It felt a little like I imagine spiritual seekers felt like when they met the Maharijji in the 1960s’, like meeting some strange saint. I met him through Aaron Johnson who told me Steven was one of his favorite painters.
During the studio visit Steven and I talked about how he was working as a janitor, but just a couple of years ago he was selling paintings for six-figure sums. He was another victim of 2008, but he didn’t seem bummed out. In fact, he was just going along, and to use another Maharajji idea, he seemed very present. His painting method involves creating something to react to: a painting could start by splashing paint on a surface or by gluing a kid’s sock to a board. Click read more to see his work in progress.
Working with only “earth, fire and emotions,” Kathy Ruttenberg’s fairytale-like ceramic sculptures create a world that is immediately captivating, but the viewer might be surprised by what’s down the rabbit hole. Her violent and devastating visions are disturbingly peaceful, idyllic and sustainable. Erasing the boundary of the metaphorical and the literal, Ruttenberg’s world is filled with lush foliage, woodland creatures and puzzling, slightly grim yet open-ended reveries of gender relations. Men are always portrayed as animals in gentlemen’s clothing, and women are always well-groomed and dressed in rounded skirts. On one hand, men are literally animal-like savages, but at the same time they are native creatures of the woodlands and the earth itself, whereas the female figures are the outsiders, if not intruders. It is hard to tell if they are men masquerading as animals, or vice versa. Death, in works such as “The Moment After”, is the stark aftermath of failed love, but also an opportunity to blossom imaginatively and become one with earth.
See Kathy’s work in person in NYC at STUX gallery on view now until May 5th.
Thordis Adalsteinsdottir‘s paintings combine pattern filled rooms with bizarre narrative scenes that will leave you thinking “what the hell is going on in this guys head?” Out of all the bizarre elements in Thordis’s work my favorite would have to be the hair. It looks like a blindfolded barber took a razor blade to the heads and only left 8 strands.