Digital artist and graphic designer Kode Logic (aka Boss Logic) is used to taking existing imagery and adapting, changing and repurposing it. With his newest series, Playing With History, the Melbourne, Australia artist samples some of the most recognizable photos in the history of the medium, and either subtly or blatantly alters them by including superheroes and villains.
Ranging from the construction workers who built New York’s skyscrapers palling around with Spiderman, or an alternate history where Mortal Kombat’s four-armed boss Goro menacingly watches over Ellis Island on the Statue of Liberty’s plinth, Kode Logic plays with both humor and irreverence (exemplified by two separate Kennedy edits – one with Marty McFly skitching on his hover-board, the other featuring The Watchmen’s The Comedian preparing to assassinate the president). Explaining the project (and a premise shared by many from the digital and web-based design and art communities), Kode Logic says, “…as a digital artist we are the new breed of artists and we are all trying to innovate our own style to be remembered and past on as a foundation you laid down…” (via albotas)
As 2013 draws to a close, it becomes easier to see the trends in art, design and visual storytelling that attracted especially popular interest over the year. Among them were the use of superheroes, which only decades ago were confined to a mythology only ‘nerds’ spoke of. But with superheroes becoming ever-more popular and Geek culture no longer a source of shame, comic book and science fiction heroes have become instantly recognizable forms of pop symbolism for many. Beautiful/Decay featured the work of Andreas Englund’s aging superhero paintings, Alex Lukas’ referential superhero screenprints and Antonio Strafella’s comic heroes as saints, all who took these mythologies and blended them with updated styles, forms, perspectives and techniques.
Josh Lane (Ln) took the same cues with his perfectly titled Hero-Glyphics series, combining a variety of classic comic book (the X-men, Spiderman, the Avengers) and sci-fi (Star Trek) heroes, and re-imagining them in the style of Ancient Egyptian hieroglyphics. Ln expands on the classic heroes as well, also casting 90′s nostalgia (in the form of the Power Rangers and Teenage Mutant Ninja Turtles) as well as newer comic and movie characters (Kick-Ass).
Matthew Volz is the official artist of Queens, New York based garage punks The Beets. In addition to creating banners, posters, and album artwork for the band he makes paintings and sculptural installations involving a vast iconography culled from the doldrums of saturday morning cartoons and comic books. Pro wrestlers of the past share the page with bug eyed teenagers, superheroes, street rats, cowboys, indians, Joey Ramone, and everything in between.