Sparkling sequence and plush yarn are just some of the mixture of materials that artist Rachel Denny uses in her work to cover bodies, or sometimes just heads, of animals. This Portland based artist’s work lives in a world somewhere between taxidermy and your grandmother’s craft room. Her unique take on animal trophy heads uses cashmere knitting and twine to transform what looks like the shape of the head of a dead animal. Denny’s artwork includes a diverse variety of woodland fauna, including deer, horses, goats, lambs, and even bears. Sometimes her colorful, eclectic materials, including satin, matchsticks, and pennies cover an entire body of a creature, other times it is just the head unattached to its body.
The creative and interesting use of materials used transforms the animals into something different, something very inviting and attractive, but also unnatural. The seductive sparkles of the black sequence Denny uses pulls you in closer, all the while there is a “bear” underneath. There is a theme of masking over organic beauty with our own human inventions that is apparent in the artists work. Humans often take a natural object or creature that is already beautiful, and try to improve on it. We alter it so that it fits our own needs, or that we may see it as looking even better. Although Denny’s work is incredibly bright and fun with her pastel yarn and sparkling materials, there is a dark hint of the hand that humans have on the natural environment. (via The Jealous Curator)
Australian artist Paul Yore uses colorful applique, sequins, weaving, and more to depict a world that seems cheerful, but is the opposite of sunshine and rainbows. Instead, Yore’s materials tell us that things are much worse. In one work, he welcomes us to hell. Vibrant hearts and yellow smiley faces still opposite to skulls and erect penises in these tapestry wall hangings.
Upon initial glance, your eyes are drawn to all the colors under the rainbows. It feels jubilant and even innocent. But, as soon as you start to study Yore’s work, you see that these choices are his form of biting commentary on political and social issues. Often, leaders will try and sugarcoat serious issues, to be dismissive of victims or even blame them. The artist exposes this type of hypocrisy (and more) by putting it all out in the open so that you can’t look away.
The dazzling satire is at times overwhelming, as if the artist has so much to say that he wants to fit it within one dizzying piece. Here, it’s akin to the epic paintings Hieronymous Bosch in terms of of a compositional frenzy. Where you look for a long time, finding new small moments every time that you look. (Via Collection Department)
As a founding member of Italian design group Memphis, Milan-based artist and designer Nathalie Du Pasquier has designed a plethora of poppy, bright, and playful textiles, pieces of furniture, and design objects. Since the group’s disbanding in 1987, Nathalie has become more of a traditional artist, creating paintings and sculptures clearly steeped in the distinctive Memphis aesthetic.