Artist Alessandro Lupi seems to capture ghosts in his eerie sculptures. Lupi begins with simple thread to create his artwork. He paints each strand one at a time with fluorescent paint. The threads are then arranged and lit with black lights. Lupi often arranges the thread in the form of a figure – a person that at once seems to inhabit a space and in the process of disappearing. He calls his work ‘Fluorescent Densities’. The designation alludes to the way he uses his medium to “investigate” and play with light and space.
David Ogle‘s installations seem to glow right out of the space they effeminate from. His work is mainly constructed with thread illuminated ultraviolet light. However, Ogle’s installations are not only built of the thread, but the space they emphasize and the light itself. Underscoring this Ogle says:
“ Much of my work to date has dealt with exploring notions of materiality, of permanence and of the perception of objects in space. Using light as a sculptural medium, my work is innately ephemeral.”
If you like David Ogle’s work be sure to check out the work of JeongMoon Choi.
Korean artist JeongMoon Choi uses surprisingly simple materials to create installations that appear to be pulled off the computer screen. Simply using thread and UV lights JeongMoon illuminates complex geometric patterns. The arranged thread patterns glow against the dark space at times resembling three dimensional plans. Her installations explore the gallery space, both literally and conceptually. Glowing angles bounce off walls and ceilings emphasizing an architectural space that typically tries to not attract notice.
These photographs depict the carefully constructed installations of artist Sebastien Preschoux. Preschoux installs his work on location – both in urban and forested settings. He constructs intricate structures of thread that beam from and through the surroundings. Through careful lighting, the pieces resemble lasers scanning the area, or giant spider webs strung across branches. The mathemetical precision of Preschoux’s work contrasts with the unpredictable natural settings they fill.