Artists/design team Thyra Hilden and Pio Diaz collaborated to create, Forms in Nature, a chandelier which, when alight, creates shadows in any (reasonably sized) room that appear to be intertwined tree branches or entire root system. Describing their collaborative process as combining “existing cultural icons and basic elements, which they transform and modify to tamper with the common perception”, the duo essentially reconnects modern technology to more primitive, natural elements.
The creators say of the piece, “The shadows engulf the room and transforms the walls into unruly shadows of branches, bushes, and gnarled trees. Mirrorings are thrown out upon the walls and ceilings and provide weak Rorschach-like hints of faces, life and flow of consciousness.” (via mymodernmet)
Perhaps one of the best street-art interventions of the year comes at the very end. Daniel Siering and Mario Shu developed a unique strategy for their site-specific public project in Potsdam, Germany. By wrapping a tree and covering the wrapping with incredibly detailed spray-paint, the duo manages to perfectly capture a stunning sinhle-point perspective which gives the illusion that the tree is bisected, with the top half mysteriously floating above the fields and horizon in the background.
As this is a developing story, there are precious few pictures to properly show the project (including proper links to the artist, or previous works) but check out this video (which as of now has less than 300 hits) to see the simple yet effective trompe l’oeil the two artists created, and hope that the two release more pictures, and more fantastic public projects, in 2014. (via streetartutopia)
Myoung Ho Lee, with the aid of assistants, cranes, and ropes, places blank white canvases behind trees in various natural settings throughout South Korea– in order to bring a part of the background into the foreground. According to The New York Times, the artist only digitally retouches “the trace of his own hand” because “If the mechanics of the artwork were visible, it would be easier for people to recognize the scale and the method . . . I want to hide them, to infuse a magical and vague aspect to my work, so that viewers may question and try to find answers themselves.”
Zander Olsen wraps white fabric around trees to “intervene” with the organic lines of a landscape, often blurring our sense of foreground and background to generate a jarring sense of flatness. Olsen suggests such compositions convey a new “visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.” As a result, the lush wonders of Wales, Surrey, and Hampshire are transformed into beautiful abstract images, with pops of white.
The sculptures of Naoko Ito are elegant in their simplicity. Indeed, these pieces are entirely constructed of only two materials: a tree and jars. A limb of a tree is cut into several segments and each segment, in turn, is placed in a jar. Naoko carefully arranges the jarred pieces to reconstruct the shape of the limb. A subdued commentary on the relationship between humans and nature, the imagery is immediate all the same. Though the shape and size of the tree limb is intact, the jarred branches are nearly gloomy.
Yuken Teruya skillfully cuts intricate trees and other shapes out of banal, everyday objects like dollar bills, toilet paper rolls, and cereal boxes. The artist completely transforms what usually amounts to trash into delicate, beautiful art. Really makes you reconsider which material objects are “special”. Even the things we constantly overlook are full of creative (and even spiritual) potential. Teruya has a new piece in a recently opened group show at Denver’s David B. Smith Gallery. (via)
Drawing inspiration from our oxygen-producing friends the trees, French architecture firm a/LTA created this basketball hoop. You can say a lot about the piece (which I guess is kinda functional) that may or may not be on point (“beautifying our public space so that our communities can grow and be healthy“), but mostly it’s just really cool. (via)