In January 2011 Drew Melton got the idea to start designing user submitted words and phrases in order to practice his craft in community. In his own words, “Most design sites or blogs are merely feeds of disconnected visual stimulation. I wanted to do something that you could actually influence and invest into.” He quickly purchased the domain Phraseologyproject.com and setup a very basic submission form. Receiving over 90 submissions in the first week confirmed that people were interested and fueled the project forward. Ray Brown was soon brought on to help develop the new site. Phraseology was underway.
“The Phraseology Project is meant to be a running experiment in typography. It is meant to be a framework for exercise and practice in Typography. We try our best to come up with our best work always but more importantly we value practice and healthy process. In other words, these pieces aren’t perfect. But they are honest. We celebrate the process of design and creativity in all of its’ outcomes.” – Drew Melton
Collage typeography illustration from Alexis Anne Mackenzie has an air of playfulness without being overly girly, or illustrated. She shows a beautiful balance between image and letter, with I’m sure a lot of painstaking thought put into each piece. Nicely done!
Matt Siber’sUntitled Project is rooted in an underlying interest in the nature of power. With the removal of all traces of text from the photographs, the project explores the manifestation of power between large groups of people in the form of public and semi-public language. The absence of the printed word not only draws attention to the role text plays in the modern landscape but also simultaneously emphasizes alternative forms of communication such as symbols, colors, architecture and corporate branding. In doing this, it serves to point out the growing number of ways in which public voices communicate without using traditional forms of written language.
The reintroduction of the text takes written language out of the context of its intended viewing environment. The composition of the layouts remain true to the composition of their corresponding photographs in order to draw attention to relative size, location and orientation. The isolation of the text from its original graphic design and accompanying logos, photographs and icons helps to further explore the nature of communication in the urban landscape as a combination of visual and literal signifiers.
Andrei D. Robu’s design portfolio is filled to the brim with amazing typography. What’s impressive about his work is how easily he works in a wide variety of styles shifting from hand drawn cursive fonts inspired by tattoo art to experimental digital typefaces with ease.
Franz Thues and Dirk König AKA Anarchy Alchemy are two art directors based in Düsseldorf, Germany. They make pictures harnessing the magic of generative design. All of their illustrations are generated by programs they write for each specific illustration series, allowing them to create a potentially endless stream of pictures on the press of a button.