The artwork of Andrew McAttee erupts from the canvas in an atomic explosion of vivid colors and bold lines. His compositions suck you in like a vortex of cosmic proportion. Like an explosion of atoms, asteroids, fire bolts, and lightning, McAttee’s dynamic, large-scale paintings catch your eye and demand your attention. Each painting is layered in acrylic paint and spray paint in incredible, bright colors. The artist mixes flat lines and shapes like that in a comic book, with a variety of more dimensional elements.
This repetitious explosion present in McAttee’s work hints at themes of cause and effect. Both beauty and destruction can be seen in the breathtaking palettes and the collisions of the color combinations. It is almost as if his painting are molecules ready to erupt. The artist’s comic-pop style combines the occasional action word such as “Smash!” straight across his compositions. He is very apparently influenced by comic books and graphic novels, and also pulls inspiration from pop art and abstract expressionism. Street art and graffiti also has a hand at play in his multifaceted paintings, as he is known as a street artist as “STET”. Andrew McAttee is represented by Stolen Space Gallery in London and works and lives in the UK.
”My aim is to provide the viewer with a colourful riot of gravity-less forms set in highly layered, seemingly endless space with a sense of ambiguity, humour and celebration”
– Andrew McAttee
Lizzy Stewart is a British illustrator who makes incredibly charming images. Inspired by Eastern European folk art and medieval painting, her drawings are wonderfully flat and full of simple shapes. Her work reminds me of some of her contemporaries like Pia Bramley and Carson Ellis, all of whom practically force a better mood on their viewer. Aside from her drawing and painting, Stewart makes graphic novel-style books as well. A lot of her stuff is available for sale in the store on her website too, so if you haven’t donated all your extra dough to the Red Cross’ Sandy recovery efforts, you can do some one stop christmas shopping and support a young burgeoning artist all in one foul swoop! (via)
Nice outdoor work from mysterious artist 2501. Applying undulating zebra marks all over the place, his style flows nicely from piece to piece, whether he’s doing a huge scene involving horse-riding bandits or understated characters intriguingly placed within the landscape. It seems he’s moving more and more toward a black and white direction this year, and the resulting high levels of contrast produce a nice dynamic between the walls and their surrounding environments. Click past the jump to see more street work and head over to the artist’s site for works on canvas as well.
Recent Manchester University grad Mark Robinson uses folklore narratives as a jumping-off point for his moody mixed media works. Robinson’s paintings, which contain visceral, almost spontaneous textual elements, serve as an outlet for his various frustrations and impressions. I like his flat use of color and black. And the piece directly below the jump, a silhouetted cowboy/bandit figure done in blue, suggests a good sense of texture. Definitely some interesting stuff from this young artist.
Brighton-based artist Jake Wood-Evans‘ classical influences are readily apparent. A 21st-century Caravaggio? Who knows. But dude’s definitely on the right track. Celebrating his heroes while producing work that’s relevant to his period, Woods-Evans executes drips and fades in disaffected, casual gestures. Laurel wreaths and nuclear explosions are likely to meet in a single composition. If you’re near Brighton next month, check out his work at the Brighton Media Centre the 7th through the 16th. More images of the artist’s work after the jump.
I like these digital collage works from British artist Hayley Warnham. Solid, bright color meets vintage 1940’s, 50’s, and 60’s personal photography in the pictures, which capture a nostalgic, innocent vibe. The use of flat color with found photography evokes the work of legendary American artist John Baldesarri. We wonder if he was a direct influence on Warnham. A lot of these are composed in such away that suggests the vantage point of a youngster, which reminds you of a time when things were much simpler. When skylines and relatives may as well have been flat blocks of color with very little texture as far as you were concerned. You didn’t yet grasp the complexities of every person and setting in your life, and everything was a mysterious wall of impenetrable brightness. (via)
Tom Price melts a lot of plastic in his work. He bends the distinctly man-made material to his specifications, creating highly conceptual chairs, tables, trees, and other objects. It’s easy to see which aspects of Price’s sculptures are the result of his molten process, and some element of intense heat and power lingers long after required cooling periods. You can almost feel the plastics melting in your hands, and smell the awful scent of burning tar. Such lingering power is what makes these works so intriguing. They’re also beautiful, but who’s counting? (via)
Lucy McLauchlan of Birmingham, UK has been painting on every imaginable surface for over ten years. She has created everything from large murals to graphics for baby clothes. She usually works in flat black and white, depicting birds, trees, and whatever strikes her fancy. Most recently, she’s put up a lot of public work in East London, celebrating the Olympic Games. McLauchlan’s subdued compositions don’t scream “look at me!” (a message proliferated by many “street” artists), but -instead- “look at this!”. Honest, pure beautification of our public urban space without any ego.