Michelle Hamer hand-stitches pixelated versions of photographs she’s taken of urban spaces, mainly those occupied by text found in advertising, signage, or graffiti. She stitches her images into perforated plastic, transforming flat, static images of everyday public urban life into tactile needlepoints that recall private and domestic spaces.
“I see my work as a type of socio-historic documentation. The images depicted are in between moments that we often take for granted. The obviously slow process allows viewers to become more conscious of these moments which are captured within an instant and consider the difference between the manual and the digital. The in-between spaces (on/off ramps of freeways etc.) where signage can often be found is both necessary for our infrastructure, but also generally not noticed. Similarly, much of the text, advertising signage, streetscapes are so familiar we can fail to focus/really see it, but it’s often reflective of our broader social ambitions, aspirations and edicts.”
Anonymous Spanish art collective Luzinterruptus has installed their latest public interventionist project, “Consumerist Christmas Tree”, as part of Lumiere, a citywide celebration of light that takes place in Durham, England. To construct this 9 meter high tree, the group asked people to donate their plastic bags in exchange for cloth ones, resulting in a donation of around 4,000 bags. In addition to the tree, Luzinterruptus created strands of garland by installing lights in leftover bags and hanging them across streets. According to the artists, the tree ”is an installation that will help to raise awareness of the excessive use of plastic bags and the consequences that this consumption has on the environment…We thought about a grand Christmas tree, built of the bags used during the period prior to Christmas, the dates in which their use dramatically increases.” (via unknown editors)
Miranda Donovan explores the invasion of graffiti from the exterior world of landscapes and buildings to the interior one– of bathrooms, bedrooms, and yes, even galleries, where street artists are finding more and more of a home these days. However, Donovan’s work is not just about street politics or the art of tagging here– each piece also examines the quality, textures, associations, and contexts of walls themselves.
Of her work, in Cool Hunting, Donovan states, “The point of departure is a wall, which so often people just overlook . . . It’s something in our daily space constantly, internally and externally, and there’s a romanticism in that, which draws me in. The different combination of languages, the grid, the broken plaster breaking up that grid, the colors, the erosion, is something that really excites me. It’s about combining those languages to tell a story about the passage of time and the analogy of the human psyche, peeling back the onion layers to find the core.”
Really cool cityscape sculptures created from recycled computer parts by Italian artist Franco Recchia. The cold mechanics of the dead computer hardware bring a strange quality to the works. And the claustrophobic elements of urban life are nicely captured in how compact each piece is. The sculptures give off a haulted vibe- it’s as if someone pulled the plug out of life itself and all that’s left is a series of plastic, green shells. See more from the series after the jump. (via)
“My goal with this project is to create striking juxtapositions between the ruins of modern civilization and a futuristic ecological utopia.”
Brooklyn-based artist/illustrator Nick Pedersen -whom we featured in the 6th installment of our limited edition book series- recently finished a new batch of work entitled Ultima. The loosely narrative series depicts a post-apocalyptic environment in which conflicts between modern and early cultures, and man and the natural world are given prominent attention. In the world that Pedersen has conjured, overgrown cities (though absent of their typical, busy inhabitants) are full of life. The lush, green environments project a vibrancy that’s really appealing. But the digital works have their quiet aspects too- deer slowly pick their way through the brush; and stoic, masked tribesmen explore their bizarre surroundings. Check out more images from Ultima after the jump.
Liesbet Bussche is doing some really creative, involved work in the street right now. I really like her “Urban Jewellery” campaign, which integrates over sized pieces of jewelry into public, urban space. Stone roadblocks become cufflinks. Pendants are placed upon chain barriers to create “necklaces”. The project exposes the city’s characteristics as highly individual, asserting that it is appropriate to accessorize public space in the same manner we would accessorize ourselves. It reminds us that urban areas have just as much personality as a living, breathing entity. (via)
Lulu Wolf’s collages are clean cut and leave a lasting impression. She does a lovely job of balancing her composition, with shapes and touches of hand work, creating tiny worlds from bits of imagery from the past. Her work is geometric and fluid, embodying both urban and rural environments, with human vigor.