Japanese Artist Arrested for Distributing 3D Model Of Her Vagina

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On Saturday, Japanese artist Megumi Igarashi was arrested for the crime of distributing indecent material. And what did she distribute, exactly? Digital data that represents 3D modeling information of her vagina. After raising around $10,000 via her crowd-sourcing campaign, Igarashi was able to complete the construction of her planned vaginal-shaped kayak. As part of the campaign, donors were promised the digital file from which Igarashi was able to complete her design – it is for sending these files that Igarashi was arrested, and faces up to two years in prison and a fine of up to $25,000. If you thought sexist double standards were beyond apparent here in the States, then let me direct you to Japan’s incredible double standards, most strongly evidenced by the celebration of penises in an annual penis festival and their stance on most international pornography standards. Known by the pseudonym rokudenashi-ko ( “good-for-nothing kid”), 42-year-old Igarashi began working with 3D models of her vagina as a response to the shame and ignorance she felt about her own genitalia.

From her web site: “I make art pieces with my vagina, which I would rather call Manko(MK). I thought it was just funny to decorate my vagina and make into a diorama, but I was very surprised to see how upset people get when they see my works or even hear me say the word Manko. Even when a TV station asked me to be on their show, they wouldn’t dare let me say DECO-MAN because “MAN” is from the taboo word “Manko”. Why did I start making these kind of art pieces? It’s because I had never seen the vagina of others and I was too self-conscious of mine. I did not know what a vagina should look like at the same time, so I thought mine was abnormal. Manko and vagina, have been such a taboo in Japanese society. Penis, on the other hand, has been used in illustrations and has become a part of pop culture. But vagina has never been so cute. Vagina has been thought to be obscene because its been overly hidden; although it is just a part of a woman’s body.”

There is a petition circulating advocating for Igarashi’s release that has already collected almost 19,000 signatures. You can watch her crowd-sourcing campaign video here. (via guardian and spoon & tamago)

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Performance Artist Imitates Gustav Courbet’s Painting”The Origin of the World” By Exposing Herself

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On May 29 at the Musée d’Orsay in Paris, Luxembourgian performance artist Deborah de Robertis, wearing a gold sequined dress, plopped down in front of Gustav Courbet’s painting “The Origin of the World,” and spread her legs and vaginal lips, publicly exposing herself. The artist’s intent was to re-enact the famous painting, but with an open, exposed vagina in contrast to the vagina presented in Courbet’s piece. Eventually, de Robertis was escorted from the premises by police officers, and two museum guards filed sexual exhibitionist complaints against her after the incident.

“This is a typical case of disrespecting the museum’s rules, whether for a performance or not,” the Musée d’Orsay’s administration said in a statement. “No request for authorization was filed with us. And even if it had been, it’s not certain we would have accepted it as that may have upset our visitors.”

de Robertis, of course, disagrees with these accusations (as does Banksy). “If you ignore the context, you could construe this performance as an act of exhibitionism, but what I did was not an impulsive act,” she explained to Luxemburger Wort. “There is a gap in art history, the absent point of view of the object of the gaze. In his realist painting, the painter shows the open legs, but the vagina remains closed. He does not reveal the hole, that is to say, the eye. I am not showing my vagina, but I am revealing what we do not see in the painting, the eye of the vagina, the black hole, this concealed eye, this chasm, which, beyond the flesh, refers to infinity, to the origin of the origin.”

de Robertis says she’s performed this piece, “Mirror of Origin,” more than once in the same museum without causing a hysteric scene, and unsurprisingly, this is not the first time a performance artist has imitated a famous work of art by exposing their body: last year, performance artist Arthur G stripped down and appeared in front of Musée d’Orsay’s parade of male nudes, “Masculin/Masculin.” It is also not unusual for female performance artists to use their bodies as a medium for messages about our culture and the way it conceptualizes female anatomy and sexuality: I’m thinking of recent Beautiful/Decay features, like Milo Moire’s vaginal egg-dropping and Casey Jenkins’ vaginal knitting. The reactions garnered from such performances reflect our culture’s current conception of female anatomy and sexuality and prove that our stripped-bare biology continues to be seen as obscene, threatening, and attention-seeking, even within performance-based contexts. (via art fido)

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Jamie McCartney’s Genital Cast Sculptures (NSFW)

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Jamie McCartney is a multi-disciplinary artist who specializes in sculpture. For “The Great Wall of Vagina,” McCartney casted the vaginas of 400 women, ranging in age from 18-76 years. Casts of mothers, daughters, twins, trans men and women, pre- and post-natal women, and a woman’s pre- and post-labiaplasty are all featured in this large piece. “In creating this work, I set out to alleviate the needless anxiety that is driving so many women to contemplate cosmetic genital surgery.” “The Great Wall of Vagina” book is for sale and features testimonies of over 100 women who took part in the piece. The piece even has an entire site dedicated to it, featuring images and videos and other information about the project.

For “The Spice of Life,” McCartney casted the genitals of flaccid and erect penises, vulvas with closed and open legs,and breasts of a variety of people. “4×4″ depicts a panel of 16 erect penises. McCartney claims that many people have engaged with his work in positive ways, noting the variety and lack of “normality” across the spectrum of featured genitals. People often use pornography to gauge normalcy of their genitals, even though these representations are skewed or exaggerated.

McCartney’s pieces, “Old Glory”  and “O Limp Pricks,” feature casts of the tip of the artist’s penis. For “Internal Affairs,” McCartney casted the inside of vaginas, transforming the vagina into an external, almost phallic organ.

In all of these pieces, McCartney seeks to satisfy our curiosity and asks us to engage with the relationship we have with our own bodies.

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“Vaginal Knitting” As Activist Performance Art

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Melbourne based artist Casey Jenkins is a self-described “craftivist” who founded Craft Cartel, an organization that seeks to combine crafting and political activism, in 2007. “Craft imbues you with power because you’re forced to contemplate the issue you’re addressing. It’s very reflective in a sense of when you put that message out into the world, people know you must really care because you’ve devoted that much time to it,” Jenkins says.

Jenkins’ most recent performance project, “Casting Off My Womb” (Aussie TV calls it “Vaginal Knitting”) involves the artist spending 28 days (the average length of a menstrual cycle) knitting from a new skein of wool that she has placed inside of her vagina each day. Jenkins explains that her performance would not be a performance if she didn’t include menstruation. While she is menstruating, Jenkins says it becomes more difficult to knit because the wool is wet, and she has to tug on the thread a bit harder. Overall, though, she claims the process is slightly uncomfortable, but can also be arousing at times. For Jenkins, she enjoys that her performance associates the vulva – something that can be found offensive or vulgar or invoke a level of fear – with the comfort and warmth that knitting provides and evokes.

“The fact that [cunt's] considered the most offensive word in the English language is a real marker of the time that we’re living and of the society’s attitude towards woman. There’s nothing possibly negative about it. It’s just a deep, warm and delightful part of the female anatomy.”

As Gawker notes, this performance is reminiscent of other feminist performance pieces like Yoko Ono’s “Cut Piece,” Carolee Schneeman’s “Internal Scroll,” or even Mary Kelly’s pre- and post-partum documents, so Jenkins is not necessarily a trailblazer in the context of this aesthetic; however, that fact that pieces like this still shock and provoke viewers means that there is still much work to be done in the movement to empower women and destigmatize female anatomy. (via gawker and broadsheet)

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Victoria Reynolds’ Scary Paintings of Meat

 

 

It’s obvious that Victoria Reynolds is a skilled artist, but I personally don’t really see why anyone would want one of her paintings in their home or collection. They are scary and seem to promote a kind of negative energy that only a butcher or serial killer could be attracted to. But then again maybe that’s what she’s going for – that niche market of rich collectors who also have rooms full of dead bodies and future victims. (via)

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