Artists David Ellis and Blu blended two art forms that rarely meet: street art and animation. Throughout the video the mural takes over an entire building unfolding through a stop motion style. At times the art playfully utilizes aspects of the structure’s architecture – a style Blu has expertly developed in his work (for example, check out the first piece in this post.) The artists tirelessly paint and repaint images to further the animated sequence. Amazing images are quickly covered over to make way for the next image. The labor necessary was certainly staggering as is the self-control necessary to paint over pieces that were just complete.
Australian artist Ian Strange‘s ambitious project two year in the making is difficult to pin down. SUBURBAN isn’t quite installation, photography, performance, or video art – its really more than all of these. The project is really Ian Strange’s investigation of and interaction with the idea of suburbia. The sidewalk, front yard, middle class, ubiquitous rows of homes have grown with a generation of young people, and now with a second and third. The neighborhoods and houses themselves have become symbols of something beyond their function that Strange’s work seems to seek and find. Check out the video to get a preview of the upcoming exhibit.
Film maker and photographer Michael Shainblum captured familiar city scenes in a way you’ve likely never seen them. Shainblum captures time lapse sequences of cities such as Las Vegas, San Francisco, Los Angeles, and Chicaog, then folds it in on itself. The urban landscapes are seamlessly divided and replicated into four segments. In a strange way, this hypnotic abstraction of the city nearly seems to make it easier to see the city as whole. Each metropolis appears to pulse and glow as if it were a living being or complex computer system. The video allows the viewer to step back and see the city as a complex collective system. [via]
Experimental design/art studio Cohen Van Balen‘s new project 75 Watts features an actual factory, assembly line, and workers. However, the product the assembly line workers are constructing does absolutely nothing. Well, almost nothing. The purpose of the product is simply to choreograph the movements of the workers as they construct it. 75 Watts illustrates the complex dance of production, consumption, and the human relationships therein regardless of the product. The project received its name from a rather creepy quote from the book Marks’ Standard Handbook for Mechanical Engineers: “A labourer over the course of an 8-hour day can sustain an average output of about 75 watts.” Check out the video to see the dance of the pointless product.
Dutch artist Iepe Rubinigh and the Anonymous Crew took the term “street art” very literally with their piece Painting Reality. The group, equipped on bicycles, purposely spilled over 130 gallons of eco-friendly water soluble paint in a Berlin’s busy Rosenthaler Platz intersection. The cars then acted as brushes spreading the various colors through street. An abstract painting detailing the fluid-like flow of traffic unfolded over the next several minutes and 2,000 cars. Painting Reality introduced pleasantly bright color to otherwise drab asphalt. More than that, though, the “strokes” of paint documented the moving life of a city. Check out the video to the see paint drop and spread.
Night Stroll is a new digital short from Japanese filmmaker Tao Tajima. In the film, quick moving abstract light patterns pulse through otherwise quiet Tokyo streets. The light patterns are impressively realistic and almost resemble the light painting of still photography. Bright bursts of shapes are reflected in wet streets and cast shadows from behind trees and street corners. Though there is little information regarding the film’s production, Tajima seems to have skillfully created the light patterns digitally. He executes a simple idea very well – simple but realistic light dances as if it were alive and alone in the city. Check out the video to see what the GIFs only preview.
Photographer Simon Christen calls Adrift, his two year in the making video, “a love letter to the fog of the San Francisco Bay Area.” The often daily fog is just one feature that makes the San Francisco peculiarly wonderful. Christen worked through out the two year period to catch the images fog a few seconds at a time. An ocean of fog appears to flow like water down hills, through and under the Golden Gate Bridge, and into the city. Set to a custom score by Jimmy LaValle of The Album Leaf, Adrift underscores the beautiful mystery of unique area.
Strata #4 is a two channel video by the artist known simply as Quayola. For the video, Quayola used images of two grand altarpieces by Rubens and Van Dyck. He worked with an HDR photographer to obtain huge 20,000 by 20,000 pixel images of the work. Then using unbelievable computing power and algorithms Quayloa investigates each masterpiece’s underlying structure, composition, and color. Strata #4 at turn resembles 20th century abstract renditions of the baroque work. Yet his video squarely part of a New Aesthetic, part of a 21st century sensibility.