Compressed is a series of video work from artist Kim Pimmel. The videos all utilize macro lenses, time lapse photography, and magnetism. However, for Compressed 02 we find Pimmel’s mix as liquid. The video is filled with a simple landscape of soap bubbles and punctuated with red dye. A strange black liquid seems to navigate the network bubbles of its own accord, like black blood travelling through invisible capillaries. This black liquid is an exotic ferrofluid – a magnetic liquid. The ferrofluid travels the most efficient paths through the field of bubbles toward its invisible magnetic attraction.
It’s difficult to tell if it is performance art, a design project, or just a weird way to date. However you classify it, graphic designers Jessica Walsh and Timothy Goodman have flung themselves into the project straightforwardly titled 40 Days of Dating. Exasperated with the New York City dating scene, the designers turned to each other. Each deals with the opposite problem – Jessica jumps in too quickly, Timothy’s reluctant to take the plunge. The two good friends decided to date each other for forty days – the amount of time often thought required to quit a bad habit. However, the dating project entails a bit more. First, there are six rules:
We will see each other every day for forty days.
We will go on at least three dates a week.
We will see a couples therapist once a week.
We will go on one weekend trip together.
We will fill out the daily questionnaire and document everything.
We will not see, date, hookup, or have sex with anyone else.
The daily dating adventures of the couple were then uploaded to their in fashionable design style. Would love and dating be redeemed or their relationship irreparably ruined? 40 Days of Dating was set to find out.
The artist collective Quiet Ensemble are skilled at making the mundane feel monumental, or at least worth noting. Their installation/ performance art Quintetto is naturally composed of a quintet of goldfish. The little fish may not realize it, but their movements are of consequence. Placed in tall tanks, the vertical movements of the fish are monitored and converted into sound. Each fish is assigned a separate tank. The installation seems to give some sort of order to the random, and in a strange way lend gravity to something that is trivial. Check out the video to see the fish in action in full performance art glory!
Artists David Ellis and Blu blended two art forms that rarely meet: street art and animation. Throughout the video the mural takes over an entire building unfolding through a stop motion style. At times the art playfully utilizes aspects of the structure’s architecture – a style Blu has expertly developed in his work (for example, check out the first piece in this post.) The artists tirelessly paint and repaint images to further the animated sequence. Amazing images are quickly covered over to make way for the next image. The labor necessary was certainly staggering as is the self-control necessary to paint over pieces that were just complete.
Australian artist Ian Strange‘s ambitious project two year in the making is difficult to pin down. SUBURBAN isn’t quite installation, photography, performance, or video art – its really more than all of these. The project is really Ian Strange’s investigation of and interaction with the idea of suburbia. The sidewalk, front yard, middle class, ubiquitous rows of homes have grown with a generation of young people, and now with a second and third. The neighborhoods and houses themselves have become symbols of something beyond their function that Strange’s work seems to seek and find. Check out the video to get a preview of the upcoming exhibit.
Film maker and photographer Michael Shainblum captured familiar city scenes in a way you’ve likely never seen them. Shainblum captures time lapse sequences of cities such as Las Vegas, San Francisco, Los Angeles, and Chicaog, then folds it in on itself. The urban landscapes are seamlessly divided and replicated into four segments. In a strange way, this hypnotic abstraction of the city nearly seems to make it easier to see the city as whole. Each metropolis appears to pulse and glow as if it were a living being or complex computer system. The video allows the viewer to step back and see the city as a complex collective system. [via]
Experimental design/art studio Cohen Van Balen‘s new project 75 Watts features an actual factory, assembly line, and workers. However, the product the assembly line workers are constructing does absolutely nothing. Well, almost nothing. The purpose of the product is simply to choreograph the movements of the workers as they construct it. 75 Watts illustrates the complex dance of production, consumption, and the human relationships therein regardless of the product. The project received its name from a rather creepy quote from the book Marks’ Standard Handbook for Mechanical Engineers: “A labourer over the course of an 8-hour day can sustain an average output of about 75 watts.” Check out the video to see the dance of the pointless product.
Dutch artist Iepe Rubinigh and the Anonymous Crew took the term “street art” very literally with their piece Painting Reality. The group, equipped on bicycles, purposely spilled over 130 gallons of eco-friendly water soluble paint in a Berlin’s busy Rosenthaler Platz intersection. The cars then acted as brushes spreading the various colors through street. An abstract painting detailing the fluid-like flow of traffic unfolded over the next several minutes and 2,000 cars. Painting Reality introduced pleasantly bright color to otherwise drab asphalt. More than that, though, the “strokes” of paint documented the moving life of a city. Check out the video to the see paint drop and spread.