Experimental design/art studio Cohen Van Balen‘s new project 75 Watts features an actual factory, assembly line, and workers. However, the product the assembly line workers are constructing does absolutely nothing. Well, almost nothing. The purpose of the product is simply to choreograph the movements of the workers as they construct it. 75 Watts illustrates the complex dance of production, consumption, and the human relationships therein regardless of the product. The project received its name from a rather creepy quote from the book Marks’ Standard Handbook for Mechanical Engineers: “A labourer over the course of an 8-hour day can sustain an average output of about 75 watts.” Check out the video to see the dance of the pointless product.
Dutch artist Iepe Rubinigh and the Anonymous Crew took the term “street art” very literally with their piece Painting Reality. The group, equipped on bicycles, purposely spilled over 130 gallons of eco-friendly water soluble paint in a Berlin’s busy Rosenthaler Platz intersection. The cars then acted as brushes spreading the various colors through street. An abstract painting detailing the fluid-like flow of traffic unfolded over the next several minutes and 2,000 cars. Painting Reality introduced pleasantly bright color to otherwise drab asphalt. More than that, though, the “strokes” of paint documented the moving life of a city. Check out the video to the see paint drop and spread.
Night Stroll is a new digital short from Japanese filmmaker Tao Tajima. In the film, quick moving abstract light patterns pulse through otherwise quiet Tokyo streets. The light patterns are impressively realistic and almost resemble the light painting of still photography. Bright bursts of shapes are reflected in wet streets and cast shadows from behind trees and street corners. Though there is little information regarding the film’s production, Tajima seems to have skillfully created the light patterns digitally. He executes a simple idea very well – simple but realistic light dances as if it were alive and alone in the city. Check out the video to see what the GIFs only preview.
Photographer Simon Christen calls Adrift, his two year in the making video, “a love letter to the fog of the San Francisco Bay Area.” The often daily fog is just one feature that makes the San Francisco peculiarly wonderful. Christen worked through out the two year period to catch the images fog a few seconds at a time. An ocean of fog appears to flow like water down hills, through and under the Golden Gate Bridge, and into the city. Set to a custom score by Jimmy LaValle of The Album Leaf, Adrift underscores the beautiful mystery of unique area.
Strata #4 is a two channel video by the artist known simply as Quayola. For the video, Quayola used images of two grand altarpieces by Rubens and Van Dyck. He worked with an HDR photographer to obtain huge 20,000 by 20,000 pixel images of the work. Then using unbelievable computing power and algorithms Quayloa investigates each masterpiece’s underlying structure, composition, and color. Strata #4 at turn resembles 20th century abstract renditions of the baroque work. Yet his video squarely part of a New Aesthetic, part of a 21st century sensibility.
Graffiti artist Sofles is the subject of a new video from Selina Miles titled Infinite. The video captures Sofles as he gets to work. Through time-lapse Sofles is captured wandering through a huge building, perhaps an old school or warehouse. He puts up pieces, tags, murals – over twenty throughout the video. Sofles’ impressive work ranges in size from quick tags to huge rolled murals and styles that are similarly varied. Be sure to check out the video Infinity after the jump. [via]
YouTube user brusspup blends science, illusion, and art into double-take inducing videos. Sand is used to create amazing patterns that are called Chladni figures. Brusspup pours sand on a metal plate that is connected to a speaker and tone generator. Various frequencies create different patterns of sand on the plate, higher frequencies creating more complex figures. Different portions of the plate do not vibrate with each frequency. The sand naturally accumulates in these areas of no frequency, creating a visualization of the sound traveling the metal plate. [via]
In a way, endlessness is a fundamental characteristic of gifs. However, the work of Turkish artist Erdal Inci, highlights this aspect of a medium in a style that is especially hypnotic and creepy. Inci has worked in video for nearly ten years. He’s since translated work into gifs using his same clone and light effects. In them, he seems to produce an endless hoodied army of himself marching, sliding down handrails, hopping up and down stairs. Though the action is brief, its repetitive nature makes it difficult to pull away your eyes. All of the Erdal Inci clones in lockstep trudge on together until we manage to close the window. [via]