Last but not least is Polish artist Wojciech Kosma who spent took some birthday shots with us last Friday. Wojciech lives between Berlin and London, working between art and composition. His artworks and performances are often spatial, sonic, obliquely interactive and poetic, creating speculative aesthetic interventions and oft times deal with pain and endurance: how long an audience can extend their short attention span to “endure” an image that does not change drastically, how long a female performer could perform the act of oral sex on a microphone, or how to “Count down and come or fail to come on one.” Wojciech’s answers were brief but to the point, you can check a more in-depth interview by Johanna Reed (who performed his piece Friday night).
Thank you so much everyone who came to the show this weekend. Videos and audience did indeed collide with each other. I’d like to congratulate everyone involved in the show and thank you for making it a success!
There’s still 2 more interviews left in the series! Please check out Zeesy Power’s interview after the jump. She’s honestly one of a few people who’s got the most um, balls, that I’ve ever known. Her experience trying out the I Will Tell You Exactly What I Think Of You For $5 series Beverly Hills right after landing in the US: “Few passersby, mostly homeless. No contact. Beverly Hills Coffee – Heavy discouragement from blonde barrista, ‘the boss would be mortified’. Also advised that agents from William Morris would be unimpressed. Suggested I try the parking garage instead.”
There is never a dull moment in Jeremy Bailey’s performances – I’d like go ahead the deliveries of his stand-up/software demos/karaoke sessions as the funnier “artistic” Steve Jobs. In “The Future of Theatre” debuting tonight, he plays “this hopeless and foolish slave trying desperately to conjure his machine to do increasingly absurd tasks of questionable use. Computers are the new chauvinist modernists.”
Los Angeles Ben Bigelow is an extraordinary image-maker and narrator. His newest piece (cowboy and old-western influenced magic) debuts for the first time ever at the Videos Collide in Real 3D Space show tonight! Doors open at 8PM, show starts very promptly at 8:30PM. Bring your loved one, bring your arch-nemesis, your parents, your cyber crush, whoever it is, you’ll all walk out of it excited for the possibility of banishing YouTube and Vimeo and watching time-based art in REAL 3D SPACE.
Matt Barton mixes artificial and natural, jest and earnest, high and low technologies in an attempt to blur the borders that separate, promoting a sense of totality and oneness of reality. He instills a bit of wonder in the lightest possible sense; tickling a remote nerve ending in the imagination and stimulating atrophied curiosity. Watch out for wired-up woodland creatures, video games, and the unexpected surprise sense that you are watching yourself as you are performing familiar routines…
Next up on the B/D Interview (Chat) Roulette is master of disguises Joseph Gillette. Joseph continues to explore the ocean depths as well as D E E P S P A C E in his Party Food performance series. This show debuting at Videos Collide in Real 3D Space features screwed up music, puppets, poop jokes, and Real Life experience. Read the interview after the jump!
Starting today I’ll be posting interviews I’ve conducted with artists participating in the live video/performance art show I am curating, presenting itself in it’s entirety and in REAL LIFE 3D SPACE this weekend. Not only are the videos colliding, so are the performers- meeting minds from Berlin, Canada, Colorado, the 310, 818, and 323, holler! This will also give me a great opportunity to showcase (you should really you know… come to the event) everyone’s work because it’s an awesome roster of young artists crazy enough to come and do this. I also want to thank Megan, my partner in this comedy duo, and all the artists as well.
Megan May Daalder is an instigator of social experiments and a self-styled guinea pig. She has a BA from UCLA’s Design Media Arts department, but most of what she knows has been passed down from her radical Dutch ancestors and a Texan pinball wizard.
I am curating, along with lovely cohort Megan Daalder, a video/performance titled Videos Collide in Real 3D Space (probably the most apt title ever) art show debuting at Los Angeles loft space Five Thirty Three Gallery next weekend. What does a video/performance art show consist of, you ask? First off, we’d like to pose this question: when any and all media is available online, what added value, if any, do physical exhibition spaces offer? The artists (coming to LA from as far as Berlin, Canada, and Colorado) participating in this LIVE (!!) event offer their bodies as a mode of communication between media, the audience, and performance. There will be choreographed large-scale projected animations, a projector used in a way that you’ve never thought, 7ft tall cacti sculptures, the augmented reality “future of theater”, a tribute to Karl Sims though body slamming imitations, video-game playing taxidermy animatronics, and general havoc breaking and re-building of general theater conventions. The relationship between you and screen will have never seemed so real and and so much of an experience. I’ll be putting up some interviews with the artists soon, look out for them!
Check out the details after the jump, as well as artist Jeremy Bailey’s promo vid above.