At Beautiful Decay we are beginning to bring our readers weekend coverage, where we’ll be sharing micro art trends of the unusual and unexpected every weekend. And we figured what better way to start than with dessert?
The work featured here of artists Peter Bugg, Rebecca Holland, William Lamson, Aude Moreau, Navid Nuur and Kara Tanaka demonstrates that diverse ways confection can become conceptual. From the painstaking process of Moreau’s Sugar Carpet (which uses 4,500 pounds of loose Domino sugar) to the haunting ephemerality of Tanaka’s Social Leveler (When Immortality Became Uncouth), the use of sugar as a medium, sometimes in combination with other materials, becomes an expansive tactile vehicle.
I know. Anyone can string banana-hostages to a perfectly innocent tree; the gesture is simple enough, but who ever would’ve thought to do this? The playfulness, exuberance and creativity in William Lamson’s little “interventions” make you reconsider space, how we interact with it, and how we see the world. I just imagine attempting to climb to the top of these slippery slapstick yellow rungs only to discover what I’m dealing with is not a playstructure tree but…bananas. And if that’s not enough, check out the vid after the jump that shows the artist in a Hell-raiser style mask, made entirely of bananas with dynamite wicks on the end. One by one he lights them, causing them to explode in Chiquita’s ultimate pimple/fruit popping extravaganza.