Working in her studio in Sausalito, CA, sculptor Sophia Collier uses a combination of acrylic block and algebraic function (with a little help from a CNC router), to carve sculptures of wind. The clear, floating relief works look like freeze-frame slices of the water’s surface. She spends a great deal of time replicating the effects that both wind and light create on a large body of water using custom rendering software and sound recordings of the wind. Collier carefully mimics its movements and reactions with a series of digital “brushes” she has created, working to develop unique strings of information to carve out each piece. The sound waves move and fluctuate in the digital space just as they do in the physical realm—and the result is a crystallized portrait of the wind, giving the visual effect of sunlit water. She outlines her entire process here.
The site specific installations of Magnus Sönning investigate space and the structures that inhabit it. In a way, his Wind Passages bring the outside indoors. The small raised corridors allow the wind (and at times rain) to flow right through a building. His work emphasizes the space that we live in. It encourages us to think about the world prior to the existence of the the structures of everyday life. Other works of Sönning take pieces of buildings – ceilings, floors, walls – out of context and puts them on display. These pieces create further opportunities to investigate structures we simply pass through each day.