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Illustrator Mike Frederiqo Twists Fashion Icons And Designers Into Their Own Logos

Karl Lagerfeld + Chanel

Karl Lagerfeld + Chanel

Marc Jacobs

Marc Jacobs

Burberry

Burberry

Riccardo Tisci + Nike

Riccardo Tisci + Nike

Mike Frederiqo is a 23-year-old Dutch illustrator with a healthy dose of talent and humor. You may have seen his other works circulating the internet, including his combinations of BAPE’s fashion logo with Andy Warhol’s Campbell’s Soup Cans, or his images of Sponge Bob as Coco Chanel, Karl Lagerfeld, Terry Richardson, and more. In his more recent series, he has taken his illustrative interpretations of the fashion world a bit further, utilizing the bodies and faces of high fashion icons and their collaborators to recreate famous logos. Among the images you’ll see Lagerfeld and choice model Cara Delevingne completing exaggerated backbends with elongated arms and legs to form Coco Chanel’s interlocking Cs; elsewhere, editor-in-chief Anna Wintour twists into the name “Vogue” (while holding what appears to be a Starbucks coffee). In an interview with Life and Times, Frederiqo explained his inspiration for the series:

“You see so many illustrators taking those famous logos and making fun of them — almost in a negative way. So, I wanted to do something in a positive way with the logos that were recognizable. And what is more recognizable than the Coco Chanel logo?” (Source)

Based in good humor and playfulness, Frederiqo’s stylish logo recreations have a way of grabbing our attention and making us laugh. Logos are a vital part of a brand’s identity, representing their international, high-ranking status and presence. Frederiqo’s illustrations remind us of the real human beings behind these labels; we recognize the logos (and the significance of their names in the fashion world), but when given faces, they become lighthearted, tangible, and funny. Frederiqo’s works poke fun while also nodding in homage.

Check out Frederiqo’s Facebook page and learn about his work. You can read the interview with Life and Times here. (Via Honestly WTF).

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Artist Myriam Dion Snips Into Newspapers To Capture Flickering Portals Of Light

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With the precision of an expert glass cutter Myriam Dion snips into the front pages of newspapers to produce an alternative look into current events. Her sharp tools create striking portals of light flickering through pieces of paper which have been crafted to produce a stained glass window or lacey embroidered effect. The dizzying number of cuts are similar to the marks a painter uses to create canvas.The negative space created from Dion’s labor enhances the grainy newsprint which turns more impressive when the paper’s color photographs are used. These resemble light and airy woodblock prints giving it an arts and crafts sensibility.

Dion has made several installations including a project which covered the windows of a government building in Montreal. It referenced the slatted arches seen in gothic style architecture commonly used in old churches each page filling the space with expertly cut and designed sheets. In another a waterfall effect of color newsprint photographs set in a line razored to resemble punctured curtains become a more conceptually minded piece when the paper’s residue is left behind.

Dion is a Canadian artist currently attending the University of Quebec. She first began creating this unusual work in an  attempt to reinterpret the state of print journalism. (via honestlywtf)

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Alex Garant Adds a Twist on Traditional Portraits Of Women With Multiple Eyes

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Artist Alex Garant paints dizzying works of women that have multiple eyes and are seen in double vision. The traditionally-styled oil paintings are a unique take on the standard portrait, as they combine optical-illusions, realistic renderings, and repeat patterns. This offers a graphic element to her compositions where the background and foregrounds fuse to flatten the entire thing.

Garant finds inspiration in early ink printing, vintage pop surrealism, baroque tapestries, and retro kitsch. So, it’s no surprise that we see these patterns edging on and covering the faces of these subjects.

According to the artist’s website, she uses “patterns, duplication of elements,  symmetry and image superposition as a way to engage the viewer into her imagery.” The standard, front-facing portraits are made unique with offset facial features and a clash of visual cultures throughout time. (Via L’ACTE GRATUIT)

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Jess Riva Cooper’s Beautifully Grotesque Ceramics Celebrate Death And Decay

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The ceramics of Jess Riva Cooper are gross, majestic, fragile and poetic. Her Viral Series is a collection of clay heads bursting with groups of insects, tree roots, branches, leaves, flowers, stems and buds. Mostly white with a heavy glaze, Cooper subtly decorates areas of her sculptures and adds accented color. The pieces show a beautiful understanding of the circle of life, or rather how things are destroyed and created simultaneously. Cooper talks about how something seen as destructive and parasitic is no different from the form it is overtaking. She treats all areas of life as equal, and each creepy crawly is as beautiful as a lotus flower.

My work, Viral Series, is a continued exploration into the death and regeneration taking place in deteriorating communities. Places and things, once bustling and animated, have succumbed to nature’s mercy. Without intervention, nature takes over and breathes new life into objects, as it does in my sculptures. (Source)

Cooper has researched heavily into different cultures and how this same idea is treated. In most eastern philosophies, the idea that birth and death are part of the same spectrum rings true. She takes that idea further and looks a bit deeper into one culture in particular:

I also study the foundation myths of the Golem and Dybbuk spirits in Yiddish folklore and reinterpret these traditional stories through a female lens. I see a direct parallel between my interest in insidious plant life and a malevolent Dybbuk spirit, which takes over the human body. In both situations a loss of control is suffered as the parasitic entity subsumes the host. (Source)

Cooper’s ceramics remind us that even though things of beauty are there to be admired and celebrated, it is also a fine thing when those things are disrupted and replaced by other things.

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Shawn Huckins Replicates Paint Swatches While Integrating Imagery Into Every Hue

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The detailed paintings of Shawn Huckins portray common, day-to-day imagery while flawlessly integrating it into what seems to be miniature paint swatches. Although you may think that the artist paints directly on tiny paint cards used as color samples at hardware stores, but they aren’t actually small at all. In fact, these are not real paint cards, they are fairly large paintings that, thanks to Huckins’ finely crafted skill, are made to replicate exactly the different hues and segments of a paint card. If this was not impressive enough, the realistic imagery included in this series titled The Paint Chip Series, seem to fit perfectly into their settings. He creates a breathtaking mountain range on top of ”Cool Jazz” blue, and a “Pacific Sea Teal” has a pool splash erupting from its color patch. However, not all of Huckins’ imagery perfectly matches their chosen color. Many of the swatches have an unexpected twist, as his “Spring Moss” yellow has a car melting and sinking into the rich tone.

Huckins’ work is inspired by the beauty in the everyday, along with influential artists like Ed Ruscha and Andy Warhol. His work explores common imagery, like people sitting in chairs and an employee pushing a shopping cart, and their role in our lives. Even the paint cards are familiar objects that one might find in any home improvement store. Huckins explains these universal commonalities as a way to connect to our everyday surroundings and explore their meanings.

Mimicking the exact proportions, font, layout, and hues of miniature paint cards found at a nation-wide home improvement store, bands of color we may choose for our most intimate spaces—bedrooms, kitchens, family rooms—are an ideal stage to examine the everyday people and objects that occupy our world.

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Julien Salaud Creates Stellar Caves With Glow In The Dark Thread

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Julien Salaud is a French artist who creates incredible thread drawings that light up like constellations under ultraviolet light. His otherworldly installations feel larger than life and look like futuristic cave paintings, brimming with both raw primitive energy as well as evoking the sense of some neon-splattered future.
His latest series of installations, called Stellar Cave, brings to life a mythology of their own. Their pantheon includes scenes from the natural world: birds of prey caught in mid-flight, deer-like creatures, and even a human figure who seems draped in the regalia of some minor forest god.
In an interview with Trend Tablet, Salaud says:
“There are different kinds of beauty. I suppose the one I am interested in is like a fruit: I am not following a logical analysis, and I am not trying to have some concept. I am rather into contemplation, which implies taking some time.”
Observing Salaud’s work from the darkness enables viewers to reflect and contemplate the world as we know it from a different point of view — one that seems almost extraterrestrial. (via This Is Colossal)

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Meghan Smythe Sculpts The Fleshly Contortions Of Passion And Death

Young Unbecoming (2015). Ceramic, glaze, glass, resin, epoxy, and plasticine.

Young Unbecoming (2015). Ceramic, glaze, glass, resin, epoxy, and plasticine.

Young Unbecoming (detail view) (2015).

Young Unbecoming (detail view) (2015).

Lunacy (2015). Ceramic, glaze, glass, resin, epoxy, and plasticine.

Lunacy (2015). Ceramic, glaze, glass, resin, epoxy, and plasticine.

Coupling (2015). Ceramic and glaze.

Coupling (2015). Ceramic and glaze.

Meghan Smythe is a California-based (Canadian-born) artist who creates expressively disturbing sculptures of crushed flesh and glistening viscera. The muted, peaches-and-cream colors are initially deceiving in their innocence; emerging from the twisted monuments are dismembered and defleshed body parts, shaved down and mashed together. Like a theater of the grotesque, faces gasp from beneath piles of entrails and moldering skulls, and limbs reach and splay in dynamic expressions of violence, love, lust, and tenderness. Much like the contortions of passion and death, the energy rolls throughout the compositions, oscillating between states of vigor and exhaustion. Leah Ollman, having reviewed Smythe’s recent solo show at the Mark Moore Gallery, provided this spot-on description of “Young Becoming” for The Los Angeles Times:

“Limbs are entwined, tongues extended. Clay is rarely, if ever, this carnal. Some of the skin is mannequin-smooth but veined with cracks. Some seep a pink foam or a pale fecal flood. Erotic pleasure plays a part here, but is only one of many competing charges” (Source).

By displaying representations of body parts in surprising (and unsettling) reconfigurations, Smythe brings the charges of pleasure and agony, beauty and squalor to the operating table. Displayed for us are simultaneous births and deaths, made almost indecipherable by the material realities of the body: the fluids, the waste, the mess of living, and the will to survive. In “A Light Culture”, for example, a man with a severed arm and scarred flesh sits quietly, wounded but pensive, while a disembodied hand gropes at his erection. Elsewhere, in “Lunacy”, a decapitated subject grimaces in despair while reaching for his heart. More tenderly still, in “Coupling”, two hands lie adjacent to each other and touch lightly. In moments of both intimacy and horror, Smythe turns the possibilities and limitations of the flesh into sculptures and makes them strangely beautiful.

Visit Smythe’s website and the Mark Moore Gallery to learn about her work and see additional images. Check out Ollman’s article for a captivating description of the solo show.

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Salavat Fidai Fashions Minuscule Pop Culture Sculptures Out Of The Tips Of Pencils

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Russian artist Salavat Fidai creates miniscule sculptures with a ubiquitous yet unusual material – graphite pencils. Their tips are fashioned into figures of pop culture like Yoda, Bart Simpson, Batman, and many more. The amount of detail that Fidai achieves is impressive considering the scale of these figures. Eyes, feathers, and the draping in Yoda’s robe is all expressed through angular carving. Considering how dark the graphite is and all of the characters’ tiny features, Fidai might’ve used a softer lead for his work. A pencil in the “B” would probably be easier to cut and form.

It’s possible to buy one of Fidai’s creations. He has them for sale in his Etsy shop. In addition to these unconventional sculptures, the artist also sells paintings on pumpkin seeds. (Via Demilked)

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