Remember that one time you visited a haunted house and you swore the painting’s eyes were following you? Or perhaps you can recall the last time you saw a painting that was so convincing, you couldn’t believe it was a painting? Alexa Meade is an installation artist who bridges that gap. She paints on anything from found objects to live models for her installations. She has a show opening at Postmasters Gallery in NY on April 2.
Eric Franklin‘s sculpture’s glow with a certain life. Though the series focuses on skulls and skeletons, it isn’t exactly dead. These skulls are carefully made of flameworked glass, or glass melted and shaped with a torch. The hollow skulls are then filled with ionized neon, krypton, and mercury gases. The ionized gases cause the skulls to glow from within complimenting their eery shape. [via]
Tom Price melts a lot of plastic in his work. He bends the distinctly man-made material to his specifications, creating highly conceptual chairs, tables, trees, and other objects. It’s easy to see which aspects of Price’s sculptures are the result of his molten process, and some element of intense heat and power lingers long after required cooling periods. You can almost feel the plastics melting in your hands, and smell the awful scent of burning tar. Such lingering power is what makes these works so intriguing. They’re also beautiful, but who’s counting? (via)
We’ve posted David Maisel’s work before. His aerial photographs of open mines depict the colorful transformation of polluted areas. His new project, Library of Dust, catalogues individual copper canisters containing the unclaimed remains of patients from the Oregon State Insane Asylum who died sometime between 1883 and the 1970s. Each canister’s chemical decay is uniquely colorful; the aesthetic resonates with transformation indicated in his aerial photography. “Among my concerns with Library of Dust are the crises of representation that derive from attempts to index or archive the evidence of trauma; the uncanny ability of objects to portray such trauma; and the revelatory possibilities inherent in images of such traumatic disturbances. While there are certainly physical and chemical explanations for the ways these canisters have transformed over time, the canisters also encourage us to consider what happens to our own bodies when we die, and to the souls that occupy them.”
Place, placed in Argentina, plays with parts of people and pieces of precipitation. Oh, and is really good at creating surreal and beautiful images. Their most current project is for MTV, making MTV just a little bit cooler (what with no music videos aired anymore, they sure need it).
Steven Charles has a show of new work up now at Stux Gallery in Chelsea. Although he was friendly meeting Steven for the first time was a little unsettling. It felt a little like I imagine spiritual seekers felt like when they met the Maharijji in the 1960s’, like meeting some strange saint. I met him through Aaron Johnson who told me Steven was one of his favorite painters.
During the studio visit Steven and I talked about how he was working as a janitor, but just a couple of years ago he was selling paintings for six-figure sums. He was another victim of 2008, but he didn’t seem bummed out. In fact, he was just going along, and to use another Maharajji idea, he seemed very present. His painting method involves creating something to react to: a painting could start by splashing paint on a surface or by gluing a kid’s sock to a board. Click read more to see his work in progress.
Intricate patterns, lines and geometric motifs drawn with a Bic, a classic French ballpoint pen. Jonathan Bréchignac, head designer of the JoeAndNathan studio based in Paris fills rather large white pages with complex drawings. The first few ones of his ‘Carpets’ series were meant to represent by their sizes, shapes and ornaments; a Muslim prayer rug.
Jonathan Bréchignac takes about six to eight months to complete a design. He painstakingly depicts directly on paper. He traces directly with no draft before hand. What he designs is directly inspired by Muslim art and architecture. He smoothly blends traditional non-figurative Arabic patterns to modern motifs and elements from French Roman, traditional Japanese, Native American and Mexican culture.
Why does he uses a Bic? A Bic is a typical french pen with a fine point which allows to write and trace minuscule details. It’s cheap, effective, lasts long and has been used for decades from French students to workers in factories. It’s the equivalent to a yellow pencil for Americans.
There’s no rush or deadline when Jonathan Bréchignac starts working on a piece. He likes the idea of dedicating some of his precious time to a long process achievement. In his field, making sketches and pitching ideas can take quite a long time and can be thrown away in a matter of seconds. The idea behind the Muslim rug drawings is to create a long lasting and pleasurable work of art. (via Design Boom).